• Journal of Digital Convergence
• /
• v.17 no.2
• /
• pp.363-371
• /
• 2019

The purpose of this study was to look at the grotesque characteristics of the preface to "Cromwell, 1827" by Victor Hugo and to identify the differences in the ancient Gris Tragedy. Also, Victor Hugo and Nietzsche were interested in the Middle Ages, and wanted to see if there were any differences. The main findings of the study are the grotesque phenomenon of Victor Hugo in the "Satirus" at Dionyson Theater in Nietzsche's Gris tragedy. When you classify them, first, the appearance of humans and animals mixed in. Second, Satyrus uses the mask as a grotesque material in a humorous and funny atmosphere. Although there were many ways to define grotesque aesthetics and philosophy, there was still a lack of research on grotesque. Future studies should be conducted in detail in social phenomena over time.

• Proceedings of the Korean Society for Language and Information Conference
• /
• 1995.02a
• /
• pp.225-229
• /
• 1995

• Proceedings of the Korea Water Resources Association Conference
• /
• 2005.09a
• /
• pp.242-243
• /
• 2005

• Proceedings of the Korea Contents Association Conference
• /
• 2013.05a
• /
• pp.307-308
• /
• 2013

빅토르 위고의 "노틀담의 꼽추"의 '인도주의'와 뮤지컬 "노트르담드 파리"의 '문화적 인본주의'

• Architectural research
• /
• v.15 no.1
• /
• pp.17-23
• /
• 2013

The purpose of this paper is to reconsider and revaluate Ste. Genevieve Library designed by Henri Labrouste as a criticism of Classicism. Considered as the epitome of the early structural Rationalism the modern historian tried to focus only on the iron structure of the library. Arguably, the structural concern was one of the ideas that the architect wanted to manifest in the library. As a rebel against a view of the Acad$\acute{e}$mie des Beaux-Art the notions of H. Labrouste were radical. He criticized an autistic Classicism with an echoing Claude Perrault's doubt about the myth of classical beauty. These radical ideas firstly showed in his report of the Grand Prix de Rome and must have been developed through several discussions for a novel: Notre-Dame de Paris by V. Hugo. 'Ceci tuera cela', one of the chapter of the novel, was generally known as the death of architecture due to the invention of the printing press around Renaissance period. We, however, consider that even though the historical background of the novel is the Gothic period the ideas, which was discussed with Labrouste, related to the death of architecture was not the architecture itself but classical architecture recomposed during Renaissance period. As the first design work the library must be reflected his ideas, which were developed, and manifested his criticism of the Classicism indirectly.

• ETRI Journal
• /
• v.38 no.1
• /
• pp.62-69
• /
• 2016

In this paper, we propose two novel user selection algorithms for multiuser multiple-input and multiple-output downlink wireless systems, in which both a base station (BS) and mobile stations (MSs) are equipped with multiple antennas. Linear transmit beamforming at the BS and receive combining at the MSs are used to avoid interference between users and find a better sum-rate capacity performance. An optimal technique for selecting users would entail an exhaustive search, which in practice becomes computationally complex for a realistic number of users. Suboptimal algorithms with low complexity are proposed for a coordinated beamforming scheme. Simulation results show that the performance of the proposed algorithms is better than that provided by previous algorithms and is very close to an optimal approach with reduced complexity.

• Nuclear Engineering and Technology
• /
• v.55 no.2
• /
• pp.623-639
• /
• 2023

The specific configuration of the safety systems in VVER-1000/V320 reactors allows a comprehensive study of the Loss of Coolant Accident (LOCA). In the present paper, a verification of the success criteria of the event trees headers for the medium and large break LOCA sequences is conducted. A detailed TRACEV5P5 thermal-hydraulic model of the reactor has been developed, including all safety systems. When analyzing the results of all sequences, some conservatism is observed in certain specific configurations as the success criterion of some headers is not consistent with the classic PSA level 1. Therefore, new proposals for the LOCA event trees are performed based on a reconfiguration of LOCA break ranges and the use of the expanded event trees approach.

• Archives of Plastic Surgery
• /
• v.48 no.6
• /
• pp.723-723
• /
• 2021

• Journal of Power Electronics
• /
• v.17 no.4
• /
• pp.1117-1126
• /
• 2017

The main contribution of this paper is the use of sensorless active diodes to generate the gate signals for a three-phase boost-rectifier with a self-powered control scheme. The sensorless operation is achieved making use of the gate control signals generated by the active diode schemes on each of the switching devices using a pulse width half-controlled boost rectifier modulation technique (PWM-HCBR). The proposed scheme synchronizes the gate control signals with a three phase voltage supply. Autonomous operation is obtained making use of the output DC bus to feed the control circuitry, the active diodes and the driver circuitry. The three-phase boost-rectifier is supplied by a three-phase permanent magnet electric generator powered by a solar concentrator dish with variable voltage and variable frequency conditions. Experimental results report an efficiency of up to 94.6% for 25 W and an input of 3.6 V peak per phase with 450.

• The Journal of the Convergence on Culture Technology
• /
• v.9 no.6
• /
• pp.737-742
• /
• 2023

This paper attempts to analyze how Paris was transformed by Haussman through comparing flaneurs in works by Balzac and Baudelaire. In both writers' works, flâneurs as the emblems of modernity observe Paris, especially architecture. Although representative of modernity, they are ambivalently obsessed with the heritage of the past. Balzac's The Wrong Side of Paris, Godefroid as a male bourgeois, is a flaneur observing antiquated architectures, the heritage of past. In Baudelaire's "The Swan for Victor Hugo" the flaneur passing through the modern Caroussel feels the Old Paris is gone. In "Parisian Dream," illusionary Paris exhibits metopolitan imagery wrought by capitalism led by Napoleon the third. The difference between the two writers demonstrate how Paris was changed by modernity.