• 한국의류산업학회지
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• 제7권2호
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• pp.237-246
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• 2005

In this study, researcher intended to extract the major factors of makeup design from Yangju-beolsandaenori-tal(masks) and Songpa-sandaenori-tal which have been handed down to the present among many kinds of the Korean folk masks, and to apply those factors to the modernization of traditional culture in terms of makeup design. The 17 Sandaenori-tals exhibited at 'The special exhibition of the Korean folk masks' in 1981 by the national folk museum of Korea were selected as the objects of this research. The formational analysis in terms of shape, color and material was conducted. The 5 factors of this analysis are as follows; face and hair, forehead, eye and eyebrows, mouth and nose. The beauty expressed in Sandaenori-tal includes naturalness, eccentricity and good-humor. The human feelings are expressed candidly and simply through naturalness. The eccentricity in Sandaenori-tal overemphasizes the shape of mask unsymmetrically. And it is expressed ghostliy in black, white and red colors. The good-humors in aesthetic viewpoint was expressed in surprised faces and innocent smile. Researcher applies the good humour to the art makeup in strong natural colors and shapes.

• 복식
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• 제51권3호
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• pp.155-170
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• 2001

This study is about investigation of the historical value of Wanghoido(王會圖) and Bungekipjodo(蕃客入朝圖) and examination of the costumes of the Envoys from the Three Kingdoms drawn in the paintings above. Wanghoido(王會圖) is presumed to be painted around early 7th century. This is a colored picture on silk on which twenty-six Envoys from twenty-four Kingdoms are painted. Bungekipjodo(蕃客入朝圖) is presumed to be painted in the early 10th century. This is drawn on paper with only black brush line, no color. There are thirty-five Envoys from thirty-one Kingdoms in the painting. Wanghoido(王會圖) and Bungekipjodo(蕃客入朝圖) are the important materials which are useful to understand the original Liangjlkgongdo(梁職貢圖). From the records about interchange of the Envoys in the early 6th century, the characters and costumes painted in Wanghoido(王會圖) and Bungekipjodo(蕃客入朝圖), the copy of the original Liangjikgongdo(梁職貢圖), get the reality. The Envoys from Koguryo(高句麗), Paekche(百濟), and Shilla(新羅) painted in the two paintings above are all wearing Jangyu or Yu(장유 or 유; an upper garment), Go(袴:trousers), Kwanmo(冠帽:headdress), Dae(帶뿔:belt), and Hwa(靴:shoes). But they differ in some aspects. For example, the shape of the Kwanmo(冠帽), hair style and patterns on the costumes, etc.

• The International Journal of Costume Culture
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• 제13권1호
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• pp.37-41
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• 2010

It is a universal phenomenon for people to establish ideal images of man according to a specific time, society and race. Thus, people have invested endless endeavor to reach the standard of ideal image. Especially, they made efforts to embody the ideal image of man as a perfect human image using appearance feature like a human body and clothing. Shi jing(詩經) is considered as a very valuable source book which reveals the life style, customs, thinking, ideas, and emotion of people of that period. The purpose of this study is to analyze the ideal image of man and woman which ancient Chinese pursued, focusing Shi jing(詩經). The results are as following. The ideal image of man is nice, handsome, dignified, generous and gentle. Besides, he should have adequate sense of humor, tall height. clear eye, broad forehead, moderate and upright behavior, outstanding horsemanship and marksmanship and braveness. Meanwhile, the ideal image of woman was described as gentle, decent, and graceful. Also, she should have tall height, light complexion, pretty hand, long neck, broad forehead, clear eyes, and charming black hair. The ideal beauty of woman included nobility and elegant personality in addition to the good physical appearance.

• 패션비즈니스
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• 제17권6호
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• pp.76-87
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• 2013

The purpose of this study is to understand how the silhouette changed throughout 1970s and assess how US women express their identities through their dress, which may explain societies' attitudes through the way women dresses. US Vogue fashion magazines were used to explore all the information on fashion and style trends, social trends, beauty, and travel. A content analysis was performed on the issues of the March and September for the years 1970 to 1979. The findings for this study about the 1970s were all about perpetual change, constantly moving forward with innovation. The color ranged from bright, cheery and bold to deep and passionate to subtle neutrals. There were a few constant colors through the decade like white, black and navy. Occasionally the trend would completely change from one season to the next within the same year. They would be full and oversized and then be slim and body conscious. The one trend that stayed true for the entire decade was wrapping. Skirts, pants, dresses, tops, shoes and jewelry; everything wrapped in one-way or another. Clothes steadily became more revealing as the years progressed. Fabrics over all were soft and knitted. Casual and comfortable was the phase heard most often. In the 1970s there was constant change in prints. They were bold and large or subtle and small, ethnic or floral. Hair was mostly smooth and sleek however towards the style moved to a fuller look.

• 패션비즈니스
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• 제20권2호
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• pp.78-96
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• 2016

This study investigated the colors of the costumes and backgrounds of characters in the fantasy film, Alice in Wonderland(2010) by Tim Burton. The methods used were literature studies including related books, articles and internet materials, and positive research with DVD color analysis. Twenty-one scenes were selected by the researcher. Five scenes were selected from novel and film components representing, exposition, complication, crisis, climax, and denouement. After controlled pixel by photoshop program and the represented colors, hues and tones were analyzed. The results were as follows; First, in four characters, Alice's dress colors changed depend on the situation and the passage offered from blue to red, metal light, and blue green. The Mad Hatter's colors were orange with green which signified madness and passion. The Red Queen's red dress and blue make up represented countrified and evil. The White Queen's all white dress and hair, black eyes and vivid red meant purity and nobility. Similar characters' colors were limited. Second, the background colors, especially tones were an important component of the fantasy image. These were different for each type of scene in the film such as exposition, complication, crisis, climax, and denouement.

• 한국동물위생학회지
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• 제35권3호
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• pp.207-213
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• 2012

The trunk conformations of the Gyeongju Donggyeongi (GD), Korean native dog was measured in the present study. Also, the information of reproductive activity was investigated in GD dogs. A total of 73 dogs were randomly selected out of 121 dogs in the Gyeongju County in July 2010, which were registered by inserting electronic chips in the withers. The hair colors of the GD were white, yellow, black and tiger brindle, the mean withers heights were $45.46{\pm}4.17cm$ and $49.28{\pm}3.56cm$ for female and male dogs, respectively The mean body length to withers height ratios were 117.63% and 116.4% for the female and male dogs. Concerning the reproductive capability of the GD, the mean litter number was $4.6{\pm}1.7$, the optimal mating time was $12.5{\pm}2.3$ days after the rutting season and the mean gestation period was $60.2{\pm}2.8$ days. The results of this study would be useful for compiling the official standard for the adult GD.

• 패션비즈니스
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• 제4권1호
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• pp.33-44
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• 2000

The purpose of this study is to research Miao ethnic costume which have been distinctly expressed differences according tribes and areas, present fashion design reflecting image of Miao ethnic costume. Two steps was taken in order to achive this purpose. The first step was to put in order formative characteristics of Miao ethnic costume being based on the Chinese books and domestic research materials. The second step was to study formative characteristics of Miao ethnic costume in comparison 2000A/W fashion trend, illustrate and schematize fashion designs. The results of formative characteristics of Miao ethnic costume are summarized as follows 1. X or H silhouette through skirt & jacket and pants & jacket. 2. Layered look that been twisted around several items. 3. Fine pleats skirts. 4. Refined and splendid color. Black was used main color, dark blue & red purple were used coordi color, vivid color were used accent color 5. Geometrical pattern, cross stitch embroidery. 6. Various ornaments being used silver. 7. Various hair styles and hairdressers. Using above characteristics, this study presneted fusion fashion design combined images of ethnic and techno with dark blue, mustard, blue purple. The target was Forties, professional woman.

• 생명과학회지
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• 제28권3호
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• pp.331-338
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• 2018

멜라닌은 생체 내에서 발모 및 피부색을 결정하는데 중요한 역할을 하는 고분자 물질이다. 하지만 활성산소에 의해 과도하게 생성된 멜라닌은 노화와 관련된 기미, 주근깨와 과색소 침착증 등을 야기한다고 알려져 있다. 이와 관련된 천연물 중 서목태 성분의 하나인 polyphosphate는 자외선에 의해 손상되는 피부 노화를 억제한다고 보고되고 있다. 본 연구의 목적은 멜라닌 합성에 대한 RNEE의 직접적인 효과를 조사한 것이다. 본 연구에서 RNEE는 DPPH radical의 소거효과 및 환원력과 같은 항산화 효과는 없는 것으로 나타났다. MTT 실험을 수행한 결과, RNEE는 농도 의존적으로 세포독성을 증가시켰다. 또한, RNEE는 tyrosinase 활성과 DOPA-oxidation 실험 결과에서 멜라닌 합성을 증가시켰다. RNEE는 살아있는 세포에서 L-DOPA에 의한 유발되는 melanin생성 촉진 효과는 없는 것으로 나타났으나, 과산화수소를 처리하여 melanin 생성을 감소시킨 대조군과 비교시 과산화수소 전처리 후 RNEE를 처리한 군에서는 melanin 생성 촉진 효과가 있는 것으로 나타났다. 뿐만 아니라 RNEE는 tyrosinase related protein-2 (TRP-2)의 발현을 증가시키는 것으로 나타났으며, tyrosinase related protein-1 (TRP-1)의 단백질발현도 대조군과 비교시 $16{\mu}g/ml$의 농도에서 증가되는 것으로 나타났다. 특히 superoxide anion을 과산화수소로 변환시키는 SOD-3의 발현을 조사한 결과 $16{\mu}g/ml$ 이상의 농도에서 대조군과 양성 대조군인 ${\alpha}$-MSH보다 단백질 발현이 증가하는 것으로 나타났다. 그러므로, 이상의 결과는 서목태가 흑모와 관련 있는 멜라닌 생성을 촉진하는 기능적인 잠재성을 가지고 있다는 것을 암시한다.

• 생명과학회지
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• 제28권7호
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• pp.802-810
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• 2018

노화란 나이가 들면서 생기는 몸의 변화로 검은 머리가 흰 머리로 변하는 백발화, 과산화 지질과 단백질로 구성되어 생성되는 검버섯, 주름 등으로 나타난다. 멜라닌은 tyrosine에서 DOPA를 거쳐 산화 중합반응에 의해 생성되는 고분자 물질로 인체 내에 존재하는 머리카락 및 피부 색을 결정한다. 이러한 멜라닌은 melanocyte에서 합성되며, 활성산소에 의해 과도하게 생성되면 노화를 일으킨다는 연구가 보고되고 있다. 본 연구의 목적은 항산화 효과 및 멜라닌 합성에 대한 바나나 껍질 추출물(MPEE)의 직접적인 효과를 밝히는 것이다. MPEE는 DPPH radical scavenging assay와 reducing power assay를 수행한 결과, 두 실험 모두 양성대조군인 vitamin C와 비슷한 항산화 활성을 나타내었다. 세포 실험에 앞서 세포 독성을 알아보기 위해 B16F1 세포에서 MTT assay를 수행하였다. MPEE는 $32{\mu}g/ml$ 이하의 농도에서 세포독성이 없는 것으로 나타났다. 또한, MPEE는 invitro에서 tyrosinase 활성과 DOPA-oxidation 뿐만 아니라 살아있는 세포에서 멜라닌 합성을 증가시켰다. 더욱이, $H_2O_2$로 세포를 노화시켜 L-DOPA 실험을 수행한 결과, MPEE는 멜라닌 합성을 증가시켰다. 단백질 수준의 발현을 위한 Western blot 분석을 수행한 결과, TRP-1, TPR-2와 SOD-2의 발현 수준은 MPEE의 존재 하에서 증가되었다. 이상의 결과는 MPEE가 항산화 소재로 멜라닌 합성을 촉진시킨다는 것을 암시하고 있다.

• 동아시아식생활학회지
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• 제7권4호
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• pp.512-518
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• 1997

알루미늄 등 중금속 오염이 점점 심화되고 있는 서해안 일부지역에서 포획되고 있는 46종의 어패류 중 알루미늄 함량의 평균은 88.38$\pm$189.03ppm으로 그 범위는 0.97-827.70ppm이었는데 24종의 생선 중 알루미늄 함량은 그 범위가 0.97ppm에서 45.12ppm으로 건실치에 가장 많았고 도미에 가장 적게 함유되어 있었다. 15종의 연체류가 함유하고 있는 알루미늄 함량은 3.40ppm에서 827.70ppm으로 그 차이가 매우 컸는데 복족류인 소라에 3.40ppm으로 가장 적게 함유되어 있었고 이매패류인 대합에 826ppm, 해락에 812.55ppm으로 가장 많이 함유되어 있었다. 7종의 젓갈의 알루미늄 함량은 2.50-295.15ppm으로 그 차이가 컸는데 황새기젓과 한치젓에는 그 함유량이 낮았지만 조개젓과 곤쟁이젓에는 많은 양의 알루미늄이 함유되어 있었다 생선과 연체류 및 젓갈중에 함유되어 있는 알루미늄 함량간의 유의차를 검증한 결과 연체류의 알루미늄 함량이 생선과 젓갈에 비해 유의적으로 높았다(p＜0.01), 이는 일생동안 주거지를 크게 움직이지 않는 생육조건을 갖는 이매패류의 특성때문으로 사료된다.