• Journal of Plant Biology
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• 제12권3호
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• pp.35-41
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• 1969

To clarify the types of brackish region of the Han River Estuary, this research was carried out, and the results obtained on the basis of salinities and phytoplankton are as follows: 1. Geomorphologically, the Han River Estuary is the drowned river valley type. 2. According to the Venice System, the estuarine extent is defined from the lower point of Jollyu-ri to Palmi Island. As a whole the estuarine region is mixo-haline including parts from oligo-haline to poly-haline. 3. In standpont of phytoplankton frequency, the frequency of fresh-water species is high in the upper region of estuary and that of marine species is high in the lower region. The rate of frequency of fresh-water species is inversely proportionate to that of marine species. The area mixedby marine and fresh-water species over estuarine boundary. 4. The frequency of some typical brackish species is very low and almost similar in the whole region.

• 국제초고층학회논문집
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• 제5권2호
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• pp.71-86
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• 2016

This paper summarizes the results of a two-year-long research project conducted by the CTBUH on the life cycle assessment (LCA) of tall building structural systems. The research project was made possible thanks to a $300,000 contribution from ArcelorMittal and the support of some of the most important structural engineering firms and players in the tall building industry. The research analyzed all life phases of a tall building's structural system: the extraction and production of its materials, transportation to the site, construction operations, final demolition of the building, and the end-of-life of the materials. The impact of the building structure during the operational phase (i.e., impact on daily energy consumption, maintenance, and suitability to changes) was also investigated, but no significant impacts were identified during this phase.

• International journal of advanced smart convergence
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• 제11권2호
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• pp.71-76
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• 2022

The continuous development of virtual reality technology in the last five years has brought about a big change in the future film industry. Interactive VR movies using virtual reality technology in movies showed the result of increasing the immersion of the audience due to the characteristics of interaction. This will provide a unique opportunity for a new experience of immersion in various forms of cinema in the near future. In this paper, the interaction of narrative VR movies was studied as an example of the movie , which won the [The Best VR Experience Award] at the Venice International Film Festival, In future development, improve the scene transition, Dizziness, Ways of interaction and other questions, let the audience increase the sense of participation, immersion and curiosity when watching movies, and make watching movies a more interesting thing in life.

• 한국작물학회:학술대회논문집
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• 한국작물학회 2022년도 추계학술대회
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• pp.34-34
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• 2022

Capacity building for bioinformatics could be achieved with the systematic training of research staff and higher degree students in the current best practices for analysis of data from 'omic-type experiments. It is anticipated that the KOICA-University of the Philippines Los Baños - International Rice Research Insitute Agricultural Genomics Research Center activities will focus on the use of next generation sequencing technology for genome sequencing and annotation, genome variant discovery for use in GWAS and QTL mapping, and transcriptome analysis of organisms important to agriculture and food security. Such activities require that researchers have high levels of knowledge and skills in bioinformatics in order to gain insights from the results of the experiments performed. In this talk the bioinformatic tools/solutions and online training materials already available will be presented, as well the upcoming resources under development in support of the project.

• 건축역사연구
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• 제15권1호
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• pp.41-60
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• 2006

Preservation of wooden architecture by means of synthetic resin, is physical and chemical work. Synthetic resins are using for consolidation and restoration of decayed members. Since 1978, synthetic resin became useful preservation of architectural heritage in Korea. The first object was Chimgyeru of Songgwang-temple in Suncheon city. In the 1980s, have begun the care of materials for conservation on the architectural heritage, it was influenced according to authenticity of UNESCO Venice charter's principle, in 1964. In Korea, preservation of wooden architecture by means of synthetic resin that is sing many kinds of epoxies. Among the specific types of epoxies are araldite XN1023, SV427, etc. The use of synthetic resin have merits and demerits in the restoration for architectural heritage. The merit is that it is more smaller change with new members during preservation work. But the demerit is an irreversibility of the epoxy resin. In 1999, 'ICOMOS International Wood Committee' recommend contemporary materials and techniques, should be chosen and used with the greatest caution. And preservation work should reversible, as possible as technically. Therefore, should be data continous for preservation of wooden architecture by synthetic resin. Because data is very important work about a preservation of wooden architecture by synthetic resin. And should be try to think about new materials and techniques instead of synthetic resin, in the long view.

• 한국실내디자인학회논문집
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• 제16권2호
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• pp.278-286
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• 2007

Postmodernism, the theory and philosophy that swayed the world in the late 20th century, can be interpreted in various ways as a critical reaction against modernism as well as, in one way, the logical extension of modernism itself. Thus, an extensive understanding of the social and temporal background of the birth of postmodernism and a macroscopic and correlative approach toward the related artistic circles, especially art, were carried out before a formative discussion on the furniture design of postmodernism. Postmodemism in the field of furniture design shares the history of birth and spirit with Memphis, the progressive design group established by Ettore Sottsass in Milan, 1980. This study identifies the formative features of pestrnodernistic furniture design around those works that express the trend of postmodernism, in particular, chairs, as well as the designers who participated in the first Memphis exhibition at the Milan Furniture Fair. By identifying such features, the correlation between postmodemism and those features expressed in the works of postmodernism paintings were examined. The works of Anselm Kiefer, a German nee-expressionist who became famous through the Venice Biennale 1980, and five young Italian trans-avant garde authors were selected as the scope of this case study. The characteristics of postmodernism in modern art were analyzed in terms of themes, shape, and content and were derived as follows; Firstly, borrowed and past-oriented themes, secondly, deconstructive, atypical, plural, emotional, and intuitional shapes, and thirdly, basic, metaphorical, and abstract content, The formative characteristics of chair design in postmodemism furniture design are as follows; Firstly, deconstructive, symbolic, and abstract shapes, past-oriented, reactionary, and primitive colors and closing, as well as the characteristic of delivering commercial and metaphorical messages. The subjects and motives of art have been succeeded by the characteristics of color and closing in furniture, the shape and techniques of fine arts by the characteristics of furniture shape, and the content of art by that of furniture. They share key words and characteristics.

• 한국실내디자인학회논문집
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• 제17권6호
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• pp.11-20
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• 2008

The purpose of this study is to find out the theoretical background of spatial fantage effects in Piranesi etching "Le Carceri" called 'Architectural Capriccio'. In a life time Piranesi created a prodigious oeuvre of dramatic and fantastic images about magnificent buildings and mysterious ruins and prison. The increasing "tourism" after the middle of the 18th century contributed a lot to Piranesi's success. He was famous for his poetic views of Rome and also his fantastic imaginary interiors. The terms "Capriccio" and "Veduta" are strongly connected with Piranesi's work. The term Veduta describes a form of landscape depiction in print with close to reality imitation of the scenery, whereas the "Capriccio" contains the elements of invention in artificial architectural landscape. Trained in Venice as an engineer and architect, his studies had included perspective and stage design. These skills, allied to his deep knowledge of archaeology, provided the substance for his Veduta, etchings of ancient Rome. But his most remarkable etchings are those of imaginary interiors, the Carceri d'Invenzione(Imaginary Prisons), a series of capric plates issued in 1750. It appears to Piranesi etching 'Le Carceri' that 18th century experimental scenography's effect very strongly. Also, it can understand about "Scena per Angolo" which was revealed by Ferdinando Galli Bibiena that Piranesi spatial view and viewpoint deconstruction operate motive and cause. Piranesi's spatial fortification was influence by Filippo Juvarra's spatial concept. As a result of this research will be foundation of understanding deeply that Piranesi etching has been affect to present architecture and art.

• 조명전기설비학회논문지
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• 제24권6호
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• pp.18-26
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• 2010

도시공간의 안정과 쾌적함을 위하여 옥외조명은 우리 사회에서 필수적인 부분이 되었다. 그러나 옥외조명을 잘못 설치할 경우 조명에너지의 낭비뿐만 아니라 건축물 야간경관 훼손을 야기시킨다. 최근 야간 경관조명의 중요성이 부각되면서 지자체마다 야간경관 이미지 구축에 집중을 하고 있다. 그 중 해안가 주변의 옥외조명은 지역 내에 특화된 관광 상권을 구성하며 생동감 있는 도시 이미지를 부여하고 도시경쟁력을 강화 시킬 수 있다. 본 연구는 우리나라의 대표적 항구 도시인 부산의 해안가의 야간경관조명의 빛공해를 평가하는데 그 목적이 있다. 디지털 광학 계측기인 Radiant Imaging ProMetric-1400으로 광안리 해수욕장, 마린시티, 그리고 해운대 해수욕장 주변의 옥외조명을 측정하였다. 모든 옥외조명의 휘도는 국제조명위원회 권고기준과 비교했을 때 약 2~20배 정도 높게 나타났다. 주상복합 상부조명 및 해안에 면한 상가 저층부는 색채 및 휘도의 제한이 필요한 것으로 사료된다.

• 한국항해항만학회:학술대회논문집
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• 한국항해항만학회 2004년도 춘계학술대회 논문집
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• pp.103-109
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• 2004

오늘날 배의 크기를 나타내는 단위로 톤(ton)을 사용하고 있다. 하지만 톤이란 용어가 배의 크기를 나타내는 일반명사가 되기 이전에 세계의 각 지역에서는 고유한 용어로 배의 크기를 나타내었다. 이를테면 서유럽에서는 포도주 통인 ton, 북유럽에서는 곡량 단위인 last, 제노바에서는 cantara, 베네치아에서는 milliaria, 나폴리에서는 carra를 각각 사용했다. 동양권에서는 가장 중요한 화물이 쌀이었기 때문에 한중일 모두 업양 단위인 石을 사용하여 배의 크기를 나타냈다. 중국인들은 료라는 독특한 단위를 사용하기도 하였다. 이처럼 각 지역과 시기에 따라 다른 단위를 사용하여 배의 크기를 나타냈으나, 19세기 중반 Moorsom 방식에 의한 톤수 측정법이 도입되고, 이것이 전세계적으로 보급됨에 따라 톤이 배의 크기를 나타내는 단위로서 정착하게 되었다.

• 건축역사연구
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• 제20권3호
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• pp.39-57
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• 2011

The goal of this paper is to analyze the relationship between pedagogy and the emergence of contemporary Korean architecture after the 1990s. For this purpose, the paper deals with the education and work of two important contemporary Korean architects, Kim Seung Hoy and Choi Wook. Kim and Choi were part of a group of young architects that went abroad in the 1980s to study at the centers of architectural education in Europe and the United States. Through their education and work, the paper discusses the relationship among education, history, and design practice in architecture. During their studies at Michigan University and IUAV in Venice, they were commonly influenced by Colin Rowe through their studios. In the case of Kim Seung Hoy, he was introduced to the Beaux Arts logic of the analytique and esquisse through the teaching of Steven Hurrt, a disciple of Colin Rowe. Choi Wook took studios that involved formal analysis and comparison of Palladio and Le Corbusier. The paper further analyzes their works in Korea by employing the concepts of fragments and systems, ignorance and knowledge. The paper concludes that, in Korean contemporary architecture, fragments and systems, ignorance and knowledge, lie in the middle of ongoing creative process that must distinguished from the West, where architectural history provides an established tradition of systematic knowledge.