• 복식문화연구
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• 제7권5호
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• pp.1-18
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• 1999

This study concerns the role of costume in Shakespeare\`s history plays from the viewpoint of the role theory. The term “role” has been used to represent the behavior expected of the occupant of a given position or status. A specific role can not be successfully performed without the aid of the costumes. Costumes are adopted in relation with a specific role. The term ‘role’ had been borrowed from the drama. The similarity between the role on the stage and the role of the social man had been recognized. The similarity between the role on the stage and the role of the social man had been recognized. The typical examples in which the costume help to make access to a specific role and can be effectively exploited for the performance of the role are manifested in the history plays of Shakespeare. Thus, our goal in this study is to analyze the role of costume which appears in Shakespeare\`s history plays from the viewpoint of the role theory. The role of social status and position reflects sex, age, occupation, class, economic position of the characters. In his works, the crown and the mace represented not only the throne but also a previllege and supreme position. The situation role of costume could be widely used for visualizing the psychological situation and external environments of the characters on the stage. The disguise role hided one\`s status, thereby makes possible acting other\`s position. The costume also could symbolize the social status, position, rank, occupation, and the situation, and functioned as a media fo delivering messages to others. The costume performed the role of the physical and psychic protection, and provided its wearer with consolation and peaceful mind. The costume reflected the custom of a society through its wearing configuration. The costume (or a uniform) adopted by a group notified the characteristics and the expectation of action of the group to others. The results obtained from this study can provide useful cues for understanding the role action in the social structure. This kind of understanding reveals the costume phenomena in real life, allows one to perform roles properly and efficiently, and opens our insight on the overall aspects of the costume culture.

• 경영과정보연구
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• 제21권
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• pp.169-187
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• 2007

Today, the principle of competition is being applied to Non-profit sector also. It is necessary for relevant persons in charge to learn the knowledge and technique about marketing technique endlessly in connection with the development of donor out of the development of social welfare resource which is being embossed as main pending problem at the point of time when the role of private sector about welfare service increased and the criterion of competition and evaluation among institutions was introduced. Especially, as for the application of marketing technique to utilize internet to have big marketing potential, the efforts for the realization and application of positive marketing to be suitable for the real situation of each institution is necessary in connection with the donor development of social welfare institution. In this study tried to examine the charge of method to develop donor which is based on the development of information technique and the popularization of internet from the viewpoint of internet marketing and suggest the basic data about the present situation of donor marketing to use the effective scheme for internet marketing.

• 복식문화연구
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• 제7권4호
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• pp.14-37
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• 1999

This study concerns the role of costume in Shakespearean comedy from the viewpoint of the role theory. The term “role” has been used to represent the behavior expected of the occupant of a given position or status. A specific role can not be successfully performed without the aid of the costumes. Costumes are adopted in relation with a specific role. The term ‘role’ had been borrowed from the drama. The similarity between the role on the stage and the role of the social man had been recognized. The typical examples in which the costume help to make access to a specific role and can be effectively exploited for the performance of the role are manifested in the comedies of Shakespeare. Thus, our goal in this study is to analyze the role of costume which appears in Shakespearean comedy from the viewpoint of the role theory. The role of social status and position reflects sex, age, occupation, class, economic position of the characters. In his works, the crown and the mace represented not only the throne but also a previllege and supreme position. The situation role of costume could be widely used for visualizing the psychological situation and external environments of the characters on the stage. The disguise role hided one\`s status, thereby makes possible acting other\`s position. And the disguise role can bring about the change of status, age, sex, occupation, and atmosphere. The costume also could symbolize the social status, position, rank, occupation, and the situation, and functioned as a media for delivering messages to others. The costume performed the role of the physical and psychic protection, and provided its wearer with consolation and peaceful mind. The costume reflected the costume of a society through its wearing condition and wearing configuration. The results obtained from this study can provide useful cues for understanding the role action in the social structure. This kind of understanding reveals the costume phenomena in real life, allows one to perform roles properly and efficiently, and opens our insight on the overall aspects of the costume culture.

• 비교문화연구
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• 제49권
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• pp.127-150
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• 2017

본고는 Hymes(1972)가 제시한 의사소통의 사회적 분석단위 중 네 가지 - 말 공동체(speech community), 말 상황(speech situation), 말 사례(speech event), 말 행위(speech act) - 개념에 기대어 중국어 교재 상의 회화문을 고찰하고 그 결과를 교실 활동에서 활용할 수 있도록 숙고하는 데 목적이 있다. 이에 본고는 매 회화 단락을, 특정한 상황 맥락 하에서 여러 말 행위들로 구성된 말 사례의 정합으로 간주한다. 그리고 매 문장을, 발화로써 말 힘을 가질 수 있는 언어적 행위로 가정한다. 회화문을 Hymes(1972)의 단위에 기대어 분석하기에 앞서 본고는 분석 단위의 개별적 특징을 먼저 살펴본다. 그런 뒤, 그것의 단위 개념을 토대로, 교재 회화문을 형태 및 통사 단위의 결합이 아닌 행위의 결합이란 관점에서 분석한다. 나아가 복잡한 통사 단위들의 결합으로 여겨질 수 있는 회화 단락이 다소 한정된 소수의 분석단위들 간 결합일 수 있음을 보인다. 그리고 그 결과가 교실 활동에서 어떻게 사용될 수 있는지 제언을 덧붙인다.

• 동양고전연구
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• 제33호
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• pp.335-358
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• 2008

호산(壺山) 박문호(朴文鎬)는 서구열강의 각축전과 일제의 침략 그리고 척사위정운동과 항일의병운동 등 참으로 다사다난한 시기를 살았다. 따라서 그의 학문과 사상은 이러한 조국의 어려운 환경과 관계되지 않을 수 없었다. 특히 그의 사상 가운데, 서구의 기독교가 전통적인 사상과 미풍양속을 파괴하는 것으로 본 점, 일제에 아부하는 역적을 토벌하고 명성황후(明成皇后) 시해에 대하여 복수할 것을 주장한 것, 그리고 서구의 제국주의적 침략은 단호히 막아야 하지만 대내적으로 개물성무(開物成務)와 화민성속(化民成俗)을 이루어야 한다는 개화론(開化論)을 주장한 것은 이러한 시대적인 역사적 환경과 직접적으로 관계된다. 호산 박문호의 시국관은 전통적인 윤리사상과 교육사상을 고수하는 입장을 충분히 보여주고 있다. 그러나 한편으로는 변화하는 새로운 시대적 요구를 외면한 것으로 보일 수도 있다. 그러나 새로운 시대적 요구라는 것도 시대적이며 사회적인 모든 여건의 제약을 받을 수밖에 없을 것이며, 전통 윤리사상을 고수한다고 하여 반드시 시대적 요구에 배치된다고 볼 수도 없다. 호산 박문호가 살다 간 시대는 왜양(倭洋)의 침략 앞에 정치적인 불안정은 극도에 달하였으며, 새로운 시대적 요구에 대한 국민적 또는 국가적 합의는 거의 이루어질 수 없는 상태에 있었다. 따라서 당시의 당면과제는, 우선 일본과 구미 각국 즉, 왜양(倭洋)의 침략을 물리치는 일보다 더 화급한 일은 없었던 것이며, 그리함으로써 정치적 안정과 사회적 안정을 도모하고 도탄에 빠진 민생을 구제하여 유가적 정치이상을 실현하는 것이었다.

• 한국의류학회지
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• 제17권3호
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• pp.436-447
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• 1993

This study concerns the role of costume in Shakespearean tragedy from the viewpoint of the role theory. The term "role" has been used to represent the behavior expected of the occupant of a given position or status. A specific role can not be successfully performed without the aid of the Costumes. Costumes are adopted in relation with a specific role. The role of social status and position reflects sex, age, occupation, class, economic position of the characters. In his works, the crown and the mace represented not only the throne but also a previllege and supreme position. The sitution role of costume could be widely used for visualizing the psychological situation and external environments of the characters on the stage. The disguise role hided one's status, thereby makes possible acting others position. And the disguise role can bring about the change of status, age, sex, occupation, and atmosphere. The costume could be used as a voucher of love. The costume performed the role of the physical and psychic protection, and provided its wearer with consolation and peaceful mind. The costume reflected the custom of a society through its wearing condition and wearing configuration. The results obtained from this study can provide useful cues for understanding the role action in the social structure. This kind of understanding reveals the costume phenomena in real life, allows one to perform roles properly and efficiently, and opens our insight on the overall aspects of the costume culture.

• 한국주거학회논문집
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• 제21권5호
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• pp.51-61
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• 2010

The purpose of this study is to suggest the basic data on the direction of housing research trends by dividing both research methods and research contents through precedent studies related to elderly housing. We drew four major conclusions through this research. First, in general, the research activities for elderly housing has been conducted actively since 2000 to begin in earnest after 1990. This result shows that it is related with the reform of welfare laws for the elderly in 1993, with the change of government policies and the increase of social interest in elderly people's lives. Second, early studies had been started to focus on elderly home residents if we look into research results according to research methods. In 1993, The Elderly Welfare Act was reformed by the government and then researches for elderly welfare facilities were also increased by a permission of government to run private elderly welfare facilities for making profit. This movement caused to expand research targets from general elderly people to their families, facility staffs and experts. Third, in case of research contents past studies were mostly conducted on the space planning and its actual situation. However, current studies are made under diverse viewpoint with the increase of elderly housing and elderly welfare facilities according to reforms of laws and changes of resident's perception. Fourth, because of rapid transition to an aging society the studies of elderly housing were influenced by the changes of policies and social consciousness.

• 한국의류산업학회지
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• 제18권3호
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• pp.261-271
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• 2016

The aim of this study was to gain an understanding of the element playfulness in fashion photographs related to openness and multiple significance in contemporary art. A total of 105 fashion photographs from US and UK Vogue magazine editorials and advertisements for the last five years were selected for the study. The photographs were analyzed in two main categories - the contextual element of themes, and the elements of visual expression; composition, models, objects and editing technology. The element of playfulness in the photographs were found to be divided into themes of infantile fantasy, social satire and situational dissonance, and elements of visual expression were found to express image distortion, expansion, exaggeration, reduction, and optical illusions. A photography type termed as infantile fantasy and social satire have descriptive characteristics and usually deliver the message by using models and objects to present a certain situation or express social satirical viewpoint and reflective attitude by using objects and photographic skills. A photography type termed as situational dissonance is characterized by immediately understood expressions and usually clarify the message by using a photographic technology such as editing the printed image or expect the model to express an exaggerated poses and ridiculous expressions, causing an optical illusion. Visually expressed and composed scene using composition, models, objects and editing technology is a specific character of photograph and due to the advances in computer editing technology it has been able to express the various playfulness.

• 지능정보연구
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• 제20권2호
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• pp.39-58
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• 2014

빅데이터의 중요성에 대한 인식이 확산되고, 관련한 기술이 발전됨에 따라, 최근에는 빅데이터의 처리와 분석의 결과를 어떻게 시각화할 것인지가 매우 관심 받는 주제로 부각되고 있다. 이는 분석된 결과를 보다 명확하고 효과적으로 전달하는 데에 있어서 데이터의 시각화가 매우 효과적인 방법이기 때문이다. 시각화는 분석 시스템과 사용자가 소통하기 위한 하나의 그래픽 사용자 인터페이스(GUI)를 담당하는 역할을 한다. 통상적으로 이러한 GUI 부분은 데이터의 처리나 분석의 결과와 독립될 수록 시스템의 개발과 유지보수가 용이하며, MVC(Model-View-Controller)와 같은 디자인 패턴의 적용을 통해 GUI와 데이터 처리 및 관리 부분 간의 결합도를 최소화하는 것이 중요하다. 한편 빅데이터는 크게 정형 데이터와 비정형 데이터로 구분할 수 있는데 정형 데이터는 시각화가 상대적으로 용이한 반면, 비정형 데이터는 시각화를 구현하기가 복잡하고 다양하다. 그럼에도 불구하고 비정형 데이터에 대한 분석과 활용이 점점 더 확산됨에 따라, 기존의 전통적인 정형 데이터를 위한 시각화 도구들의 한계를 벗어나기 위해 각각의 시스템들의 목적에 따라 고유의 방식으로 시각화 시스템이 구축되는 현실에 직면해 있다. 더욱이나 현재 비정형 데이터 분석의 대상 중 대부분을 차지하고 있는 텍스트 데이터의 경우 언어 분석, 텍스트 마이닝, 소셜 네트워크 분석 등 적용 기술이 매우 다양하여 하나의 시스템에 적용된 시각화 기술을 다른 시스템에 적용하는 것이 용이하지 않다. 이는 현재의 텍스트 분석 결과에 대한 정보 모델이 서로 다른 시스템에 적용될 수 있도록 설계되지 못하는 경우가 많기 때문이다. 본 연구에서는 이러한 문제를 해결하기 위하여 다양한 텍스트 데이터 분석 사례와 시각화 사례들의 공통적 구성 요소들을 식별하여 표준화된 정보 모델인 텍스트 데이터 시각화 모델을 제시하고, 이를 통해 시각화의 GUI 부분과 연결할 수 있는 시스템 모델로서의 시각화 프레임워크인 TexVizu를 제안하고자 한다.

• 한국실내디자인학회논문집
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• 제23권4호
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• pp.94-102
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• 2014

Nowadays when the social and cultural paradigm is changing, the incomplete space is becoming a matter of controversy. In order to figure out the solutions to it, are being held a variety of spatial discourses for spatial essence and meaning to be cleared. Accordingly, this study has tried to seek for any probability to interpret the ontology shown at any traditional space on the ground of Heidegger's Ontological Thinking Structure which has a considerable impact on Modern Space, whose conclusions are the followings. First, Heidegger's ontological space theory, which provided a foundation of Placeness concept, includes not only the character of interdisciplinary learning among philosophy, arts and any related studies but also that of mutual oriental and occidental cultures. Second, between the thoughts of Heidegger and Lao-tzu are considerable similarities from the methodical viewpoint that materializes the meaning of existence as an essence. Third, for a convenient interpretation, the ontological spatial concept of Lao-tzu's philosophy shown at traditional spaces have been categorized into Typology-Incident, Morphology-situation and Topology-meaning generation with Schultz's Existential Spatial Concept based on Heidegger's Ontology as a medium. In particular, the meaning generation which materializes the placeness has the trait of being clarified as the product of interactions between incidents and situations.