• The Journal of the Institute of Internet, Broadcasting and Communication
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• v.9 no.1
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• pp.1-9
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• 2009

In this paper, proposed digital image watermarking technique with lifting wavelet transformation. This watermark technique can be easily extended in video content fields. Therefore, we apply this watermark technique to layered depth image structure that is efficient compression method of multi-view video with depth images. This application steps are very simple, because watermark is inserted only reference image. And watermarks of the other view images borrow from reference image. Each view image of multi-view video may be guaranteed authentication and copyright.

• International Journal of Contents
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• v.8 no.1
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• pp.16-22
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• 2012

In this paper we propose a method for verifying video in a video telephony system implemented in DM6446 DaVinci Processor. Each frame is categorized either error free frame or error frame depending on the predefined criteria. Human face is chosen as a basic means for authenticating the video frame. Skin color based algorithm is implemented for detecting the face in the video frame. The video frame is classified as error free frame if there is single face object with clear view of facial features (eyes, nose, mouth etc.) and the background of the image frame is not different then the predefined background, otherwise it will be classified as error frame. We also implemented the image histogram based NCC (Normalized Cross Correlation) comparison for video verification to speed up the system. The experimental result shows that the system is able to classify frames with 90.83% of accuracy.

• Journal of Korean Theatre Studies Association
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• no.53
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• pp.167-202
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• 2014

When video composes mise-en-scene during the performance, it reflects the aspect of contemporary image culture, where the individual as creator joins in the image culture through the device of cell phone and computer remediating the former video technology. It also closely related with the contemporary theatre culture in which 1960's and 1970's video art was weaved into the contemporary performance theatre. With these cultural background, theatre practitioners regarded media-friendly mise-en-scene as an alternative facing the cultural landscape the linear representational narrative did not correspond to the present culture. Nonetheless, it can not be ignored that video in the performance theatre is remediating its historical function: to criticize the social reality. to enrich the aesthetic or emotional reality. I focused video in the performance theatre could feature the object with the image by realizing the realtime relay, emphasizing the situation within the frame, and strengthening the reality by alluding the object as a gesutre. So I explored its two historical manuel. First, video recorded the spot, communicated the information, and arose the audience's recognition of the object to its critical function. Second, video in performance theatre could redistribute perceptual way according to the editing method like as close up, slow motion, multiple perspective, montage and collage, and transformation of the image to the aesthetic function. Reminding the historical function of video in contemporary performance theatre, I analyzed two shows, Schaubuhne's Hamlet and Lenea de Sombra's Amarillo which were introduced to Korean audiences during the 2010 Seoul Theatre Olympics. It is known to us that Ostermeir found real social reality as a text and made the play the context. In this, he used video as a vehicle to penetrate the social reality through the hero's perspective. It is also noteworthy that Ostermeir understood Hamlet's dilemma as these days' young generation's propensity. They delayed action while being involved in image culture. Besides his use of video in the piece revitalized the aesthetic function of video by hypermedial perceptual method. Amarillo combined documentary theatre method with installation, physical theatre, and video relay on the spot, and activated aesthetic function with the intermediality, its interacting co-relationship between the media. In this performance theatre, video has recorded and pursued the absent presence of the real people who died or lost in the desert. At the same time it fantasized the emotional aspect of the people at the moment of their death, which would be opaque or non prominent otherwise. As a conclusion, I found the video in contemporary performance theatre visualized the rupture between the media and perform their intermediality. It attempted to disturb the transparent immediacy to invoke the spectator's perception to the theatrical situation, to open its emotional and spiritual aspect, and to remind the realities as with Schaubuhne's Hamlet and Lenea de Sombra's Amarillo.

• International Journal of Fuzzy Logic and Intelligent Systems
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• v.15 no.3
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• pp.172-179
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• 2015

Because of the development of computers and high-technology applications, all devices that we use have become more intelligent. In recent years, security and surveillance systems have become more complicated as well. Before new technologies included video surveillance systems, security cameras were used only for recording events as they occurred, and a human had to analyze the recorded data. Nowadays, computers are used for video analytics, and video surveillance systems have become more autonomous and automated. The types of security cameras have also changed, and the market offers different kinds of cameras with integrated software. Even though there is a variety of hardware, their capabilities leave a lot to be desired. Therefore, this drawback is trying to compensate by dint of computer program solutions. Image processing is a very important part of video surveillance and security systems. Capturing an image exactly as it appears in the real world is difficult if not impossible. There is always noise to deal with. This is caused by the graininess of the emulsion, low resolution of the camera sensors, motion blur caused by movements and drag, focus problems, depth-of-field issues, or the imperfect nature of the camera lens. This paper reviews image processing, pattern recognition, and image digitization techniques, which will be useful in security services, to analyze bio-images, for image restoration, and for object classification.

• Journal of Institute of Control, Robotics and Systems
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• v.11 no.7
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• pp.587-594
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• 2005

In this paper, a robust correlation-based video tracking is proposed to track a moving object in correlated image sequences. A correlation-based video tracking algorithm seeks to align the incoming target image with the reference target block image, but has critical problems, so called a false-peak problem and a drift phenomenon (correlator walk-off. The false-peak problem is generally caused by highly correlated background pixels with similar intensity of a moving target and the drift phenomenon occurs when tracking errors accumulate from frame to frame because of the nature of the correlation process. At first, the false-peaks problem for the ordinary correlation-based video tracking is investigated using a simple mathematical analysis. And, we will suggest a robust selective-attention correlation measure with a gradient preprocessor combined by a drift removal compensator to overcome the walk-off problem. The drift compensator adaptively controls the template block size according to the target size of interest. The robustness of the proposed method for practical application is demonstrated by simulating two real-image sequences.

• Proceedings of the IEEK Conference
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• 2002.07b
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• pp.908-911
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• 2002

Over the past 30 years, many efficient 2D video coding techniques have been presented and developed from many research centers for commercialization. However, direct application of these monocular compression schemes is not optimal for stereo video coding. In this paper, we present a new technique for coding stereo video sequences based on Discrete Wavelet Transform (DWT). The proposed technique exploits Zerotree Entropy Coding (ZTE) that makes use of the wavelet block concept to achieve low bit rate stereo video coding. The one of two image streams, called main stream, is independently coded by modified MPEG-4 encoder and the other stream, called auxiliary stream, is coded by predicting from its corresponding image, its previous image or its follow image.

• International journal of advanced smart convergence
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• v.1 no.2
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• pp.39-42
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• 2012

This paper proposed a method that detects emergency situations in a video stream using MHI (Motion History Image) and template matching for a video-based intelligent security system. The proposed method creates a MHI of each human object through image processing technique such as background removing based on GMM (Gaussian Mixture Model), labeling and accumulating the foreground images, then the obtained MHI is compared with the existing MHI templates for detecting an emergency situation. To evaluate the proposed emergency detection method, a set of experiments on the dataset of video clips captured from a security camera has been conducted. And we successfully detected emergency situations using the proposed method. In addition, the implemented system also provides MMS (Multimedia Message Service) so that a security manager can deal with the emergency situation appropriately.

• Proceedings of the Korea Information Processing Society Conference
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• 2005.11a
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• pp.155-158
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• 2005

본 논문에서는 MPEG 의 멀티미디어 응용 표준인 MAF(Multimedia Application Format)를 기반으로, 효율적인 비디오 콘텐츠의 검색 및 활용을 위한 통합 미디어 구조, 즉 비디오 MAF 를 제안한다. 제안하는 비디오 MAF 는 ISO 미디어 포맷을 기반으로 하고 단일의 비주얼 스트림과 다중 음성을 지원하기 위한 다수의 오디오 스트림, 내용기반의 정보를 포함하는 메타데이터, 그리고 비디오 콘텐츠의 대표 이미지를 동시에 포함하는 구조이다. 제안하는 파일포맷의 유용성을 검증하기 위해 비디오 MAF 로 생성 및 해석할 수 있는 부호기(encoder)와 복호기(decoder)를 설계하고 구현하여, 통합 미디어에 내재된 메타데이터를 이용한 효율적인 검색과 멀티트랙의 오디오 스트림을 활용한 다중 음성에 대한 지원이 가능함을 확인하였다. 또한 내재된 대표이미지는 비디오 콘텐츠에 대한 브라우징이 효과적으로 활용됨을 확인하였다.

• Journal of Ocean Engineering and Technology
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• v.31 no.1
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• pp.60-68
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• 2017

In this study, we analyzed the real time video image obtained from the video monitoring system to grasp the shoreline, beach width, and area change of Haeundae beach. The video monitoring techniques enabled continuous monitoring for a long period at a much lower cost than general survey methods. It was possible to grasp quantitative beach variation characteristics of Haeundae beach through image acquisition, rectification, and image processing of video images. According to the monitoring results, the erosion rate of Haeundae beach in spring and summer was -19.8% in 2014 and -6.7% in 2015. The erosion rate in 2016 was -6.4%, which showed that the erosion rate in spring and summer continued to decrease. In particular, the influence of the erosion at the time of typhoon CHABA was revealed to be smaller than in the past. It can be concluded that these variations were due to beach width expansion by beach nourishment and the installation of submerged breakwaters.

• Journal of Korea Multimedia Society
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• v.25 no.4
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• pp.583-599
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• 2022

Although the object detection accuracy with a single image has been significantly improved with the advance of deep learning techniques, the detection accuracy for pig monitoring is challenged by occlusion problems due to a complex structure of a pig room such as food facility. These detection difficulties with a single image can be mitigated by using a video data. In this research, we propose a method in pig detection for video monitoring environment with a static camera. That is, by using both image processing and deep learning techniques, we can recognize a complex structure of a pig room and this information of the pig room can be utilized for improving the detection accuracy of pigs in the monitored pig room. Furthermore, we reduce the execution time overhead by applying a pruning technique for real-time video monitoring on an embedded board. Based on the experiment results with a video data set obtained from a commercial pig farm, we confirmed that the pigs could be detected more accurately in real-time, even on an embedded board.