• 한국멀티미디어학회논문지
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• 제21권3호
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• pp.423-431
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• 2018

In this paper, we try to verify a normative module based house design procedure consisted of several sequential steps. The first step is to suggest formalization of designing so that we could clarify each phase and operation we are adopting in our design process. The second step is the clearing up the conceptual schema of traditional skills that we adopt and utilize from traditional Hanok framing techniques. The third step is to formulate adequate modular kits for the assembly of house design solutions for the schematic, conceptual and preliminary phases of designing. The fourth step is to implementing our ideas and methods to a proper computational platform such as Unity3D. The final step is to verify our symbolic descriptions of design formalization with the output of our experiments so that we have better understanding of design reasoning characteristics such as in house design.

• 한국실내디자인학회논문집
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• 제27호
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• pp.43-50
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• 2001

This study examines how various elements characteristic of the traditional Japanese architecture are applied to contemporary architectural designs in japan. The issue of how to incorporate cultural tradition into architectural design has become one of central questions cast on modern architects. In this sense, the Japanese contemporary architecture has often been touted as infusing Japanese traditional elements into modern artifacts both functionally and aesthetically. That is, while Japanese architecture encompasses the essentials of Western modern techniques and styles, it obviously embodies Japanese tradition. Through the examination of various contemporary buildings in Japan, this study specifically explores how the vernacular forms and elements unique to Japan are reinterpreted and reinvigorated in contemporary architectural designs.

• 한국가구학회지
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• 제22권4호
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• pp.245-251
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• 2011

The purpose of this research is to provide new direction on the field of the furniture design and to establish the identity of Korean furniture design as the flow of craft's juxtapose mixture era where it mix and match Korean traditional craft style materials with the modern furniture design. In other words, it is intended to create new furniture design and propose beautiful Korean luxury furniture design based on the precious unique culture with the traditional craft style, juxtaposition of modern furniture, and reinterpretation. It should grant artistic values that can satisfy consumers having various tastes and scarcity values, plus it should put out aesthetic and creative expressions in furniture design putting into the beautiful traditional craft form values. Furthermore, it is required to create new design through values and spirit, materials, techniques, forms, pattern, and usages by interacting, coordinating, and combining tradition and modern East and West, plus craft and design.

• 한국의류학회지
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• 제22권6호
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• pp.691-698
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• 1998

This study investigated the clothing constructional characteristics of contemporary folk Jogori design retailed at the market. This study focussed on comparison of style variation between contemporary Jogori and traditional Jogori. The data were collected from five top contemporary folk dress makers's 997-1998 fall-winter collection. The results of this study were as following. 1) The traditional folk clothing constructional elements remained most among the con- temporary Jogori design were center back seam(Deung-Sol) and attached front bodice extensi on(Sup). Neckline shaping(Geet) and neckline binding(Dong-Jeong) were also observed frequently. 2) The most obvious changes from the traditional Jogori design were elimination of the ribbon fastener in front, adaptation of various neckline shaping used in the Yi dynasty, and lengthened garment length. 3) The western garment construction techniques applied to the contemporary Jogori design were use o( pocket and button closure. The center front extension was replaced with attached front bodice extension(Sup) for a few Jogori design.

• Journal of Biosystems Engineering
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• 제40권4호
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• pp.394-408
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• 2015

Spectroscopy is an emerging technology for the quality assessment of pharmaceutical samples, from tablet manufacturing to final quality assurance. The traditional methods for the quality management of pharmaceutical tablets are time consuming and destructive, while spectroscopic techniques allow rapid analysis in a non-destructive manner. The advantage of spectroscopy is that it collects both spatial and spectral information (called hyperspectral imaging), which is useful for the chemical imaging of pharmaceutical samples. These chemical images provide both qualitative and quantitative information on tablet samples. In the pharmaceutics, spectroscopic techniques are used for a variety of applications, such as analysis of the homogeneity of powder samples as well as determination of particle size, product composition, and the concentration, uniformity, and distribution of the active pharmaceutical ingredient in solid tablets. This review paper presents an introduction to the applications of various spectroscopic techniques such as hyperspectroscopy and vibrational spectroscopies (Raman spectroscopy, FT-NIR, and IR spectroscopy) for the quality and safety assessment of pharmaceutical solid dosage forms. In addition, various chemometric techniques that are highly essential for analyzing the spectroscopic data of pharmaceutical samples are also reviewed.

• 한국해안해양공학회지
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• 제10권1호
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• pp.45-53
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• 1998

비디오_모니터링 기술 및 이의 해안에서의 적용에 대하여 검토하였다. 최근에 비디오 하드웨어 및 영상처리 기술의 발달로 인하여 비디오카메라를 이용한 해안선 변화, 연안 사주의 형태, 파의 쳐올림 및 스워쉬(swash)운동 등에 대한 관측이 가능해졌다 특히 영상의 디지털화(digitization),좌표수정(rectification)및 영상 처리과정을 통하여 비디오 영상으로부터 정량적인 정보를 얻을 수 있게 되었다. 비디오 모니터링 기술은, 비록 정밀도가 낮고 육지 및 해수 표면에 대한 정보만을 간접적으로 제공하지만, 기존의 관측 기술에 비해 훨씬 적은 비용으로 장기간의 관측을 가능하게 해 준다.

• 한국정보과학회논문지:데이타베이스
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• 제28권4호
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• pp.723-731
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• 2001

XML이 웹상에서 정보 교환의 표준으로 채택되면서 XML을 데이타베이스의 데이타로 보고 정보를 추출하는 분야가 주목받고 있다. XML은 그래프 기반의 비정형 데이타(semistructured data) 모델 과 매우 비슷하기 때문에 XML 데이타를 그래프 기반의 비정형 데이타 모델로 매핑한 후, 이에 대하여 질의를 처리할 수 있다. 본 논문에서는 XML 데이타에 대하여 스키마 정보를 가지는 DTB(Document Type Definition)를 이용한 질의 최적화 기법을 제안한다. 제안하는 기법은 인덱싱 효과를 내면서도 기존 방법에 비하여 부가의 메모리를 적게 필요로하고, 입력 데이타의 구조를 그대로 유지하기 때문에 다양한 형태의 질의를 효율적으로 처리할 수 있다. 간단한 예제 데이타베이스에 대하여 제안하는 기법의 실험 결 과를 보였다.

• 한국미생물학회:학술대회논문집
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• 한국미생물학회 2007년도 International Meeting of the Microbiological Society of Korea
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• pp.112-113
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• 2007

• 한국지반공학회:학술대회논문집
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• 한국지반공학회 1999년도 가을 학술발표회 논문집
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• pp.247-254
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• 1999

In recent years there has been a steady increase in geoenvironmental engineering projects where geotechnical engineering has been combined with environmental concerns. Many of these projects involve some investigation of contaminant in the ground. There are many techniques such as geophysical, drilling, sampling, and pushing techniques for investigation of contaminated ground. The most rapidly developing site characterization techniques for geoenvironmental purposes Involve direct push technology, that is, penetration tests. In this study, the envi-cone penetrometer system is developed by modification of traditional cone penetration test. The electrical resistivity sensor, pH sensor, thermometer are installed in envi-cone penetrometer system. This envi-cone penetrometer system provides a continuous profile of measurements, and it is rapid, repeatable, reliable and cost effective.

• Architectural research
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• 제12권1호
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• pp.33-38
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• 2010

Many theorists acknowledge that Modern architecture denied the architect's crafty gesture for the sake of pure formal and compositional status of a building. As well, modern technology in construction has been prevailing as the sole support for modern architecture. But there exists architects who proposed a dialectic development of traditional and modern techniques. This thought was prominent in Germanic circle where technological development was in advance. Throughout $20^{th}$ century, the works of Adolf Loos, Mies Van der Rohe, and Peter Zumthor are representatives in each period. A common point begins from their apprenticeships as craftsmen: Loos and Mies as stonemasons, Zumthor as a cabinetmaker. More than this fact, their craftsmanship is embedded in their works and express creativity of architects. While mass production system raises non-participatory practice that merely require assemblage of products, the adjusted techniques with craftsmanship brings forth a participatory practice that does not limit the creativity of architects.