• 제목/요약/키워드: artistic elements

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빈공방(Wiener Werkstaette) 직물디자인의 예술적 특성 연구 (A Study on the Artistic Character of Textile Design of the Wiener Werkstaette)

  • 임영자;최옥수
    • 복식
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    • 제54권7호
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    • pp.121-134
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    • 2004
  • Wiener Werkstaette(workshop) established in 1903 was an artistic handicraft working group, the central figure of which was an architecture, J. Hoffman. Especially its textile design part established in 1910 produced good results. The textile design part of Wiener Werkstaette took total artwork (Gesamtkunstwerke), which Pursued artistic work in all visual parts of life, as a central concept of their work and tried to insert the artistic creativity into the textile design. Regarding the influence relationship between Wiener Werkstaette textile design and formative art, it was influenced by the geometric tendency of C.R. Mackintosh and the style and motive of Japanese art. From 1910's, bright, vivid and cheerful designs were mass-produced by uniquely using various motives, techniques and colors. The formative significance of Wiener Werkstaette textile design are as follows. Firstly, the pattern includes both rational and sensual elements. Secondly, the aesthetic patterns of Wiener Werkstaette include formative elements anticipating the modernism. The leading artistic sense like this played role of catalyzer through which the golden age of artistic decoration, art deco, came. The significance of the textile was made aware through clothes design . The clothes design made with Wiener Werkstaette textile conveyed message as art to everyone and provided the elite of society supporting them with Proud that they are fashion leader ahead of times and have artistic sense. Wiener Werkstaette textile design like this played big role as an instrument for realizing the total artwork by attaining the new artistic formative fruits.

The Relationship between Traditional Embroidery of Gubang Craft and Modern Fiber Art in Korea

  • Rhee, Soo-Cheol
    • 패션비즈니스
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    • 제8권3호
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    • pp.20-33
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    • 2004
  • The creative energy of the Korean women who pursued spiritual artistic practices under the limited situation of male-dominated confucian society in the Chosun Dynasty(AD 1392 - AD 1910) constituted the background for the development of Gubang Craft. Gubang Craft represented their artistic abilities, moral and family values, and the pursuit of self-esteem. Especially embroidery successfully showed four main elements of Gubang Craft such as embellishment, diversity, femininity, and craftsmanship. This paper is designed to explore how the traditional elements of embroidery works are restored and have influence on the modern Korean fiber art.

조형적 측면에서 본 예술로서의 아이메이크업과 의복과의 상관성 연구 - 2000년부터 2010년까지 패션잡지를 중심으로 - (A Study on the Formative Relationship of between Artistic Eye-Makeup and Clothing - Focus on Fashion Magazine From the 2000's to 2010 -)

  • 김은실
    • 복식
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    • 제62권3호
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    • pp.120-136
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    • 2012
  • The purposes of this study is to analyze the formative relationship between artistic eye-makeup and clothes design by focusing on the period from 2000 to 2010 and to find out the development direction of the next makeup design. This study considered formative theory to analyze the formative relationship between artistic eye-makeup and clothes design of $Marian$ $L.$ $Davis$ and $Marilyn$ $R.$ $Delong's$ theory, and analyzed the formative relationship between artistic eye-makeup and clothes design in an aspect of line and form, color and material, The results are as follows: First, the shapes of the artistic eye-makeup such as tear drops, and rectangular paisleys were similar with the form of clothes such as the hourglass, cylinders and mix-types. Second, monotonic color coordination mainly appeared and sometimes contrast color coordination that induced complex contrast coordination were apparent as well. Third, the objects of the artistic eye-makeup such as glitter papers, spangles and beads had similar features as the material of clothes such as silk and spangle, and contrast was partially used like colors. The results suggest that artistic eye-makeup and clothes have an organic relationship, and artistic eye-makeup is changed with formative elements of clothes.

초등학교 아동의 미술영재성 판별에 따른 인지능력검사모형 구안 (The Development of the Inspection Model about Cognitive Ability according to Visual Artistic Giftedness Identification of the Elementary School Children)

  • 박명옥
    • 영재교육연구
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    • 제20권1호
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    • pp.1-30
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    • 2010
  • 본고는 미술영재성 판별에 따른 인지적 능력과 관련하여 문헌연구와 선행연구들을 바탕으로 미술영재성과 인지능력과의 관계를 고찰함으로써 초등학교 아동의 미술영재성 판별에 따른 인지능력검사모형을 구안하고자 하는 데 있다. 이러한 연구목적을 달성하기 위해 먼저, 미술영재성과 인지능력의 관계를 고찰하여 미술영재성의 구성요인으로서 인지능력의 타당성을 규정한 다음, 앞선 문헌연구를 통해 초등학교 아동의 미술영재성 판별에 따른 인지능력검사모형을 구안하였다. 그리고 구안된 검사모형의 타당성과 신뢰성을 검증하기 위해 일반학급 아동집단과 미술영재 아동집단을 대상으로 검사를 실시하였다. 그 결과 초등학교 아동의 미술영재성 판별에 따른 인지능력의 구성요인으로서 시각적 사고력과 공간 지각력, 비판적 사고력이 논리적, 경험적으로 타당성이 있다고 검증되었다. 이러한 연구의 결과는 앞으로 이루어질 초등학교 아동의 미술영재성 판별에 대한 다양한 모색의 가능성과 미술영재교육 프로그램의 개발에 새로운 접근을 제공해줄 수 있을 것이다.

<뮬란>과 <라이온 킹>에 나타난 색채스타일 비교연구 (Comparative Study on Color Style between and )

  • 김광환
    • 한국콘텐츠학회논문지
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    • 제6권11호
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    • pp.161-171
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    • 2006
  • 색채는 시각이미지 표현의 중요한 조형요소로서 그 표현력이 증대되고 있다. 그러나 색채의 가변적인 특성과 함께 화면 내에서 조응하는 다른 조형요소와의 관계성은 색채의 효과적인 표현을 어렵게 한다. 디즈니사에서 제작된 <뮬란>과 <라이온 킹>에 나타난 그림스타일은 색채사용에 있어서 상당한 표현상의 차이가 있다. 두 작품의 색채사용에 대한 차이점과 그 원리를 규명하여 색채를 적절히 활용할 수 있는 방안을 세우고자 한다. 연구 방법으로는 색채가 가지고 있는 표현적인 특성을 다른 조형요소들과의 관계 속에서 어떻게 활성화시킬 수 있는가의 문제에 초점을 맞추었다. 결론적으로 색채는 빛의 속성 중 하나이지만 빛의 또 다른 속성인 밝고 어두움, 즉 콘트라스트(contrast)에 가장 큰 영향을 받는다는 것이다. 이것은 조형의 질서를 구축하는데 우선적으로 고려해야 할 사항 중 하나이다. 따라서 색채의 표현적인 특성을 강조하기 위해서는 다른 조형요소들과의 관계를 조절해야 하고 특히 명도와 형태의 표현적인 힘을 약화시켰을 때 가능해 진다.

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예술적 개입을 통한 건축표피의 그래픽 특성 연구 (A Study on the Characteristics of Graphics on Architectural Surfaces through Artistic Intervention)

  • 문은미
    • 한국실내디자인학회논문집
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    • 제19권3호
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    • pp.119-127
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    • 2010
  • This study investigates the examples of artistic intervention especially on the surface of architecture as a meeting place of art and architecture. Artistic intervention demonstrates the possibilities for the meaningful integration of arts into architectural spaces. This study summarizes the characteristics of artistic intervention on the surfaces of architectures as follow; first, the artistic intervention is applied to the broad ranges of designs including public art, architectural design and sign design that establish identities and unique characters to the spaces. Second, the artistic intervention on the surfaces is conducted by the participation of the various fields of artists, i.e. painters, installation artists, graphic designers and landscape designers. The artistic intervention is also conducted by individual collaboration between artists and architects as well as by the forms of public art of art-in-architecture program. Third, the artistic intervention on the surfaces is expressed using the complex combination of images, colors, patterns, and texts. They are applied to enhance the aesthetic and symbolic characters of buildings in public arts, to improve the visual characters of architectural design with graphics, colors, and patterns, as well as to increase communication skills and cognitive effects of sign design with letters and colors on walls and floor surfaces. Fourth, the artistic intervention is also applied on the surfaces to encourage people to communicate historic and symbolic meanings related to the locations and functions. Thus, graphics on the architectural surfaces could provide a public space, with which people could share common feeling on public arts. As a conclusion, the study finds that artistic intervention either as artworks or as elements of architectural design can not only enhance the aesthetic quality of architectural space but also expand the techniques of design representation. In addition, the artistic intervention can contribute to create a new realm of design where artists and architects work together to enrich our surroundings.

파코 라반 복식의 조형적 특성에 영향을 미친 요인 (Some Factors of Influence on Paco Rabanne`s Fashion Design)

  • 최영옥
    • 복식문화연구
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    • 제7권5호
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    • pp.122-139
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    • 1999
  • Paco Rabanne, who has created experimental and prophetic avant-garde fashion by cutting edge techniques and revolutionary new materials, is known as one of the most influential fashion designer of modern times. The purpose of this study is to analyze the various factors, including some major artistic movements, which influenced on the formative characteristics of Paco Rabanne\`s fashion design. First, Paco Rabanne\`s fantastic new materials is also influenced by his study in architecture and his own fantasies -which other people can hardly imagine- during his early childhood. Second, light one of the most important element in Paco Ranbanne\`s fashion design, shows some influence of medieval symbols of love and salvation. Third, the artistic trends which influenced on Paco Rabanne\`s fashion include surrealism, opart, and kinetic art. His use of new materials and avant -garde style represents the influence of surrealism. his experimental use of waving plastics and glittering metal during his early period is especially related with opart and kinetic art in the early 1960s which emphasize the artistic effect of light and movement. Fourth, the geometrical figures like triangles, rectangles, and circles represent the influence of Egyptian architecture like pyramids and the geometrical characteristics of Eguptian art. Fifth, Paco Rabanne\`s distinctive use of metal chains in his fashion shows the influence of the chain mail hauberk, the medieval knightly armour. By using the medieval material Paco Rabanne properly expressed the modern person\`s pain and suffering. Sixth, the ethnic elements of Egypt, Africa, Spain, and Japan reflect the experience in his former lives he insists he lived. The ethnic elements of his dresses emphasize the natural vitality and inheritance from the past.

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A Research of Ink and Wash Elements on the 3D Animation Film <Deep Sea>

  • Biying Guo;Xinyi Shan;Jeanhun Chung
    • International Journal of Internet, Broadcasting and Communication
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    • 제15권3호
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    • pp.82-87
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    • 2023
  • <Deep Sea> is an 3D animated film that stands out for its exceptional special effects and distinctive artistic style. The film employs a multitude of dazzling and vibrant ink particles, creating a strong sense of three-dimensionality and weightlessness, while simultaneously portraying a dreamlike and elegant representation of a deep sea ink painting. Furthermore, through the utilization of fragmented stream of consciousness narrative technique, the film establishes a unique artistic effect infused with a Chinese atmosphere. This paper by analyzing the unique particle ink art style and color and stream of consciousness narrative methods in film, this paper discusses the innovative art style generated by traditional ink art style combined with three-dimensional technology, and the integration of traditional ink art ideas and artistic conception in animated films. The objective is to cultivate a new ink art style and prove the importance of traditional cultural expression in animated films, while providing new perspectives for the future application of traditional art in animation.

예술 지능에 기반한 호텔 객실의 디자인 사례 분석 - 은신처와 감각을 활용한 생명감 체험을 중심으로 - (Design Case Analysis of Hotel Room Based on Artistic Quotient - Focused on the Experience of Livability Using Refuge and Sense -)

  • 김나연;이현수
    • 한국실내디자인학회논문집
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    • 제26권6호
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    • pp.116-125
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    • 2017
  • The study is aimed to analyze cases of hotel room designs based on the 'Art Quotient'. It is focused on design elements of livability, analyzing the space design in terms of biophilic design and experiential marketing. This paper proposes a direction for hotel design based on the analysis result. The scope of the study includes the cases of 17 hotels in the area of Seoul achieving five stars in Korea. This paper presents an analysis whether the room space of hotels provide a user-oriented life experience from the perspective of biophilic design and experiential marketing. In this study, we focused on the concept of 'refuge', one of the biophilic design elements that express the value of life sense, and the element of 'sense', one of the strategic experiential modules of experiential marketing. After analyzing the hotel case studies, the space was evaluated using five factors of art quotient as a design method to provide a life experience in the hotel room. Analysis of the design space from the viewpoint of refuge, rather than architectural elements, proved that decorative elements appeared most commonly in all hotel rooms. Further, through an analysis based on the measures of 'sense', an experiential element, visual elements were mostly enforced in among the elements of the five senses. In other words, when designing a hotel room space, visual elements such as color, pattern, furniture, lighting and style are mainly utilized. Examining the analysis of the design elements from the point of view of the art quotient, the rooms of all the hotel's suite types include elements of 'communication'. Most of the hotel rooms focused on stimulating the aesthetic sensibility of customers. This resulted in the elements of 'immersion' showing poor results. In conclusion, it is necessary to provide the five senses of the arts index in a balanced manner to provide a life experience through the five senses.

한국 사회에 영향을 준 서양 춤(Dance Sports, 사교Dance)의 사적(史的) 경로에 관한 소고(小考) (A Study on the Historical Path of Dance Sports Influencing Korean Society)

  • 김청열
    • 문화기술의 융합
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    • 제10권3호
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    • pp.379-390
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    • 2024
  • 유교문화를 가진 한국사회의 서양 춤(Dance Sports, Social Dance)이 과거의 사교댄스 이름으로 도입되었던 최초 배경을 살펴보았다. 또한 한국전쟁 이전 사교댄스의 보급 경위와 한국전쟁 이후 1950년대를 중심으로 사교댄스 열풍이 일었던 경로와 6·25전쟁 직후의 퇴폐풍조 등 당시의 춤바람 사회 단면을 알아보고, 부정적 문화현상으로 변천되었던 일련의 사건들을 사회적 배경과 함께 재조명 해 보았다. 그리고 현재 우리나라에서 낯설지 않은 문장이 될 정도로 사교 Dance와 Dance Sports는 한국 사회에서 크나큰 인식변화를 거치며 삶에서 뺄 수 없는 하나의 요소가 되었다. 댄스스포츠(Dancesport)는 댄스(Dance)와 스포츠(Sport) 두 가지 요소가 결합된 예술적 실내 스포츠라고 하며 현재 근대 예술적 요소를 포함한 한국 사회에 어떤 변화를 주었는가를 연구를 했다.