• 한국주거학회논문집
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• 제3권1호
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• pp.35-46
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• 1992

The purpose of this study is to find out the architectural device for two places to be perceived as having distinct characteristics from each other. A residence of Yi Dynasty is selected as the object appropriate for this purpose and analyzed accordingly. The result of the analysis can be presented on two demensionis one is that of the concrete form and the other is that of the abstract meaning generated by the form. It is meaningless to employ the form of the architecture of the past in today's architecture. The language of the architecture of the past must be reinterpreted into that of tody. This means understanding and expressing the meaning of the architecture of the past, using the form and materials available today. Without limiting its scope to figuring out "the architectural device for giving destinction" on the formal demension. this study tries to clarify the meaning generated by the form, on which its significance can be said to lie.

• 복식
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• 제15권
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• pp.149-166
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• 1990

Korean clothes is traditional folk costume native to Korea, Which is in Korea clothes. The past Korean costume was developed in the native costume, together influenced by chinese costume. But in the late Yi dynasty the contact with western countries brought about a turning point in Korean costume history, with rapid growth of economy since Korean war in the 1950's, the magnification of industrial structure, the development of productive technique, transformation of consumption pattern and the development of communication have been increased concerns for the western costume. In 1953 the introduction of nylon which was imported from Japanese brought about a fuming point in clothing habits. In 1967 the development of the fiber industry got a firm stand in ready-made clothes. Consequently our traditional Korean clothes was regarded as nonfunctional, nonproductive and it was pushed out of daily life little by little and it was deprived of the function of ordinary costume by the influence of western costume. But in these days the Korean clothes appears as the desire of pursuing traditional style in addition to mordern style of Korean clothes.

• 복식
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• 제15권
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• pp.63-76
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• 1990

The purpose of this paper is to de31 with the sorts, significances and characteristics of the devices embroiderered on the ritual dreses(hwarot), skirts and embroidered-cushions among the relics of Princess Bok-On(A.D. $1818{\sim}1834$), the second daughter of King Soon-Jo(A.D. $1790{\sim}1834$) in the Yi Dynasty. Her ritual dresses(hwarot)adopt the devices of Buddhism style, Taoism one, Chinese one and Korean one together in mixture, and have no letter-devices in embroidering treasure-devices. Her skirts have the ornament signifying the Orientalism, and express the spiritual world symbolically and artistically. Her embroidered-cushions make harmonization of Confucianism and Buddhism on the splendid base-cloth, and create a unique art style of Korea.

• 한국한의학연구원논문집
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• 제13권3호
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• pp.179-184
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• 2007

Yifangleiju is a collection of medical books that consists of 266 volumes. It is a very important set of data in studying ancient Asian medicine because it systematically organized the many medicine-related data of Eastern Asia. But it was never published again after its 30th volume was published in 1477, and only a single copy remains in Japan today. Because this book is valuable it has been republished in China based on the copy in Japan. This study is a study of the many problems that occurred in the process of republishing Yifangleiju in China.

• 한국조경학회지
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• 제21권1호
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• pp.98-106
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• 1993

As a faithful study about the intended plan of builder, this article studied the Dosanseodang(陶山書堂) which is located in the Dosanseodang(陶山書堂). The Dosanseowon is one of the representative Yi-Dynasty' Seowons. Through the review of $\ulcorner$The Writings of Toegye$\lrcorner$. It is found several intended plan of the Dosanseodang(陶山書 堂) as follows. 1. When Toegye located the site of the Dosanseodang in the Dosan, using four criteria such as 1) geographical characteristics(地 理), 2) hills and waters(山水) 3) form and orientation of valley, 4) so-cial characteristics. 2. In the Dosan area, the location of Seodang was determined by the physical characteristics of the valley(orientation and entrance), not by the concept of Fung-sui(風水). 3. The whole spatial structure of Seodang area formed triangle, and the Dosanseodang was located at the angular point of the triangle. 4. The landscape elements of the Dosanseodang falled into the three landscape hierarchy such as a front view, a middle view, and a distance view. Besides the three views, there was a borrowed view which Toegye defined in terms of ownership.

• Journal of Astronomy and Space Sciences
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• 제30권1호
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• pp.69-77
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• 2013

We have uncovered 14 Korean royal astronomers and one scientist who worked in the early and mid-18th century. In spite of their high positions in the government office, all of them but one were not recorded anywhere in the major histories, such as WangjoSillok(王朝實錄) and JeungboMunheonBigo(增補文獻備考). Our search of Bon'gwans for each person has been carried successfully for 13 scientists. Their family relations are also uncovered finding five eminent astronomy families.

• 한국의류학회지
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• 제1권2호
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• pp.89-94
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• 1977

This is a study of the history and the changes of methods of making shroud from Koryo up to present. Korea is Known as a country of East with its courtious people, and naturally the people observed the proprieties, especially on the funeral, in performing religious services and worshiping of the ancestors. Since Koryo and Yi Dynasty, because of the complexcity of the formalities under the confucianism, the shroud also became very complex. The process of making shroud was various according to the classes and economical circumstances. They made shroud of fine textured hemp cloth or silk, selecting one of 'good days' in leap year. As they believed the shroud should be rotten as soon as possible, fine textured hemp cloth was common as for the material. The color of the shroud was either plain or colored as the casual wears. In sewing shroud, the thread shouldn't be knotted nor connected in each seam and the strips should not be even numbered. These methods of making shroud have been changed variously and symplified according to the economical circumstances up to now.

• 한국의류학회지
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• 제9권3호
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• pp.9-15
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• 1985

The objective of the study was to investigate the influence of the socio-economic phenomena on the fashion of Jugori at the end period of the Yi dynasty when that women's cloth was very shortened. An attempt was made to show that fashion was not an outcome of foreign culture's influence, but the reflection for the living style and mentality of the people at that period when the socio-economic structure was rapidly changed. Alternatively, the paper tried to show the evidence that the change in the fashion was accompanied by the change in the economic structure shifting from the natural economy to monetary economy and in the structure of rural society experiencing the diversification of social classes.

• 한국식생활문화학회지
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• 제5권3호
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• pp.287-299
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• 1990

To analyse the royal marriage of Yi-Dynasty, the authors studied 'Kuk Hon Geong Rea', which is a historical record, published in 1749(King Yong-Jo), on the usage of marriage articles in the royal family. The essential steps or articles described in the record were as follows, Royal marriage of King : Wedding presents, black and red silks from the bridegroom's to bride's, proclamation of Queen and wedding ceremony(納采) (納徵) (冊妃) (親迎 尊雁 同牢). Royal marriage of Crown Prince : Wedding presents, black and red silks from the bridegroom's to bride's. proclamation of Crown Princess, wedding ceremony, and bride's gifts to her parents-in-law(納采) (納徵) (冊嬪) (親迎 尊雁 同牢) (朝見體). Royal marriage of Crown Princess : Wedding presents, black and red silks from the bridegroom's to bride's, wedding ceremony, bride's gifts to her parents-in-law(納采) (納徵) (尊雁 同牢) (見舅姑禮). Necessary articles for weddings were different according to royal status of the member in the royal family.

• 한국문헌정보학회지
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• 제14권
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• pp.131-148
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• 1987

The Yi-Dynasty published the calendars printed by means of woodblock and typeprinting for the purpose of informing its people of four seasonal changes and appropriate time for farming. The printing types were used to publish the calendars in those days varied depending upon the kinds of the calendars, but all those types are known as only one name: Kwansanggam Type. This is because there have been little studies on the different kinds of printing types. As a result, there are many cases where the libraries make erroneous notes in their catalogues. This study points up the fact that four different kinds of Kwansanggam Type were used depending upon the nature of the calendars. For classification purpose, I call these types Daetongryokja, Naeyongsamsoja, Myongsiryokja, and Chiljongryokja. What has not been revealed in this study can be further explained as the more calendars of those days are found out.