• 건축역사연구
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• 제8권3호
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• pp.9-22
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• 1999

The purpose of this study is to analyse the architectural character of JE-DAMG at farm village in Ulsan. JE-DANG means the building for DONG-JE (the sacrificial rite of a village). The regions of this study are KANG-DONG MYEN, and UNG-CHON MYEN in Ulsan. The method of this study is the analysis of them after the actual field surveys of 47 JE-DANGs in these regions The survey contains the area, the height, the period of the erection, the architectural structure, the roof shape, the material, the landowner, SHIN-CHE (means a god's name and shape), DANG-SU tree and so on. Methods of the survey are the field survey, the interview of villager, the analysis of reference data and so on. Results of the study are below. JE-DANGs(buildings) of these regions had been built first in the period of Japanese occupancy and erections of them had continued until 1970's. Since then, they have been rebuilt. The primary JE-DANG is characterized by a tiled roof, a wooden post lintel, a mud-plastered wall, and a wooden door. After rebuilding, characters are a flat slab, a tiled roof, a structure of using red bricks, and the area is getting larger than the primary JE-DANG, but 1 KAN persists without variety. Most of houses in the inland area like UNG-CHON MYEN face the south, and ones in the coastal area like KANG-BONG MYEN face the east. Generally there is DANG-SU tree behind JE-DANG. That proves DANG-SU tree to be the object of the rite. The species of DANG-SU is a pine in general ,but various in UNG-CHON MYEN. In general names of the god are DONG-SHIN , DANG-SAN SHIN and SUNG-HWANG SHIN. I think that the landownership of JE-DANG should change the private ownership into the village ownership to preserve JE-DANG though most of lands of JE-DANG are private ones.

• 건축역사연구
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• 제25권4호
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• pp.57-64
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• 2016

It was believed that Jeongnimsa temple was built after the capital was moved from Gongju to Buyeo. It was confirmed that it was built A.D. $625{\pm}20$ by conducting a paleomagnetic analysis on the fireplace, which was recently found at the bottom of Jungmunji(middle gate). Consequently, it is assumed that the temple was built in the early 7th century unlike the previous point of view. Therefore, this study evaluated if the fireplace at the bottom of Jungmunji was found at the geological stratum representing the Jeongnimsa temple. Moreover, the study examined when the fireplace at the bottom of Jungmunji was constructed on the soil stratum. It is possible that the fireplace was built in the early 7th century as shown in the paleomagnetic analysis. However, when we compared the soil strata of the Jungmunji and the existing five-story stone pagoda, it showed that the ground was prepared differently and they were built over a fairly long period of time. Furthermore, I discovered that there was a wooden pagoda under the five-story stone pagoda by examining the soil strata map. Therefore, previous studies evaluated the arrangement of auxiliary buildings of Jeongnimsa temple and concluded that it was built in the early 7th century. It is hard to determine when the temple was built based on the arrangement of auxiliary buildings, because it takes a long time to build a temple and auxiliary buildings can be relocated during this long construction period. Rather, we have to admit that there are various arrangement patterns through minor changes in buildings from the one pagoda and one main building(Geumdang) arrangement.

• 박물관보존과학
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• 제20권
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• pp.49-60
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• 2018

대구 칠곡지구 일대 유적은 청동기시대 및 삼국시대 대규모 취락지가 확인된 고고학적 조사로 그 의의가 크다. 특히 대구 동천동 취락유적에서는 청동기시대 수혈주거지, 고상건물지, 석관묘, 우물, 집수기, 집석, 구상유구, 경작지, 환호, 하도 등의 유구가 확인되어 청동기시대 당시 취락의 전모를 알 수 있는 많은 자료가 조사되었다. 본 조사는 대구 동천동 취락유적 내 청동기시대 하도 유구 출토 목기 8점에 대한 수종분석 결과이다. 조사 결과, 침엽수재 수종인 소나무류(Pinus spp.)가 2점, 전나무속(Abies spp.) 수종이 2점, 활엽수재 수종인 상수리나무류(Quercus sp.)가 4점 식별되었다. 용도미상으로 분류된 3점의 목기는 소나무류와 전나무속 수종이였으며, 건축부재 5점은 소나무류가 1점, 상수리나무류가 4점이었다.

• Journal of the Korean Wood Science and Technology
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• 제37권1호
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• pp.29-36
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• 2009

목재 자원의 부족과 가격 상승에 대항할 수 있는 좋은 대안 중 하나가 목재 부산물이나 폐기물의 재활용이다. 조선 산업에서 얻어지는 목재 폐기물의 경우 기존에는 파쇄 되어 보드류 생산에 주로 사용되어 왔다. 하지만 파쇄를 통한 합판 폐기물의 재활용은 재료의 경제적 가치나 자원의 문제 등을 고려할 때 아쉬움이 많이 남는 처리 방법이다. 본 연구에서는 국내 조선 산업에서 파생되는 목재 폐기물들의 재활용 가능성을 알아보고자 하였다. 국내 조선 산업의 목재 관련 폐기물은 합판 폐기물과 소재 폐기물로 나뉜다. 본 연구를 통해 다음과 같은 결론을 얻을 수 있었다. 1. KS 규격에 따라 합판 폐기물과 합판 적층재의 휨성능을 평가하였다. 2. 합판 폐기물과 합판 적층재의 파괴 모드는 두 종류 모두 simple tension 파괴를 나타내었다. 3. 합판 폐기물과 합판 적층재의 재활용 용도로는 크게 외부 시설용, 내부 시설용 그리고 목조건축 자재로의 용도가 적합하다고 판단되었다. 적정 용도로는 인테리어 재료, 목재 파렛트, 마루판, 사이딩재, 판넬, 야외용 탁자, 데크용 재료 등인 것으로 생각된다.

• 한국주거학회논문집
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• 제19권6호
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• pp.157-166
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• 2008

Until 1960, the major housing type of rural area in Korea was traditional wooden frame building, which was made of natural materials. In the course of modernization and New Village Movement, most of traditional houses have been renovated focusing on changing roof material of rice straw into slate, keeping existing main wooden structure. And then from around 1980, by economical development the new houses have been constructed. On these three phases of traditional type, remodeling type and new construction type, the natural materials of housing facade as wood, soil, stone and plant changed into artificial materials as cement, chemical material and paint. At the same time the exterior color of housing also have been changed and varied. The purpose of this thesis is to find out the changing aspect of exterior color by comparing remodeled and new constructed housing with of traditional housing. The exterior color of one hundred and fifty seven houses were surveyed and the three color attributes of each part of facade, as roof, wall and window, were analyzed and compared. In case of traditional houses, 98.3% of color are concentrated on the warm color of Y and YR on HUE scale, and 88% of their color are low Chroma. And Value of their color has been varied and spreaded from low to high Value scale. From traditional types to remodeled and new constructed houses, the concentration ratio of warm color on Hue scale reduced from 98.3% to 68.7% and ratio of low Chroma was also changed from 88% to 73.2% and the ratio of low Value color reduced from 51.9% to 29.7%. The exterior color of houses in rural area varied on Hue, and the more saturated colors were used and they became brighter compared with color of traditional houses. It is expected that the results of this study can be used for basic data of exterior color planning and improvement into harmonized color with natural environment.

• 건축역사연구
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• 제27권3호
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• pp.43-58
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• 2018

This paper aims at researching on the substantial characters of the memorial address, namely the mookseo-myeongs(墨書銘), written at the members of the wooden buildings in the late period of Goryeo Dynasty and the early period of JoseonDynasty. In this paper, I pursued to declare the systematic origins by the comparison the Buddhist buildings with the other buildings, on the focused the written patterns. Furthermore, I tried to examine the transitional trends in the late period of Joseon Dynasty. The results are as follow: First, it is supposed that the mookseo-myeongs of the Buddhist buildings were not used for the a memorial address for the ceremony of putting up the ridge beam, so to speak the sangryang-muns(上樑文), but the prayer address(發願文) to memorize the donations of the believers for the constructions. Second, it is supposed that 'the short sangryang-muns' were originated in the mookseo-myeongs of Buddhist buildings and the other ancient prayer address. In the late period of JoseonDynasty, those were established in the formal literary styles. Third, to the early period of JoseonDynasty, 'the long sangryang-muns' were partially used in the several royal palaces. In the late, those were widely used not only in the royal palaces but also in Buddhist buildings, but those literary patterns were rarely changed from the former types.

• Journal of the Korean Wood Science and Technology
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• 제42권3호
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• pp.244-250
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• 2014

부산 운수사 대웅전에 쓰인 주요 목부재의 수종을 식별하기 위하여 기둥, 보, 장여, 도리, 주두, 소로, 포재, 대공, 반자 등 총 72점에 대하여 조사하였다. 수종을 분석한 결과, 소나무속의 소나무류 67점, 서어나무속 4점, 참나무속의 상수리나무류 1점 등 3수종이 식별되었다. 기둥에서는 소나무류 14점, 서어나무속 4점, 도리에서는 소나무류 4점, 상수리나무류 1점이 식별되었다. 그 외의 부재는 모두 소나무류로 식별되었다. 기둥의 부재중 동바리에 사용된 서어나무속 3개는 수리 시에 사용된 것으로 생각된다. 불단의 조각재 1점은 오리나무속으로 식별되었다. 결론적으로 후대에 교체된 것으로 보이는 서어나무를 제외하면 기본적으로 운수사 대웅전 건축 가구부재에 거의 대부분 소나무류가 사용되었음을 알 수 있었다.

• 한국산학기술학회논문지
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• 제12권11호
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• pp.5337-5346
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• 2011

최근 증가되는 한옥 붐으로 인해 한옥 활용의 다양화란 측면에서 각종 공공청사 및 유치원, 도서관 등의 공공시설에 한옥을 활용하고자 하는 요구가 있다. 즉 한옥 형식을 여러 유형의 현대적 건축에 적용해 보려는 다각도의 시도가 요구되고 있다. 본고는 이러한 배경을 바탕으로 충남 아산신도시 지역의 초등학교 부지를 하나의 대상으로 선정하여 한옥을 이용한 초등학교 계획안을 제시해 보는 것을 목적으로 하였다. 계획 규모는 학년별 4개 학급 총24개 학급 규모이며, 교실운영 방안은 1-2학년은 '종합교실형'으로, 3-6학년은 '일반교실+특별교실+다목적실형'으로 설정하였다. 부지 효율성을 도모하기 위하여 저학년동을 한옥형으로 계획하였으며 선례로서 라궁의 조직성을 활용하였다.

• 건축역사연구
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• 제24권4호
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• pp.55-64
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• 2015

This paper aimed to identify architectural historical meaning of the brick-constructed platform of the west hall in Hwangnyoungsa buddhist temple site based on studying published the excavation survey report and comparing with other platforms of Silla remains. Mass and height of the building has a hierarchical structure within a buddhist temple site, this is applicable in Hwangnyongsa. So in case of a rank equal to or lower buildings than the west hall, those of platforms were built of brick-constructed. As stone relics, jidaeseoks are very narrow, I think that wooden pagoda and main hall's platform were built of brick in first construction period. West hall's platform was built at the late 6th~the mid of 7th century, these brick-remains were considered as a quite earlier construction period relics. Because in west hall there is no jidaeseok under bricks, and all bricks relics have a rectangular shape.

• 건축역사연구
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• 제7권3호
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• pp.67-86
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• 1998

In this thesis, the Development of Station Buildigs Design during last a hundred years in Korea is analyzed. From the early time to today, several posts of Office of Korean National Railroads have controlled the Station Buildings Design by Standard Drawings. Sometimes, private architects joined in designing the Stations, that have the value as historic architecture. Under the Japanese imperialistic rule, Japanese Officer designed all of the stations ; that can be classified 1) wooden compromise style, 2) renaissance style, 3) northern European house style, 4) general station by standard drawing, 5) Korean house style. 6) modernism style. Especially, Korean house style was not planned to commemorate the old Korean Architecture, but to beguile the Japanese tourists' monotony of the journey in Korea. After the Independence, the Station Buildings are grouped into 1) international style, 2) modernism style with traditional details, 3) Station Complex Buildings. In the future, design of the Railroad Station Building needs to be diversified to satisfy tourists' emotion.