• Journal of Veterinary Science
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• 제21권1호
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• pp.18.1-18.17
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• 2020

Cat vocalizes to communicate with another and express their internal states. The vocal repertoire of the cat is wide and up to 21 different vocalizations have been described in the literatures. But it is more than probable that the repertoire contains more types of vocalizations. An ethogram was created in this paper describing the actual known vocalisations of the domestic cat based on an auditory classification. However, the audiogram allows also a visual classification which can increase the accuracy of vocalization differentiation. The classification can be risky as it is sometimes unclear if different types of vocalizations are produced in different environments or if a unique type of vocalization is used with variation in the acoustic parameters. As an example, isolation calls produced by kittens differ depending on the context. The environment has an important impact on the vocal behaviour and thus feral cats and pet cats vocalize differently. Pet cats are thus able to create an efficient communication with humans thanks to the flexibility of vocalisation behaviours. This review allowed us to create a simple model of the cat vocal repertory.

• 대한후두음성언어의학회지
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• 제21권1호
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• pp.27-31
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• 2010

Mild vocal fold hypomobility is a common finding of which clinical significance is incompletely understood. Recently, electrophysiologic investigations have shown that vocal fold hypomobility is a continuum of neurogenic dysfunction ; partial denervation (paresis), complete denervation (paralysis), and variable degrees and patterns of reinnervation. Despite a sound pathophysiological basis for its existence, interest in and acceptance of the diagnosis of vocal fold paresis is relatively recent. Vocal fold paresis may be a relatively common and often overlooked condition that can be difficult to diagnose since laryngoscopy does not reliably distinguish innocent laryngeal asymmetry from hypomobility caused by paresis. Although not entirely free from error, laryngeal electromyography seems to hold more promise as a means of reliable diagnosis than laryngoscopy, and should be employed systematically in the evaluation of suspected paresis. The means to help most patients with paresis already exists in the repertoire of interventions developed to treat paralysis. However, since the vocal fold retains substantial movement, more conservative treatment strategy is recommended as a first line of treatment. The authors reviewed the representative reports of vocal fold paresis and summarized the controversies and consensus regarding the vocal fold paresis.

• Animal cells and systems
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• 제9권2호
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• pp.47-55
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• 2005

Avian vocalization has been main topics in studying animal communication. The structure and usage as well as development and function of vocalization vary enormously among species and even among populations, and thus we reviewed the general patterns of song learning and the consequences of song communication in birds at the behavioural level: first, we compared the different learning phenomena between non-songbird and songbird, and we investigated the learning process of songbird both in the field and in the lab, which are needed to fully understand vocal communication. Second, we discussed a recent trend of sexual selection hypothesis explaining the structural and functional diversity of song in songbirds with repertoire and presented how the repertoire is actually used between neighbours based on individual recognition.

• Animal cells and systems
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• 제1권4호
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• pp.565-569
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• 1997

Vocal repertoires of the B1ack-tailed gull (Larus crassirostris) were studied at established reproductive colonies. The Black-tailed gull has eleven different vocal signals which can be grouped into three different call classes according to behavioral functions: contact call, alarm call (attention call), and aggressive call. The contact call or mew call is the most frequently used and functions as means of recognition among individuals, particularly between parents and youngs. Our results show that each call plays .an important role in particular social relationships in a high- density breeding colony.

• 한국콘텐츠학회:학술대회논문집
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• 한국콘텐츠학회 2018년도 춘계 종합학술대회 논문집
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• pp.97-98
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• 2018

재즈 연주자들이 음반에 많이 녹음한 재즈 스탠더드 곡을 대상으로 레퍼토리의 장르를 분류하여 선정한 곡을 중심으로 다른 버전의 편곡 특성을 연구한다. 레퍼토리 곡은 재즈 스탠더드 원곡에서 블루스, 스윙, 발라드, 비밥, 라틴의 5가지 장르로 분류되며, 대부분 발라드와 스윙이다. 레퍼토리의 곡 분류를 통해 같은 곡이 다른 버전에서 어떻게 다르게 연주되었는지 보기위해 여성 재즈보컬들에 의해 녹음된 음반을 중심으로 각 버전의 특징을 분석한다. 이 연구를 수행하여 각 여성 재즈 보컬들의 녹음된 곡에서 다른 버전의 편곡 특성을 도출한다.

• 공연문화연구
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• 제39호
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• pp.357-392
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• 2019

이 논문은 1930년대 창극 형성 과정을 창극 유성기음반과 조선성악연구회(朝鮮聲樂硏究會)의 창극 레퍼토리들을 중심으로 재고찰한 것이다. 1930년대 창극 형성의 중심에 있었던 조선성악연구회의 구체적인 활동을 살피면서 그 의의와 한계를 논했다. 창극 유성기음반에서 구현되는 '입체창'과 '해설자' 역할은 조선성악연구회 회원들이 판소리와 변별되는 '극적 공간과 무대'를 인식하게 된 창극적 상상력의 구현으로 보았다. 그리고 창극 형성으로 파생된 서항석과 송석하의 '신창극' 개념의 차이와 의미를 논했다. 1930년대 무대 창극 공연은 '가극'이라는 지향점에 도달해야 한다는 논의의 반복이었는데, 당시 '가극'이라는 용어가 '창극'으로 대체되는 과정을 살폈으며 그 과정에서 창극 무대가 온전한 형태를 갖추게 된 것을 논했다. 조선성악연구회 회원들의 창극 만들기는 창극사적으로는 중요한 업적일 수 있으나 일제의 문화정책에 따른 '정제'와 '배제'로 인해 형식적 측면에서는 한계를 드러낼 수밖에 없었다. 판소리 음악성은 고양되었으나 시대정신과 다양성을 담을 수 없었기에 초보적인 창극적 상상력에 그칠 수밖에 없었다고 할 수 있다. 창극은 태생적으로 한계를 지닌 장르였지만 시대의 흐름 속에서 극복되고 있다고 할 수 있으며 이는 후속 논문에서 다루고자 한다.