• 한국화예디자인학연구
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• 제40호
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• pp.45-61
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• 2019

본 논문에서는 공간을 이루는 모든 것을 보여주는 '메종 & 오브제' 전시회의 최근 경향을 알아보고 이러한 '그린어메너티'가 적용된 사례를 찾아보았다. 형태적 측면에서 미니멀한 공간을 곡선의 형태로 채웠고 점차 자연을 재현하는 디자인이 제작되었다. 점차 새롭게 맥시멀리즘이 대두되어 디자인에 장식적인 요소가 가미되어 공예적인 제품이 많이 나타났다. 재료적 측면에서는 자연주의 감성이 대세로 자연적인 목재소재가 주로 사용되었다. 이러한 재료는 다양한 이질재료와 결합하여 새로운 디자인을 완성하며 자연적 요소를 공간 안에 형상화하였다. 색채적 측면에서는 2016년은 테마가 '와일드 (Wild)'로 야생자연을 체험할 수 있는 공간을 볼 수 있었다. 나무의 갈색과 초록색을 중심으로 자연의 다채로운 색채를 보여주었다. 2017년의 '사일런스 (Silence)'는 핑크 컬러의 특징이 돋보인다. 또한 따뜻한 느낌의 적갈색 계열의 가구가 제작되었다. 예전엔 황동이나 로즈 골드가 유행이었다면 2017년은 골드나 실버 색상의 제품이 더 대세를 보였다. 2018년은 '쇼룸(Show-Room)'이 테마로 대표 색채는 초록색으로 노랑, 분홍과 함께 새롭게 디자인에 영향 주었다.

• 박물관보존과학
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• 제15권
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• pp.66-77
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• 2014

국립중앙박물관에 소장되어 있는 은조사 구장복은 조선 말기에 고종이 착용하였던 것으로 기록된 구장문이 그려진 대례복의 하나이다. 이 장문은 왕이 나라를 통치함에 있어 필요한 덕목을 상징적으로 표현한 것으로, 적색·황색·청색·녹색, 회색의 안료로 채색되어 있다. XRF 분석 결과, 적색 안료는 진사/주, 황색 안료는 금·황동, 청색 안료는 청색 유기안료와 연백, 녹색 안료는 구리-비소로 구성된 합성안료인 양록, 회식 안료는 은으로 판단되었다. 또한 유사한 시기에 제작된 국립중앙박물관 소장 적의본과 폐슬본의 안료 성분을 비교 검토한 결과, 차이점과 유사점을 확인할 수 있었다. 이러한 분석 결과는 19세기 말 궁중에서 사용된 안료에 대한 기초적인 자료로 활용할 수 있을 것으로 기대된다.

• 한국의상디자인학회지
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• 제18권4호
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• pp.141-158
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• 2016

The objective of this study is to examine the type and characteristics of hat, and also to analyze the formative characteristics of hats shown in $Pr{\hat{e}}t-{\grave{a}}$-porter Collection. The literature review focused on the relevant technical books and preceding researches while the case study targeted 1,561 photos of hats shown in the 'Donga TV Collection'. The research range was from the S/S season of 2012 to the F/W season of 2015/16. The results of this study are as follows. 1. A hat is composed of crown and brim. In the results of classifying hats based on it, there were 572 crown-type hats, 533 hat-type, 219 cap-type, 156 irregular-type, and 81 brim-type in the order. 2. For the crown-type hats, they were mainly like cylindrical-type, bell-type, dome-type, and circle-type, using colors like black, beige, brown, red, mustard, and grey, and materials like wool, fur, velvet, straw, and metal while they were decorated with bead or lace. 3. For the hat-type hats, they were mainly like bell-type, ladder-type, and hemisphere-type, using colors like peach, white, gold, brown, and khaki, and materials like silk, cotton, straw, and wool while they were decorated with feather and ribbon. 4. For the cap-type hats, they were mainly like hemisphere-type, using colors like white, black, khaki, mustard, and purple, and materials like fur, leather, and wool while they were decorated with wappen and chain. 5. For the irregular-type hats, they were mainly like sandglass-type, box-type, animal-type, trumpet-type, and bell-type, using colors like purple, orange, pink, yellow, and sky-blue, and materials like metal, feather, mesh, plastic, straw, and linen while they were decorated with ribbon, net, bell, and flower. 6. For the brim-type visor, they were mainly like square-type, using colors like transparent, yellow, and black, and materials like plastic, cotton, leather, and metal.

• 농업과학연구
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• 제36권2호
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• pp.123-127
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• 2009

본 실험은 신품종 대학찰 골드 1호에 대한 파종 시기별 생육 및 이삭 특성에 대한 연구 결과 주요 특성은 다음과 같다. 1. 공시종에 대한 간장은 모든 파종 시기에서 대학찰 골드1호가 찰옥 1호보다 컷으나 찰옥 1호의 개체간에는 생육 차이가 큰 변이를 보였다. 2. 공시종의 평균 개화기는 대조구인 찰옥 1호가 7일 정도 빨랐으나 개체간 차이가 큰 반면에 대학찰 골드 1호의 개화기는 균일하였다. 두 품종 모두 파종시기가 늦어질수록 개화 소요일수가 빨라지는 경향이었다. 3. 공시종에 대한 간장과 착수고의 비율은 파종시기가 빠를수록 두 품종 모두 낮게 나타나 도복 경감 효과가 클 것으로 나타났다. 4. 공시종에 대한 이삭길이 및 착립 상태를 비교한 결과 대학찰 골드 1호를 4월 말에서 5월 초에 파종한 것이 다른 시기에 파종한 것보다 생육 및 이삭 특성이 우수하였다.

• 복식
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• 제62권5호
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• pp.16-30
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• 2012

This study examines the types and features of formal ritual hats for Tibetan Buddhist priests. Findings of the study are as follows. The types of formal hats that Tibetan Buddhist priests wear during religious rites or rituals include: u rgyan pad zhwa, pan zhwa, tshogs zhwa, rigs inga, zhwa nag, zhwa dmar and dwags zhwa. The reason why such formal ritual hats as listed above were developed is because the region had an alpine climate, and also because they were the symbolism of Buddhism, the most reverent priest, and reincarnated Buddha thoughts. They were an essential part of the culture of dressing Buddhist statues and offering utensils. Formal ritual hats' shapes originate from lotus. They are colored in red, yellow, indigo, green, white or black, that reflect the nationality and aesthetics of Tibetans. They are mainly made of woolen or silk fabrics. They are usually decorated with gold, git bronze or jewels and the patterns of the sun and the moon, vajra or clouds.

• 한국응용과학기술학회지
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• 제23권3호
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• pp.215-222
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• 2006

From experiment results on pharmacetical characteristics and analysis of Glycyrrhizin extract, some conclusions are obtained as follows. From results on extract experiment of Glycyrrhizin, it appeared about 8%-extraction ratio as semi-solid state, and after dried in freezing from Glycyrrhizin extract of semi-solid state, it obtained about 70%-Glycyrrhizin extract as solid state of yellow gold color. From results on antimicrobial experiment of Glycyrrhizin extract, number of S-typhimurium and Fungus in microbe decreased more and more according to time passage. This phenomenon shows that Glycyrrhizin extract keeps antimicrobial effect. From results on antioxidation experiment of Glycyrrhizin extract, DPPH scavenging activity of free radical shows that Glycyrrhizin extract appears more remarkable reduction ability than reference samples. This phenomenon means that antioxidation of Glycyrrhizin extract appears higher than Vitamin-C and BHA. From results on instrument analysis, the fatty and aromatic components of 2-pentanone, cyclohexasiloxane, tetrasiloxane, benzoquinoline-2-carboxylic acid etcs from Glycyrrhizin extract was detected with GC/MS and inorganic components of Ca, Mg, Ti, Zn, Fe etcs from Glycyrrhizin extract was detected with ICP/OES.

• 한국결정성장학회지
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• 제8권1호
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• pp.160-168
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• 1998

치환에 의한 wagnerite의 색상변화 및 고용체 형성한계를 살펴보기 위해 wagnerite ($A_2XO_4Z$)를 합성한후 각 구성원소들을 치환하였다. Ca-wagnerite의 Ca 대신에 Mg, Co, Ni, Cu로 치환하여 용해도가 한정된 고용체를 얻었다. 이들 중 (Mg,Ca)-wagnerite와 (Co,Ca)-wagnerite의 경우에만 단일상의 wagnerite를 합성하였으며 이들의 색상은 각각 백색과 자주색이었다. 그 외의 조성 및 (Ni,Ca)-wagnerite와 (Cu,Ca)-wagnerite의 경우에는 여러상이 혼재해 있는 것으로 나타났다. $A^{5+}$자리에 Li을 치환해 보았으며 또한 $X^{5+}$대신 V을 치환하여 진한 자주 및 금색, 옅은 노란색의 wagnerite를 합성하였으며, Z- 대신 Cl을 치환한 경우 단일상의 wagnerite을 얻지 못하였다.

• The Journal of Advanced Prosthodontics
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• 제7권1호
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• pp.32-38
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• 2015

PURPOSE. The aim of this study was to compare the durability and retention of 4 types of attachments placed over computer aided design/computer aided manufacturing (CAD/CAM) titanium bars when subjected to different pH conditions. MATERIALS AND METHODS. Four commercially available attachments were investigated: Hader Yellow, Hader Red, Ackerman Gold and Ackerman Stainless Steel. These attachments and Ackerman CAD/CAM titanium bars were placed in 2 vessels containing different artificial saliva solutions (pH 7/pH 4) at $37^{\circ}C$ for one month to simulate corrosion conditions, and they were then subjected to mechanical testing (5400 cycles of insertion and removal). RESULTS. The results revealed that there were significant differences in the average values of insertion/removal force due to the pH (F (1, 24)=9.207, P<.05) and the type of attachment (F (3, 24)=11.742, P<.05). CONCLUSION. More acidic pH values were found to have a negative influence on the retention capacity of the attachments.

• 한국지역사회생활과학회지
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• 제14권2호
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• pp.125-130
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• 2003

To develop natural dyeing materials from the unused plant materials, we had several dyeing experiments to investigate the optimum conditions of dyeing fabrics with the dyebath extracted from wisteria. Dyeing experiments were done under different dyeing conditions of dyeing temperature, pH of dyebath, dyeing time, concentration of dyebath and mordant treatment which were treated after dyeing. Experimental fabrics were silk, wool, cotton, ramie and hemp. Color difference(ΔE) and Munsell's HV/C of the dyed fabrics and color fastness of silk and cotton fabrics to dry cleaning, washing, rubbing, perspiration and light were measured. In silk and wool fabrics(non mordant, dyeing time-20min), color differences increased in case of dyeing temperature of $100^{\circ}C$, but in cotton, ramie and hemp fabrics, color differences did not increase. Without mordant treatment, color differences of all experimental fabrics were about 10-20, so in wisteria dyeing mordant treatment was necessary. Color differences were increased by the mordant treatment; the color of dyed fabrics with Al mordant is dull yellow, Cu mordant is gold and Fe mordant is olive tone. Color difference was not affected by pH of dyebath in all experimental fabrics. On the whole, the color fastness of dyed silk and cotton fabrics were good, but color fastness to washing and perspiration in Fe mordant was weak and improved in Cu mordant.

• 복식문화연구
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• 제16권6호
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• pp.1156-1168
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• 2008

This study investigated the preceding studies and concept of Glam Rock style, modernistically reinterpreted its aesthetic function and symbolism and connected them to design. It analyzed according to the standards for classification the Glam Rock style appearing mainly in the collections from 2002 S/S to 2007 S/S and presented four pieces of design through the analysis. Its findings are synthesized as follows. First, unstructured design constitutes mule stressing gold cubic overall. It takes an unstable form by the placement of unshapely front ball of foot from transforming Chopin and a relatively poor heel. Second, over trimming constitutes separated pumps in the form of over trimming irregularly a piece of broken glass, metal and thumb tack. Third, Mix & Match combines Boot body of flexible knit material with an acrylic wedge sandal. Fourth, a platform sandal has the structure of color contrast between yellow and bronze in calf fur of tiger-skin pattern. I hope that this study will be developed by reflecting Glam Rock spirit and style as cultural phenomena through analyzing Glam Rock style and presenting design according to selected standards for classification, inferring plastic beauty of fashion shoes from them, investigating the change and feature of age-specific shoe design and making a new attempt possible.