• Title/Summary/Keyword: auspicious omen

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A Study on Women's Costume Design of the Miao in China (중국 묘족 여자복식의 의장학적 연구)

  • 김희섭;임영자
    • Journal of the Korean Society of Costume
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    • v.44
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    • pp.215-233
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    • 1999
  • The Miaos have their own peculiar and luxurious transtional culture a they have experienced repeated fusion into and resistance againt the Han Race or the chinese in their long and old history. And the traditional culture of the Miaos is abundant and diverse in several respects. Because it has taken root in foundation of their simple and native environment. it is embracing abundant and diverse contents. They largely used as the theme of patterns factual materials such as natural objects easily accessible in the natural environment. those related to marratives reflective of ethnicity, animals and plants symbolic of auspicious omen, peace, happiness and good harrest with prosperity and abundance. And they not only crossornamented natural patterns and geometrical patterns by combining them but also geometric patterns alone. It can be seen that Miaos represented patterns with exaggerated formation, overlapping and modification and the comprehensive, fomation of natural forms, abstract formation etc. Seeing the ethnic costume of Miaos investigated in these several respects by the standard of contemporary beauty it is thought that it has the infinite possibility of being used in contemporary fashion design on account of the characteristic of almost perfect costume.

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A Study on the Decorating Design of the Handrail in the Korean Traditional Dwelling Houses (한국전통주택 난간의 의장성에 관한 연구)

  • 김태연;윤재웅
    • Journal of the Korean housing association
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    • v.10 no.4
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    • pp.83-90
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    • 1999
  • This study is concerned on the decorating design and method of handrail of the old residential houses. The method of studying is proceeding to select and survey the houses identified as the cultural properties that have the value of heritage in the handrail design. The conclusion as following ; Handrail play not only functional part but embellished part. The wood Handrails can be classified in two styles ; One "pyung"(평) style, another "keja"(계자) style. The former is composed of straight lines which looks simple. On the other hand, the latter contains the elavorated decoration which gives solid beauty. In conclusion, the characteristic of the handrail in Korean structure is found in the changing the sense of the lineal and curve beauty into the symmetrical line, and is fund in the variety of the high qualified details. Over its esthetic senses, the residents'hope and need for the goodness such as good omen, rich longevity and getting boys and formed as passive symbolic world, and the auspicious signed letters and the geometric and natural forms of plants, are expressed upon the decorating design of handrail. design of handrail.

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