• 건축역사연구
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• 제31권6호
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• pp.33-45
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• 2022

The tombs at the royal level of the Western Han dynasties belong to the five kingdoms of Chu, Liang, Lu, Zhongshan and Changyi, representing the new forms and ideas of the tomb architecture. Taking Shanchuwang Tomb in BeidongShan, Xuzhou as an example, this paper analyzes the architectural structure and symbolic significance of the tomb, and tries to discuss the concept of burial reflected in it.The analysis of the structure of the main body of the tomb reveals the basic logic of the tomb imitating the palace on the ground, and the definition of the nature of the annex reflects its transcendence over the general form of the tomb.

• 헤리티지:역사와 과학
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• 제50권4호
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• pp.168-197
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• 2017

본고에서는 경주 월성북고분군에서 조영된 적석목곽분의 존재 양태의 두 측면, 즉 묘형과 집단복합묘군에 대해 고찰하였다. 적석 목곽분은 호석으로 한정된 봉분 안에 단위묘곽이 설치된 원형의 단위고분이 기본형으로, 그 묘형은 단일원분, 연접분, 다곽분으로 구분된다. 단일원분은 피장자 1인의 단장분이고, 연접분은 일반적으로 부부나 혈연관계인 가족의 합장분이다. 다곽분도 대개 최하위 랭크의 묘곽들로 구성된 합장분으로, 월성북고분군의 왕릉구역에만 존재했던 것으로 보인다. 한편 현재 조사가 진행 중인 경주 월성북고분군의 쪽샘지구에서는 미고지를 따라 고분들의 소구역 군집현상이 보인다. 이는 당시 사람들이 친연관계에 따라 소집단별로 미고지를 점유하여 그 축선 방향으로 중형급 단일원분이나 연접분을 조영하고 그 주변으로 다수의 소형분들을 위성처럼 배치하여 집단복합묘군을 형성해 나갔기 때문이다. 대릉원지구를 비롯한 경주 월성북고분군의 왕릉구역에서도 고분들은 집단복합묘군을 형성하였다. 왕릉구역의 집단복합묘군은 마립간 왕릉인 초대형 단일원분이나 왕과 왕비의 합장릉인 초대형 표형분을 주분(主墳)으로 그 주변에 대소형 고분들을 배치하여 형성되었다. 집단복합묘군의 피장자 중에는 신분이나 사회적 인격이 대등한 부부나 혈연관계의 가족이 포함되었겠지만, 고분들 사이의 랭크 차이가 현저하여 피장자 모두가 혈연관계였다고 볼 수는 없다. 집단복합묘군에 포함된 하위 랭크 고분의 피장자들은 주분 피장자 및 그 가족과 주종관계의 '소속인'들이었다고 판단된다. 경주 월성북고분군의 적석목곽분에서 보이는 이와 같은 묘형과 집단복합묘군은 신라 마립간시기 중앙의 사회집단과 그 성격을 말해준다. 앞으로 이에 대한 좀 더 정밀한 분석은 당시 신라사회의 여러 측면을 밝히는 데 많은 기여를 할 수 있을 것으로 기대된다.

• 건축역사연구
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• 제18권3호
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• pp.61-78
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• 2009

Although the royal tomb keeper's house in the late Joseon period did not undergo dramatic changes, overall, the keeper's house of Yeong Mausoleum, the tomb of King Hyojong, and other royal tombs afterward showed the classification of its rooms according to their purpose and the expansion of its size. During King Yeongjo's reign, the tomb keeper's house tended to consist of Jaesil, Anhyangcheong, Jeonsacheong and Haenggak. The size and arragement pattern of the tomb keeper's house of Yeong Mausoleum were partially maintained in royal mausoleums constructed afterward. Especially Anhyangcheong was first established on the tomb keeper's house of Yeong Mausoleum and its architectural form was maintained until that of Ye Mausoleum, the tomb of King Cheoljong. The tomb keeper's house of Yeong mausoleum in Yeoju was constructed in 1659 and then moved in 1673 and 1674. In order to bury King Hyojong's wife with King Hyojong, the site of Yeong Mausoleum was moved twice with using almost all materials used for the initial tomb. In addition, as norms related to rites performed at royal tombs were created in the early 20th century, the tomb keeper's house of Yeong Mausoleum was selected as an exemplary tomb keeper's house representing the royal tomb keeper's house of the Joseon era, and it mostly coincides with its remaining arrangement pattern. Through records distributed in relatively similar periods, it is considered that most of the features fo royal tomb keeper's house in the Joseon period have been inherited until today and that Yeong Mausoleum has a very higher architectural status as an especially valuable tomb keeper's house among royal tomb keepr's houses in the Joseon era.

• 복식
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• 제52권8호
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• pp.109-122
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• 2002

This study is to understand cotton Tyeollik construction of the middle Chosun Period through the reconstruction of tyeoilik which was excavated from lady kim's tomb (from sooncheon). The form of excavated Tyeollik classified into two types by the location of waistline. The structure of excavated tyeollik classified into three types by the construction(one-layer, two-layer, cotton/quilt) The form type change according to the period. The change of the form type has the close relation structure type in the tyeollik. Cotton-tyeollik belongs to the form of the front time. The construction of cotton tyeollik is similar with the one-layer Tyeollik Exception the construction of git(collar) and the size and direction of the fold. The surface pattern is composed of two-pieces but the liner is one-piece in the Git(collar). and In The size of fold surface is o.2-o.3cm, and liner is 0.5-0.8cm. The direction of fold in the liner is the contrast with the surface.

• 한국식생활문화학회지
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• 제31권1호
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• pp.51-63
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• 2016

The aim of this study was to investigate food culture represented by the grain yard, water well, kitchen, and meat storage space which were depicted in the mural painting of An-Ak tomb No. 3. The mural paintings of An-Ak tomb No. 3 were compared with those of ancient Chinese tombs before the 4th century in order to understand their characteristics. Above all, the tomb murals describe the form and function of the stove (buttumak) as well as the cuisine using the cauldron (sot) and steamer (siru) in a very interesting manner. The meat storage space of An-Ak tomb No. 3 shows whole carcasses of animals such as roe deer, dog, and pig. However, Chinese murals show that while small animals such as soft-shelled turtle, fish, chicken, duck, pheasant, rabbit, etc. were stored as whole carcasses without being cut into pieces, large animals such as cows and pigs were slaughtered and each piece of their carcasses such as the head, thigh, meat loaf, and cardiopulmonary part was separately depicted. These tomb murals vividly describe the food culture of Koguryo and China before the 4th century.

• 복식문화연구
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• 제21권3호
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• pp.376-393
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• 2013

In modern society, culture is an important factor to form a country's image and identity and a representative content to generate revenue. Culture is a keyword to design life in the 21st century and has become competitiveness between countries. As a cultural content with international competitiveness, this study performed textile design development with the use of relics from the Tomb of King Muryeong, which is the tumulus of King Muryeong who was the 25th king of Baekje among Korean history. The developed design could be applied to the production of various fashion cultural products such as clothes, scarf, neck-tie, and bag. The process for the design development was carried out as follows: As a first step, this study found basis as a cultural content with a global sense that could form the historical value of the Tomb of King Muryeong and gain global sympathy of people all over the world through literature reviews. As a second step, this study examined the current state that traditional Korean elements were used as a fashion cultural products. As a third step, this study analyzed the current state and problems of fashion cultural products using relics from the Tomb of King Muryeong through field survey. As a final step, this study planned the concept of design with the use of diadem ornaments, earring, sword, stone guardian animal, and bricks with lotus-flower design from the tomb of King Muryeong. And these developed 6 textile designs could be applied to the production of various fashion cultural products.

• 한국의류학회지
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• 제42권1호
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• pp.159-171
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• 2018

The apron, which corresponds to an important clothing form, changed according to the taste, age, appearance and meaning of the wearer as well as from past to present. Decorative function and practical functions appear in the costumes of the East and West. Anak No. 3 tomb, Korea's 4th century Goguryeo tomb mural, was depicted in the form of a woman wearing a white apron and working in the kitchen, which is similar to that of a current kitchen, and the shape and purpose of the apron is similar to the present one. The characteristics of Korean aprons are summarized as western similarity, traditional reproducibility, and practical functionality. The U-shaped apron with the hem decoration of Goguryeo is similar to the apron of Crete with a rhombus pattern and hem decoration. Despite differences in time, it can be seen as traces of a cultural exchange across the East and the West. In addition, Korean skirts were decorated with wrinkles and a hem decoration based on rectangles. It is a reproduction of a traditional skirt and is different from a Western apron with a chest strap. In the Anak No. 3 tomb mural, women were wearing the first aprons that showed a practical functionality and not a decorative use.

• 한국문화재보존과학회:학술대회논문집
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• 한국문화재보존과학회 2004년도 제20회 발표논문집
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• pp.55-65
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• 2004

We have used the Naju Oryang-dong Kiln, the Jar coffin producing center from the 5th to early 6th century A.D. found for the first time in Korea in 2002 and conducted trace element analysis of Jar coffin objects excavated in Jar coffin the old tomb area formed mainly around Yeongsan valley, the consuming area of the same period as our main research objects. For this analysis, we have used both the NAA method, the non-parametric micro-minerals analysis. In order to compare and verify these remains, we have used the results from the analysis on the Jar coffin remains in the Mandong remains, Jeonbuk district. We have quantitatively analyzed 17 types of elements from the Jar coffin remains sample to allow for various and correct analysis. With their results, we could find out that the jar coffins made in Oryang-dong kiln teo are statistically identical to those in Daean-ri Old tomb/Shinchon-ri 9th old tomb, Okya-ri old tomb, and Banam-Old tomb. Also, we can conclude that there is a high possibility that ongwans produced from Oryang-dong kiln being used in Daean-ri Old tomb/Shinchon-ri 9th old tomb, Okya-ri old tomb, and Banam-Old tomb was distributed through some form of trade. On the other hand, we could obtain other analysis results that jar coffins excavated and investigated in the Mandong remains and Ithe npyong Old tomb were likely from other Jar coffin kilns through trade and distribution.

• 복식문화연구
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• 제15권3호
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• pp.541-549
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• 2007

Goguryo is the ancient dynasty which established the system of ancient state earlier than Baekje and Sila, and was a strong political and military power. Unlike the rock carving works of prehistoric times, mural paintings composed of line and color tones in tombs are characterized more by its social aspect and symbolism as a serious form of art than other cultural heritage of Goguryo. In response to that, this study analyzed the dress and ornaments of women found in Anak No. 3 ancient tomb, Susan-ri ancient tomb, Ssangyeongchong, which are the ancient tombs in Pyeongyang from 4th century to 5th century, have relatively more ancient tombs than any other places and preserved the mural paintings well, by using the plate, slide, literature and data related to relics in order to figure out the characteristics of women's dress and ornament in Goguryo, and the lifestyle and social aspect of Goguryo.

• 지질공학
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• 제7권3호
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• pp.191-205
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• 1997

백제 시대의 대표적인 문화재들이 다수 출토된 무령왕릉을 포함한 송산리 고분군에 대한 고분벽체의 거동을 장기적으로 계측하여 분석하였다. 본 연구는 송산리 고분군의 안정성을 판단하여 보존대착을 수립하기위한 목적으로 이루어졌으며, 각 고분의 중요지점에 총 11개의 2축 경사변화측정센서를 설치하고 매 20분마다 자동계측하여 약 15개월 동안 (1996년 7월 14일~1997년 9월 30일) 관측을 실시하였다. 무령왕릉의 벽체거동은 연도입구의 호벽이 최대거동을 보여 직각변위(N-S Tilt) 성분이 2.3mm/m/yr로 남쪽방향인 전실쪽으로 거동하고 있는 것으로 밝혀졌다. 무령왕릉 현실 서측벽의 남쪽 등 상감 상부의 벽돌이 1971년 발굴 이후 남쪽으로 기울어진 병형을 보이며 고분구조가 남쪽 방향으로 거동함을 증명하고 있다. 현실 동측벽의 거동 또한 1.523mm/m/yr로 현실 내부로의 거동이 심한편이다. 더구나 우기에는 그 변위가 약 2배에 달하는 것으로 판단되어 고분군 주위의 지반이 침투수에 노출되는 우기에는 고분의 구조안전에 심각한 문제가 있는 것으로 판단된다. 5호분은 전체적으로 벽체의 전후방향 거동이 벽체의 전단방향 변위보다 크게 나타난다. 또한 틸트의 급격한 불연속은 없고 일정한 방향으로 계속적인 미약한 변동을 보이고 있다. 6호분 역시 건기의 최대 거동 수치가 8.8mm/m/yr로써 다른 고분의 우기시의 거동수치를 훨씬 초과한다. 고분벽체의 대.소의 변형 사건은 강수 및 온도변화와 밀접한 관련성이 있는 것으로 밝혀졌다. 온도변화에 의한 벽체거동의 영향은 고분내의 온도가 급격히 상승할 때는 온도가 일정하게 유지될 때보다 거동 비율이 훨씬 크다. 상승했던 온도가 다시 하강되면 벽체는 온도가 상승하기 전의 상태로는 돌아가지 않고 잔여변형을 발생시켜 영구변형으로 남게 되는 이력현상을 보이고 있다. 또한, 무령왕릉 주변의 지하수위 관측 결과 현재 고분축조부지의 배수체계가 원지반보다 불량함을 의미하여, 불량한 배수체계는 고분의 구조안전에 영향을 미치는 것으로 판단된다. 이와같이 고분군에 발생한 모든 변위들은 발굴 후 인위적인 환경변화와 지속적인 강우침투의 영향과 배수불랴으로 인한 주변지반 및 내벽의 물성치의 저하로 인하여 고분의 내벽에 상당량의 변위가 발생한 것으로 판단된다. 무령왕릉 벽체거동 특성 분석 결과 무엇보다 강우침투 및 지아수유입을 막는 차수대책이 시급하며, 고분내에 있는 제습기에 의한 상승효과흐 제거하여야 할 것으로 판단된다.