• 한국수학사학회지
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• 제35권2호
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• pp.43-56
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• 2022

The 21st century world has experienced all-around changes from the 4th industrial revolution. In this developmental changes, artificial intelligence is at the heart, with data science adopting certain scientific methods and tools on data. It is necessary to investigate on the logic lying underneath the methods and tools. We look at the origins of logic, deduction and induction, and scientific methods, together with mathematical induction, probabilistic method and data science, and their meaning.

• 건축역사연구
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• 제17권2호
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• pp.67-81
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• 2008

Aldo Rossi explained Roman Forum as a significant urban artifact, because Roman Forum analogically showed not only an image of Roman Empire but also a figure of primitive design for its region. Thus the comparison and analysis between characteristics of Aldo Rossi's architectural works which are based on the theory of 'Analogical city' and the forums, the urban artifacts, was proceeded in this study. Consequently, it was discovered that Aldo Rossi had used his analogical thinking from the forum for his architectural languages such as gable roofs, square windows with depth, columns and so on. His analogical use of organizing spaces, such as courtyard type and pillar corridor type, has also shown that their types came from forum spaces. His analogical aspects of the forum: a space where urban images are analogically formed; were expressed in the 'Theater of Science' with the urban architecture form as the actor and the Theatre as the stage for analogical urban performances. Nevertheless, the expression of primitive design which divides the Roman Forum from other forums was actualized in 'the Theater of the World'. He not only analogically used types from Roman Forum in architectural design but also used boat in Water space, which decided the lifestyle and culture of Venice even before the civilization, to express the primitive design of Venice. Consequently, Aldo Rossi, by aiming the severance from the tradition, provided the possibility of explaining the newest modem type within the historical meaning by forming type which finds its continuance in history through 'the Theater of the World' and through analogical thinking along with the level of modern culture, to our urban architectural atmosphere that has lost its historical meanings.

• 한국수학사학회지
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• 제26권1호
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• pp.21-32
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• 2013

20세기 초에 발생하였던 제1, 2차 세계대전들은 유럽 사회뿐만 아니라, 수학계에도 지대한 손실을 끼쳤다. 1차 세계대전 이후 프랑스를 중심으로 탄생되었던 국제 수학연맹(IMU)은 정치적으로 이용되었던 이유로 해체되어졌고, 제 2차 세계대전이 발생함에 따라 모든 국제 학회모임은 중단되었다. 독일에 나치정권이 들어선 후, 많은 뛰어난 수학자들이 수용소에서 죽음을 맞거나 미국으로 이주하면서 학문의 중심은 유럽에서 미국으로 이동하였다. 전쟁이 끝난 후 심각한 정치 경제 위기에 처한 유럽의 학자들은 수학계를 대변할 능력을 잃었다. 이에 국제적인 의무감을 갖게 된 미국의 스톤(Stone)을 비롯한 수학자들은 정치에 상관없이 모든 나라가 가입할 수 있는 새 IMU를 탄생시킨다. 이 논문은 제2차 세계대전 이후에 IMU의 재탄생 과정과 1950년도의 ICM에서 일어난 일들을 면밀히 알아봄으로써 20세기 중반의 수학계의 발전상을 연구하고자 한다.

• Architectural research
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• 제21권3호
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• pp.79-90
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• 2019

The ephemeral and temporal nature of pavilions is the underlying motivation that led to the development of this paper. From the beginning of the industrial era through contemporary history, there have been many instances of architects attempting to rethink architectural design in the context of modern social, cultural, and technical imperatives. Today, the leading changes in humanity are accompanied by a revolutionary electronic digital medium. The pavilion has been in an amalgamation of architectural integration since the beginning of human history. World's Fairs/Expos have, since their establishment, served as international presentations of goods and achievements of particular nations. They became a popular stage wherein potential architectural achievements were showcased through the evocative architecture of pavilions. Due to the pavilion's "temporary nature," its coverage includes various perspectives: social, historical, geographical, post-colonial, iconographical, temporal, and ephemeral. It has also served as a receptacle due to its representational value at a given time. The pavilion has offered architectural designers, clients, and visitors a place to use their imaginations. Moreover, the architect's role in creating pavilions cannot be overestimated. Due to fact that they abound in symbolism, contemporary designs, and innovative solutions, pavilions often mirror modern mankind and plan for the next aesthetic revolutions and ideological architectural theories. To understand and appreciate architects' original intentions with their pavilions, this paper focuses on noteworthy pavilions that were created from the beginning of industrialization through the present. It explores and discusses the pavilion's characteristics, highlights the significance of its physical form as generated by a specific theme.

• 만화애니메이션 연구
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• 통권41호
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• pp.253-277
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• 2015

2014년 5월 FPS 게임 <울펜슈타인 더 뉴 오더(Wolfenstein The New order), 2014>는 출시된 직후 영국 주간차트 플랫폼 부분에서 상위에 오르는 등 게임유저들의 흥미를 유도하였다. 이러한 세계적 흥행에 대해 Colin Moriarty(2014)는 "나치가 2차 세계대전에서 승리했다면 어떻게 되었을까?" 라는 대체 역사적 서사구성을 구현하였기 때문이라고 하였다. 이에, 본 연구에서는 기존의 전통적인 FPS 게임과는 다른 울펜슈타인의 최신작 <울펜슈타인 더 뉴 오더(Wolfenstein The New order), 2014>를 사례대상으로 하여 대체 역사적 특성이 어떻게 게임 트레일러와 그래픽 디자인 속에서 내재되는지 살펴보는 것을 목적으로 한다. 이를 위해, 첫째, 대체역사의 정의와 등장 배경, 그리고, 소설, 영화, 게임에서 구현된 대체 역사적 특성에 대해 문헌과 사례를 중심으로 고찰한다. 이를 바탕으로 둘째, '대체 역사'의 서사구성에 대해 (1)실제 역사 소재의 차용, (2)실제와 허구 역사와의 연계, (3)재해석을 통한 대체 역사적 변용 등 순차적으로 분류하였다. 셋째, <울펜슈타인 더 뉴 오더, 2014>의 실사영상 게임 트레일러에 대해 3단계 순차적 서사구성을 중심으로 내러티브에 대해 분석하고, 그래픽으로 구현된 게임캐릭터와 배경에 대해 (1)공간적 배경, (2)등장캐릭터, (3)소품을 기준으로 사례 분석을 진행한다. <울펜슈타인 더 뉴 오더, 2014>의 서사적 구성은 첫째, '차용'의 단계에서 2차 대전 관련 역사적 영상자료를 재구성하여 연출하였으며, 둘째, '연계' 에서는 역사 속 실제 사건이 아닌 당시에 있을 법한 '정황적 허구사건을 통한 연계'로 대체역사적 기점을 구성하였다. 셋째, '변용'의 단계에서는 과거역사의 맥락을 유지하는 '한정적 허구역사'를 SF적 디자인의 그래픽을 통해 게임 속 캐릭터와 공간배경을 디스토피아적 세계로 완성도 있게 구축하였음을 알 수 있다. 본 연구를 통해, <울펜슈타인 더 뉴 오더 (2014)>의 트레일러 영상은 역사기록 영상의 차용을 통한 서사적 구성과 실제를 바탕한 게임 디자인을 효과적으로 재현 및 연출함으로써, 대체역사적 구성이 범세계적 게임 영역에까지 확장되며, 대중오락문화의 수요에 부합함을 알 수 있다.

• 한국농림기상학회:학술대회논문집
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• 한국농림기상학회 2003년도 춘계 학술발표논문집
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• pp.161-178
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• 2003

Agriculture is probably the most weather-dependent of all human activities. Variations lil climate have been, and continue to be, the principal source of fluctuations in global food production, particularly in the semi-arid tropical countries of the developing world. Throughout history, extremes of heat and cold, droughts and floods, and various forms of violent weather have wreaked havoc on the agricultural systems that depend on for food.(omitted)

• 경영정보학연구
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• 제10권2호
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• pp.211-234
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• 2008

우리나라의 정보시스템 개발 방법론은 1960년대와 1970년대의 정보기술 도입기, 1980년대의 공공부문을 중심으로 한 방법론 도입기, 1990년대 초반의 민간부문을 중심으로 한 방법론 확산기, 1990년대 중반의 정보공학 방법론을 가미한 방법론 내부화기, 그리고 2000년대의 객체지향과 컴포넌트 기반 개발 방법론을 반영한 방법론 관리기로 발전하였다. 우리나라 정보시스템 개발 방법론은 30년이 채 안 되는 짧은 역사를 지니고 있다. 우리나라는 비록 세계적 흐름과 비교했을 때 대략 10년 늦게 출발하였지만 1990년대 빠른 속도로 발전하여 세계적 업체들과 경쟁할 정도의 수준으로 발전하였다. 본 논문은 1980년 초에 시작되어 2007년 말까지 진행된 우리나라 정보시스템 개발 방법론의 역사를 정리한 최초의 논문이라는 점에서 의의가 있다. 이 논문은 관련 산업에 종사하는 실무자들에게 역사적 통찰력을 제공함으로써 현재와 미래의 전략적 청사진을 그리는 데 도움을 줄 것이다. 그리고 학자와 정책 입안자들에게는 정보시스템 개발 방법론이 걸어온 길을 재음미하는 과정에서 향후 국내 정보시스템 개발 방법론의 나아가야 할 방향에 대한 시사점과 다양한 연구 아이디어를 제공할 것이다.

• 디자인학연구
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• 제19권1호
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• pp.243-252
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• 2006

This essay studies local design style in globalization era through investigation of the restaurants which are located at suburb of big cities in Korea. All regional memory and history is disappeared in 'The world time' and world design style in globalization era. Thus to study local design means to study the history of certain region and the memory of the people who lives in that area and how they represent their past and memory. Post colonial theory, everyday aesthetics and the way of using past and memory are preresearched for the theoretical background. Post colonial theory is discourse for the countries which have the experience of colonialism. History and memory are used for defining present political, social, economical and cultural situation. In this essay, the way using past and memory were classified in three dimension - by government, company, and individuals. The past which is represented by government is conceptual and defined as only sign without on going history. When it is represented by company, it is also uses as a sign and imitation without contextual meaning. However, when the past is used by individuals, it is alive in daily life. This essay argues that those restaurants which have the style of 'the Koreaness' symbolize the suppressed desire to represent the lost past and memory which are forced to be exduded during the colonial period and fast modern development. And the design style can be defined as epic design, for it has it's own main character, story, memory and plot too. This word 'epic' imply the main point of local design style. In conclusion, this essay will ask the role of design in the country which has colonial memory in globalization era.

• 영미문화
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• 제18권1호
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• pp.1-21
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• 2018

In Woman Watches over the World, Linda Hogan explores the broken identity of herself and her family, the issue of the poverty and the identity crisis, the alcoholism, prevalent in the Native American community and their silenced history. Previous studies have claimed that her memoir contributes to the restoration of Native American identity and history by accusing the violence of white culture, and seeks to recognize a dialogue between native culture and white mainstream culture as well. However they seem to overlook the complicated relations among story, identity, body and nature, to which Hogan as a multi-binded storyteller resorts as a way to break the silence of herself and her tribe for healing. Her own story, as a way to break the silence, becomes the formative drive to reveal the silenced history of her own tribe to lead the young generation to the future. She also understands the formative function of the story, which becomes the vehicle for embodying and connecting themselves to nature. To her, healing lies in the restoration of sympathetic relationship with nature. History, as a type of story, can be made up or mistold just like a story. There may be a blind spot where one can not assess what is true. In spite of the vision of the parallel worlds of the two cultures she presents, there seems to be no immediate solution to the discrimination against the Native American, poverty, identity crisis, and environmental problems which the Native American community faces. However, it can be said that her memoir serves as a rudder by presenting a direction to not only the Native American but also to readers in other cultures in its quest for practical possibilities for the future.

• 건축역사연구
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• 제31권5호
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• pp.57-64
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• 2022

Architectural Monuments have to overcome the challenge of time due to physical properties. The fundamental issue must be grounded in an understanding of history and art to overcome this challenge and make themsustainable. Many efforts to preserve the monuments through the 19^th century and at the beginning of the 20^th century to record them in scientific form were successful. To be aware of the meaning of the art and not to be 'barbare' anymore was behind the promotion of these activities. Above all, the 19th-century French architect Viollet-le-Duc contrasted the concept of barbarism with the concept of art and tried to redefine architecture as art. The ritual to escape 'barbare' played an important role in the end. This consciousness was also at work in the propaganda for the preservation of medieval architectural monuments in France, led by intellectuals such as Rodin. Also, the concept of 'barbare' served as an important yardstick whenever the cause of their loss was questioned while important monuments were destroyed in the First World War. From the viewpoint of Germany, Dehio was the pioneer of the preservation movement and documentation of monuments. The principle he advocated was preservation, not restoration. The historian Pevsner, who moved to England, also surveyed monuments in various parts of England and left them in the same format as Dehio. These facts show that architecture as art plays a fundamental role in the history of human life.