• Journal of Astronomy and Space Sciences
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• 제17권2호
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• pp.181-188
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• 2000

DO Cas는 최근 Shaw (1990)에 의해 근접촉쌍성으로 분류된 공전주기 0.68일의 식쌍성이다. 짧은 공전주기를 가짐에도 불구하고 Mannino (1958) 이후 분광관측에 의한 시선속도 곡선이 발표되지 않고 있다. 그런데 Hill (1991)은 Mannino의 시선속도곡선이 오류를 포함하고 있는 것으 로 보인다고 하였다. 이 연구에서 우리는 Asiago 천문대에 의뢰하여 Mannino가 분석한 분광관측 사진건판을 입수하여 PDS로 측정하여 IRAP로 재분석하였다. 이 시선속도곡선과 1998년에 관측한 BVR 광도곡선을 Wilson-Devinney 방법으로 동시에 분석하였다. 그 결과 DO Cas가 접촉 또는 주성이 로쉬엽을 채우고 있는 접촉에 매우 가까운 준분리형 쌍성임을 확인하였으며 또한 이 계의 절대량을 구하였다.

• 패션비즈니스
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• 제9권6호
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• pp.56-70
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• 2005

This study investigates historically difference by age of wig banishments that symbolize social-economic status from West Egypt era baroque age as qualitative study that use secondary bibliographic data, there is purpose. Conclusion of this study is as following. Because wig putting on that symbolize among several usages of wig putting on, socio-economic status until 17th century baroque age from ancient Egypt is been in fashion through privilege class lower classes as well as upper class wig putting on attain. Ancient wig putting on became measure that divide class because differ material of wig or one dimension, shape (style) and length became linear measure that it can aim wealth's emblem that putting on of long wave wig and whole wig that differ lust has many wig though was in fashion though whole wig and were in fashion arriving to Renaissance. That it becomes France clean fingernails' necessaries as Louis the 14th that ready crux of absolute authority establishment of France Court put wig from depilation to count 17 was clear socio-economic status etc. symbol measure inclination. Go without question status or position, wealth and churchman puts wig so that can know special sex of weapon of where the soldiers are belonged as well as put wig and wig putting on was parted according to job and lower classes participated in fashion of wig putting on. Wig putting on that become measure that symbolize job or status in this baroque age, position, wealth etc. gave absolute influence in wig fashion in 18th century.

• 비파괴검사학회지
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• 제27권5호
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• pp.393-397
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• 2007

절대형 와전류 탐촉자 인증 시험에 사용되는 인공 결함이 포함된 와전류 표준 시편을 개발하였다. 개발된 표준 시편은 ASTM E 1629에서 규정한 전기 전도도를 지니고 인공 결함을 포함하며 전체 형상과 규격, 인공 결함의 규격을 만족한다. 인공 결함의 규격은 너비 0.1 mm, 깊이 0.5 mm이다. 이 인공 결함은 기존에는 양 측 끝단만 측정이 가능하고 중간 부위의 측정이 불가능하여 가운데 부위의 인증이 불가능하였으나 초음파 기술을 적용하는 새로운 방법을 도입하여 $15\;{\mu}m$ 정도의 불확도로 측정을 하여 교정이 가능하도록 하였다.

• 한국정보통신학회논문지
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• 제16권1호
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• pp.33-40
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• 2012

본 논문은 생물 조기 경보 시스템을 구현하기 위한 방법을 제안한다. 이 시스템은 모니터링 데몬을 이용해 간헐적으로 데이터 사건을 생성하고, 이 데이터 집합으로부터 특징 매개변수들을 추출한다. 특징 매개변수는 6개의 변수(x/y 축 좌표, 거리, 절대 거리, 각도, 프랙털 차원)를 가지고 유도된다. 특히 프랙털 이론을 사용해 제안 알고리즘은 입력된 특징들이 독성 환경에 있는지 아닌지의 유기물 특성을 정의한다. 추출된 특징 데이터를 학습하기 위한 적절한 알고리즘을 위해 기계학습 분야에서 널리 쓰이는 확장된 학습 알고리즘(UChoo)을 사용한다. 그리고 본 알고리즘은 특징 집합들이 모니터링 데몬에 의해 주기적으로 추가된다는 BEWS의 특징을 극복하기 위해 확장된 데이터 표현 방법을 이용하는 학습 방법을 포함한다. 이 알고리즘에서 결정트리 분류기는 확장된 데이터 표현에서 가중치 매개변수를 사용하는 부류 분포 정보를 정의 한다. 실험 결과들은 제안된 BEWS가 환경적인 독성을 탐지하는데 이용 될 수 있음을 보인다.

• Journal of the Korean Data and Information Science Society
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• 제24권5호
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• pp.1077-1088
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• 2013

High-dimensional data analysis arises from almost all scientific areas, evolving with development of computing skills, and has encouraged penalized estimations that play important roles in statistical learning. For the past years, various penalized estimations have been developed, and the least absolute shrinkage and selection operator (LASSO) proposed by Tibshirani (1996) has shown outstanding ability, earning the first place on the development of penalized estimation. In this paper, we first introduce a number of recent advances in high-dimensional data analysis using the LASSO. The topics include various statistical problems such as variable selection and grouped or structured variable selection under sparse high-dimensional linear regression models. Several unsupervised learning methods including inverse covariance matrix estimation are presented. In addition, we address further studies on new applications which may establish a guideline on how to use the LASSO for statistical challenges of high-dimensional data analysis.

• Architectural research
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• 제13권4호
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• pp.19-30
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• 2011

This investigation, based on empirical research, examined the role of complexity and order in the aesthetic experience of architectural forms. The basic assumption of this study was that perception in architectural form is a process of interpreting a pattern in a reductive way. Thus, perceptual arousal is not determined by the absolute complexity of a configuration. Rather, the actual perceived complexity is a function of the organization of the system (order). In addition, complexity and order were defined and categorized into four variables according to their significant characteristics; simple order, complex order, random complexity, and lawful complexity. The series of experiments confirmed that there is a point on the psychological complexity dimension which is optimal. By demonstrating that consensual and individual aesthetic preference can be measured to have a unimodal function of relationship with complexity, the results of the experiments indicated that complexity and orderliness are effective design factors for enhancing aesthetics of a building facade. This investigation offered a conceptual framework that relates the physical (architectural form) and psychological factors (complexity and order) operating in the aesthetic experience of building facades.

• Communications for Statistical Applications and Methods
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• 제27권1호
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• pp.129-140
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• 2020

In this paper, we introduce an efficient algorithm for the non-convex penalized multinomial logistic regression that can be uniformly applied to a class of non-convex penalties. The class includes most non-convex penalties such as the smoothly clipped absolute deviation, minimax concave and bridge penalties. The algorithm is developed based on the concave-convex procedure and modified local quadratic approximation algorithm. However, usual quadratic approximation may slow down computational speed since the dimension of the Hessian matrix depends on the number of categories of the output variable. For this issue, we use a uniform bound of the Hessian matrix in the quadratic approximation. The algorithm is available from the R package ncpen developed by the authors. Numerical studies via simulations and real data sets are provided for illustration.

• 한국농촌건축학회논문집
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• 제5권2호
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• pp.42-51
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• 2003

Need suitable development project and support, political care in the village for reasonable development of farm village area.. In these process, first of all, important thing is local resident's participation. Because Forwarded businesses had occupied bulk without absolute participation of local resident who the biggest problem that appear in government-initiated farm village policy past is real subject of Ready front business and recipient. First departure of these rural development policy plan sees that it is local resident's participation will. In this study, present role of access method and expert to inculcate inhabitants participation relationship of relevant area as early study for development project establishment that can coincide in special quality of relevant farm village area, role of a concern interested. Investigation area did the Chung chong-bukdo Chung-ju city Ang-seong village to the dimension.

• 복식문화연구
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• 제18권2호
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• pp.261-276
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• 2010

The analysis of an art trend in the principle dimension starts by observing the object of work in the perspective of formative composition and recognizing it as a universal system. It can be said that it is consistent with an interpretation method for a form theory of formal history by Heinrich W$\ddot{o}$lfflin, a leading form critic in art criticism. Hence, the purpose of this study was to find out what are the formative principles in Renaissance Classicism as a design principle to be applicable to modern fashion by reviewing the formative characteristics of Renaissance Classicism Architecture with which W$\ddot{o}$lfflin directly dealt. As for the theoretical literature review, I used W$\ddot{o}$lfflin's theoretical framework and looked at the Renaissance Classicism Architecture that he studied and examined the possibility of utilizing his theory as a layout principle and the characteristics. As for analysis of design cases, I applied the aforementioned architecture layout principle to modern fashion and conducted case study analysis to delve into distinctive layout principles found in fashion. The study showed that the Renaissance Classicism Architectural Style is marked by linearity, planarity, closing and multiple unity: linearity was expressed in the observation form in fixed frontal view and an emphasis on a tangible silhouette homeogenous and definite line structures; planarity was achieved in the form of paralleled layers of frontal view element, planarity style, and identical and proportional repetition of various sizes.; closing signified the pursuit of complete and clear regularity, and architecture developed in a constructive phase through organizational inevitability and absolute invariability.; multiple unity was expressed in self-completedness and independent parallel of discrete forms and harmony of emphasized individual elements in a totality. Applying these layout characteristics of the Renaissance Classicism Architectural style and to see their individual expressive features, I found out that in adopting layout principles of the Renaissance Classicism Architecture to modern fashion, it turned out to be an emphasis of individual silhouettes, a flattened space, completed objects, organic harmony among independent parts: the emphasis of individual silhouettes was expressed in individual definitiveness of formative lines of clothes in accordance with body joints and an emphasis on formative lines of clothes; the flattened space was marked by single layer structure, planarity of elements of clothes, and listing arrangement by appropriate proportion.; the completedness of the objects was expressed by the stationary state where overall image is fixed, the construction of homogeneous and complete space, and absolute inevitability of internal layout in proportion; lastly, organic harmony of independent parts was stressed in independent completedness of each detail, and organic harmony of the whole. The expressive features would lead to a unique expression style of linear emphasis, proportion, constructive forms, and two-dimensional arrangement. The meaning of this study is follows: The characteristics of art school of thought are given shape by appling & analysing the architectural layout principles of historical art school of thought to modern fashion in the view point of formal construction dimension. The applied possibility of historical art school of thought as the source of inspiration about the fashion design is extended.

• 미술이론과 현장
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• 제3호
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• pp.173-192
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• 2005

Yoo Youngkuk started his career as an artist when he entered Bunkagakuin of Tokyo in 1935 he actively participated in the Japanese art scene as a young Korean artist until 1943. In his earliest works, Rhapsody and Work B, Surrealist and abstract influences are manifested as these were prevalent in Japan at the time. With the exception of Rhapsody and Work B, all works available that were executed between 1937 and 1940 are abstract, which points to the fact that Yoo intended abstraction from the beginning. Surviving works in relief suggest his early style was founded on the abstractions similar to Russian Avant-Garde, Neo-plasticism and Bauhaus simplicity. His early abstractions were not the ideational images derived in the process of the abstraction of the representational image, but they arose from the constructive attitude in composing the already stylized non-representational geometries. It is worth noting that his early emphasis was on the pure and absolute geometric abstraction, rather than the images motivated from the figurative representation. Yoo differentiates himself from Kim Whan Ki in the following aspects: one, he eliminated the subject matter i.e. human figures and the nature; two, he maintained the constructivist attitude in creating a strict and absolute abstraction; three, he experimented with different styles without combining them. He manifests direct influences from the prevalent Western art influences, such as Futurism and Russian Avant-Garde, unlike Kim who vaguely references. In both paintings and reliefs, Yoo's attempt in the realization of the pictorial depth and space seems cerebral and conceptualized compared with the other artists of the time who resolved abstraction via the constructive dimension. Uemura, a contemporary critic to the geometric abstractions in Japan, disapproves the stylistic bent in the adaptation of the abstract painting without the comprehension of its spiritual movement. As witnessed in other criticisms as well, contemporary Japanese critics' interest lie mainly in the superficial observation such as the presence of representational elements, composition and use of color. Such formal and superficial understanding of the geometric abstraction resulted in