• 한국멀티미디어학회논문지
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• 제7권5호
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• pp.648-657
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• 2004

본 논문에서는 특이 칼라 분포에 대한 정보를 활용함으로써 어떠한 사전 지식없이 칼라 영상으로부터 중심 객체를 추출하는 방법에 대해 제안한다. 중심 객체는 영상 중심 부근에 위치하면서 특이 칼라 분포를 갖는 영역들의 집합으로 정의한다. 특이 칼라는 영상 경계 주변에 비해 영상의 중심 위치에서 보다 높은 밀도로 존재하는 칼라로 정의한다. 중심 객체 추출을 위해 우선 특이 칼라 정보를 사용하여 영상 분할된 영역 중에서 객체의 특징을 대표하는 영역들의 집합을 핵심객체영역을 선택한다. 핵심객체영역에 인접하며 이와 높은 칼라 유사도를 갖고 또한 배경이 아닌 영역들을 반복적으로 핵심객체영역에 병합하여 핵심객체영역을 확장함으로써 생성된 최종 병합 결과를 중심 객체로 추출한다. 따라서 중심 객체는 상이한 칼라 특징을 갖는 영역으로 구성될 수 있으며 상호 연결되어 있을 경우에는 두개 이상의 객체가 중심 객체에 포함될 수 있다. 제안된 방법의 타당성 및 중요 칼라의 유용성은 다양한 실험 영상을 통해 확인하였다. 본 논문에서 제안된 방법으로 추출된 중심 객체는 영상 검색 응용 분야에 유용하게 사용될 수 있을 것으로 기대한다.

• 한국광학회:학술대회논문집
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• 한국광학회 2008년도 동계학술발표회 논문집
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• pp.395-396
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• 2008

• 복식문화연구
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• 제21권6호
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• pp.860-876
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• 2013

The pattern cases for Korean traditional socks are named "beoseonbongip" which means a pouch to keep patterns for making "beoseon". "Beoseon" is Korean traditional socks. This study is to identify characteristics of the pattern cases and to develop cultural products based on the unique characteristics of the pattern cases. One hundred fifty one photos of "beosonbongip" were collected and quantitatively and qualitatively analyzed. Seventy percent of them were made between Joseon Dynasty and 1960s. As a result, most of the collected pattern cases are rectangular and square shapes, red color, and silk fabrics, and sizes of them are from 9cm to 15cm. A few pattern cases with different sizes and colors were also observed. Most pattern cases were made by fixing two among four triangle pieces which made by folding four tips of a rectangular or square cloth and then puting a not or a loop on the remaining triangle pieces in order to open and close the pattern cases. In a small number of the pattern cases, three of the four pieces were fixed and a button, a bead, a broach, or two nots or two loops were put on the other piece for opening and closing. Products such as apparels, bags, pouches, frames, and key holders were made using "beoseonbongip" form and construction method. This shows that "beoseonbongip" is a useful motive for creative product development.

• 폴리머
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• 제29권4호
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• pp.418-421
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• 2005

본 연구에서는 나노/마이크로 소자 및 MEMS 제작에 활용가능하고 또한 수십 마이크로미터 크기의 3차원 곡면을 가진 형상을 제작하기 유리한 이광자 광중합을 이용한 다중조사 복셀 매트릭스 스캐닝법(multi-exposure voxel matrix scanning method)에 의한 나노 복화공정을 개발하였다. 이 공정을 통하여는 높이에 따라 14가지의 색을 가진 등고선으로 표현된 3차원 자유곡면 형상을 적층방식이 아닌 단일 층으로 3차원으로 제작할 수 있다. 여기서 수광각도가 1.25인 집광렌즈를 사용하여 레이저의 조사시간에 따라 1.2 um에서 6.4 um까지 변하는 복셀의 높이 차이를 이용하여 3차원 곡면 제작이 가능하다. 본 연구의 유용성을 검토하기 위하여 몇 가지 3차원 곡면형상을 초미세 입체 패터닝 공정에서 사용하는 일반적인 적층방식을 사용하지 않고 단층으로 제작하여 시간을 단축하였다.

• 한국조경학회지
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• 제34권5호
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• pp.24-31
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• 2006

The tourism sites and attractions of South Korea in many ways have little specialties in their image due to the local development plan's uniformed way of designing and improving landscape. The lack of specialties in tourist sites and attractions have caused displeasure from the local residents, as the sites don't characterize the locals as attractively and appealingly as is the potential. There have been no research or studies on the scenic effect on tourism or resort development thus producing an urgent call for local authorities to develop planned landscapes of local sites. This study compares Bugok Onchon (hot spring), whose image hardly differentiates itself from the others, with Kinosaki Onsen (hot spring). Bugok Hot Spring, which is the case study of this report, has recorded a steady decline of visitors due to a result of uniformed development planning. In the case of Kinosaki Hot Spring, scenery development, however, has made a breakthrough in tourist increase despite its no-so-easily-accessible location. The study assumes that scenery effects changes in promoting local tourism, thus analyzing and comparing the two hot springs to unearth critical factors in tourist site development, as well as viewing the present state of Bugok Hot Spring for further study. Furthermore, the study provides tourist site developers with a guideline of the two comparative Hot Spring cases. Investigations and analyses are mainly focused on colors, which are important factors in making underlying images of tourist sites, and the comparison of Bugok Hot Spring with Kinosaki Hot Suing. Bugok Hot Spring shows the influences of accent colors as well as a variety of color combinations and similarities of color tones. Kinosaki Hot Spring shows a combination of naturally-generated colors its own scenic beauty by trimming the landscape. Through the comparative study of the two hot springs, Bugok (boulevard) uncovers a typical case of Korean local landscape planning, even with the well-known tourist attraction 'Bugok-Hawaii', and calls upon a new, serious landscape-improvement plan to increase visitors.

• 비파괴검사학회지
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• 제5권1호
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• pp.3-8
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• 1985

A three dimensional vision is obtained by stereoscopic view using a modified commercial TV set and matching color filter glasses. Two video signals from two CCTV cameras are connected to the RGB (red, green, blue) inputs of picture tube selecting two different colors for two video signals. A synchronizing signal drives a CCTV camera and the color TV set. On the other hand, a delayed synchronizing signal drives the other CCTV camera shifting its image on display. This shift is used in correcting image distortion.

• 트랜스-
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• 제11권
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• pp.119-142
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• 2021

영상은 이미지를 전제로 하는 문화적 실천이다. 영상이미지를 통해 관객은 일상이 아닌 새로운 것을 체험하기를 갈망한다. 영상이미지의 구성 요소는 많지만 그중에 시각적 표현인 색채가 큰 역할을 담당하고 있다. 컬러영화가 등장하기 시작하면서부터 색채는 영상예술의 중요한 구성요소로서 끊임없이 발전하고 혁신적인 영상미술 디자인에서 중요한 역할을 하였다. 영화인들은 1895년 영화가 흑백으로 탄생할 때부터 색채에 대한 관심이 있었다. 이 두 가지 색채로 더 이상 시청자를 만족시키지 못했기 때문에 필름에 색채를 입히는 등 더 많은 색채를 영화 속에서 표현하려고 노력했다. 영상에서의 색채는 표현의 기법이면서도 정신과 사상으로 이해할 수 있다. 색채가 단순히 그냥 존재하는 것이 아니라 인간심리에 강하게 작용하고 있음에 일러주는 것이기도 하다. 색채는 영화 언어의 일부로, 색채언어는 영화 속에서 영화의 사상적 주제를 표현하거나 선명한 캐릭터를 묘사할 수 있으며, 사람들에게 더 직관적으로 메시지를 전달할 수 있다. 본 연구는 색 조명 방식 혹은 배색 방안인 바이섹슈얼 라이팅을 대상으로, 그의 기본적인 색채 구성요소, 즉 핑크색, 파란색 및 보라색이 갖고 있는 색채 특성을 이해해 색채를 통해 인간심리가 어떤 영향을 받고 있는 지에 대해 분석하고 바이섹슈얼 라이팅이 영상에서 나오는 장면들을 결합해 구체적인 사례분석을 했다. 이를 통해 바이섹슈얼 라이팅이 영상에서 색채 속성을 이용해 표현한 색채 언어가 무엇이고 바이섹슈얼 라이팅이 어떻게 색채를 통해 인간심리와 상호 작용하는지를 탐색하였다.

• 한국실내디자인학회논문집
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• 제13권4호
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• pp.102-109
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• 2004

The purpose of this study is to analyze how Korean traditional characteristics(traditionality) are reflected in contemporary multi-housing planning since 1997 and to draw its typical way of expression. Through this study, the following conclusions have been reached; The First, Socio-cultural characteristics have affected the planning concept of the multi housing planning in the three way ; traditional philosophies, community space and regional traits. The Second, Two characteristics of space planning were shown in drawings, sketches and photographs; territorial, hierarchic, surrounded space in exterior planning and intermediated spaces in interior planning. The Third, Ornamental characteristics of architectural and landscape design were found; the architectural structure, the traditional landscape, patterns and colors. In conclusion, this study found two types of expression of the Korean traditional characteristics. The first is ‘concrete planning’which was focused on traditional ornamental elements such as forms and colors. And the second is ‘abstract planning’which was focused on the traditional space planning in interior or exterior, philosophy, communal organization and regional characteristics by interpretation of architects and designers. This study shows that the combination of two types of the traditionality will be more ideal in multi-housing planning rather than relying on just one type.

• 한국실내디자인학회논문집
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• 제13권5호
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• pp.114-124
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• 2004

Most previous studies, in general, related to housing needs have analyzed the data from self-administered survey or interview using questionnaire or simple 2D floor plan. This study was Intended to suggest how to increase the reliability and effectiveness of such survey methods in examining the residents' housing needs. In order to accomplish the purpose, the two kinds of surveys using Web based VR media and typical questionnaire were peformed. The same questions were used for these two surveys, and they included the furniture characteristics, use of each room, adjustment of room size, preferences for interior colors, preferred furniture in living room, space layout of floor plan, housing life style, and preference for housing characteristics. The answer differences between these two were analyzed. The subjects were 402 housewives who lived in apartment houses in Haeundae, Busan. Finding were as follows: first, the media method was more likely to be effective than typical questionnaire survey in explaining housing needs for the adjustment of room size in housing unit plan. Second, the media method was more realistic and reliable than the other in comprehending the needs for the interior colors. Last, the VR media tended to be more effective than the other in understanding the space layout of floor plan. This research sheds light on the utilization of visual instrument for the analysis of needs related to space use.

• 복식문화연구
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• 제2권1호
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• pp.77-91
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• 1994

The Korean Buddhism has been an effect on the Korean culture from the spipitual culture to the living culture. The Korean Buddhist costume, as an external form of the Buddhist culture, symbolizes the Buddhist ideas, the status difference of the general public, and keeps the traditional structure. The purpose of this study was to examine the monk's costume of Jokye sect and Taego sect among 47 sects,. In this study, it selected Jokye sect and Taego sect, because they are occupying important positions in the Korean Buddhism. The methods of this study depended on the documentary records, existing remains, the wearing clothing, the interviews with monks. In a changeful times, It is needed to study the actual condition of the Buddhist costume and keeps records about it. The results of this study may be stated as follows: The Buddhist costuem is composed of Chogori, Baji, Haengjon(leggins), Durumagi, Jangsam, kasa, hats, rubber shoes, Jori and Gelmang, etc. Chogori, Baji, Haengjon, Durumagi as the everyday dress are found in the Korean traditional costume. The forms and kinds of the everyday dress were the same between two sects, but the colors were different. Jangsam and kasa are the formal robe. In regard to Jangsam, two sects ere dressed in gray. But there were differences of design between two sects. Kasa was different in the forms, patterns, colors, and kinds according to the legal system of the monk and the sects.