• 한국콘텐츠학회논문지
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• 제13권5호
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• pp.311-321
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• 2013

본 연구는 정신보건사회복지사 수련생이 현실적으로 부딪히는 수련스트레스를 수련생의 입장에서 기술해봄으로써 보다 효과적인 임상교육의 실천방안을 마련하고자 시도하였으며, 질적연구방법으로 접근하여 분석하였다. 연구대상은 정신보건수련기관에서 수련을 하고 있는 수련생 9명을 대상으로 하였다. 자료수집은 포커스그룹으로 1-2회 이루어졌으며, 소요시간은 2시간내외였다. 연구참여자들이 진술한 내용을 분석한 결과 의미있는 진술은 85개였으며, 이를 근간으로 연구자가 구성한 의미는 32개로 도출되었다. 이들 구성된 의미들을 유사한 내용으로 묶고 분류한 결과 9개의 주제가 형성되었으며 4개의 주제묶음으로 범주화되었다. 수련과정에서 경험하는 스트레스경험으로는 '대인관계가 어렵다', '수련일정이 빡빡하다', '기관에서 수련생에 대한 배려가 없다', '수련교육에 대한 체계성이 없다'로 4개의 주제묶음으로 분류되었다. 이러한 연구결과를 중심으로 실천적 함의를 제시하였다.

• 한국노년학
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• 제37권2호
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• pp.497-516
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• 2017

본 연구는 서울시에 거주하는 65세 이상 남녀 임금근로자 12명을 대상으로 고령 임금근로자들의 일하는 삶이 갖는 의미와 본질적 구조를 탐색하였다. 심층적인 분석을 위해 질적 연구방법의 하나인 Giorgi(2012)의 현상학적 연구방법을 사용하였다. 연구결과 총 349개의 의미단위, 35개의 중심의미, 16개의 드러난 주제(하위 구성요소), 그리고 6개의 본질적 주제(구성요소)를 구성하였다. 본질적 주제는 괄시와 편견을 견디는 삶, 노년의 포도청(捕盜廳), 을 중의 을로서의 멍에, 뛰어 넘을 수 없는 벽, 일을 통해 청년의 시간 되살리기, 노동 자존감이었고, 이러한 6개의 본질적 주제는 '고단한 노년의 삶 속에서 간헐적으로 느끼는 작은 행복'으로 귀결되었다. 연구 참여자들은 고령 임금근로자에 대한 사회적 차별과 불안정한 고용환경으로 인해 삶이 고단하지만, 노년에도 일을 할 수 있다는 안도감과 노동을 통한 자긍심을 통해 고단함을 견딜 수 있는 것으로 드러났다. 고령임금근로자들에게 일은 경제적 고민을 덜어 줄 뿐만 아니라 노동을 통해 노년기 자존감을 높여주고 건강을 유지하게 해 주는 중요한 수단이었다. 일하는 노년의 삶은 고단하다. 그러나 노동 자체가 고령 임금근로자의 삶을 고단하게 만들기보다는, 단지 나이가 많다는 이유로 겪는 부당한 처우와 사회적인 편견, 괄시가 일하는 삶의 무게를 가중시킨다는 사실을 알 수 있었다. 연구결과를 토대로 다음과 같이 제언하였다. 첫째, 일하는 노인에 대한 사회적 차별과 부당한 근로환경은 인권보호의 관점에서 사회적 논의와 법적 조치가 필요하다. 둘째, 고령자들의 경험을 활용해 사회적으로 기여할 수 있는 다양한 서비스 일자리를 창출해야 한다. 셋째, 고령 근로자들이 컴퓨터를 활용한 업무능력을 향상시키고 스트레스를 줄일 수 있도록 컴퓨터 및 인터넷 교육 프로그램을 확대할 필요가 있다.

• 재활간호학회지
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• 제4권1호
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• pp.20-30
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• 2001

Stroke is known as a detrimental disease that leaves serious sequelae. The stroke patients suffer from limitations of physical and social activities. The patients try to adapt themselves to the limitations in order to achieve rehabilitation. This study was performed to clarify the lived experience of rehabilitation from the stroke patients. In collecting data for this study, in-depth personal interviews were made by a researcher from February to April in 2001 at rehabilitation clinics and physical therapy centers locate in Iksan city. The methodological approach was van Manen's hermeneutic phenomenological methodology in order to understand the meaning and nature of stroke patients' experiences in rehabilitating their physical limitations. Collected data were analyzed with phenomenological way of study that was develope by van Manen. The 8 patients who agreed to participate in this research were inter viewed by researcher under the private and comfortable environment. Personal interviews were done three or five times per each patients and each interview took 70 to 90 minutes. The statements were analyzed and finally revealed three essential themes : Theme 1 - Desperateness to achieve freedom again Theme 2 - Seizing hope of recovering Theme 3 - Seeking support from family members, relatives and friends Based on these themes, stroke patients' rehabilitation experience are described as following. The stroke patients have strong desire to achieve freedom again in order to escape from social isolation. The stroke patients want to go back to the state of their previous health state. The stroke patients strongly try to do anything for their recovering and also to have positive thinking. In the other hand, they feel pity for themselves through desperation, fear, sorrow, and self-pity. The stroke patients have dissatisfaction about neighbors' rumor and attitude toward themselves. The stroke patients have experiences to rely on neighbors' support seeking a warm word of consolation. This research showed us that van Manen's hermeneutic phenomenological methodology leads us to understand stroke patients' rehabilitation process more comprehensibly. Based on this research, it is suggested that further studies provide a foundation for the development of a rehabilitation theory for Korean stroke patients.

• 한국사회복지학
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• 제66권1호
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• pp.113-138
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• 2014

본 연구는 아스퍼거장애 아동을 양육하는 어머니들이 주관적으로 인식하는 경험의 본질과 현상을 이해하고자 하였다. 면접은 2012년 8월부터 2013년 2월까지 6개월 동안 아스퍼거장애로 진단받은 아동의 어머니를 대상으로 2~3회에 걸쳐 진행되었다. 이를 Colaizzi의 현상학적 연구방법으로 분석한 결과 아스퍼거장애 아동 어머니의 양육 경험의 본질은 '다른 별에서 온 아이의 손을 잡고 희미한 빛이 세어 나오는 동굴 걸어가기'로 해석되었으며, 18개의 하위범주와 6개의 주제 묶음으로 도출되었다. 6개의 주제는 '다른 별에서 온 독특한 아이와의 만남', '다르지 않은 듯 다른 아이와 세상 속에 뛰어들기', '답을 찾고 계획 수정하기', '끝이 보이지 않는 터널 지나기', '힘든 여정 속의 작은 위안', '한계를 인정하고 함께 걸어가기'로 나타났다. 이러한 결과를 바탕으로 아스퍼거장애 아동 양육에 있어 필요한 실천적, 정책적 과제를 제시하였다.

• 아동학회지
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• 제26권5호
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• pp.73-87
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• 2005

To achieve in-depth understanding of the essence of the process of becoming a father, the Colazzi method for analysis of phenomenological and qualitative research was applied to examination of in-depth interviews of 7 fathers in their early twenties and thirties residing in Gwangju City. Interviews were held individually three times during $Oct{\sim}Dec$. 2004. Subjects were first time parents of babies less than 12 months of age. Results were that these first time parents' experience of fatherhood was understood in 37 themes, 13 theme clusters, and 5 categories: "beginning life treated as a father," "witnessing continuous substance of pain," "escape from family-centered life," "the baby seems to recognize me as a father," and "acquiring insight of a father."

• 한국가족복지학
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• 제62호
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• pp.5-38
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• 2018

본 연구는 성인 지적장애인을 부양하는 비장애 남자 형제들의 돌봄경험을 이해하는 것을 목적으로 한다. 이를 위해 현상학적 질적연구방법을 바탕으로 심층 면담을 수행하였고, 참여자의돌봄을 다룬 신문기사와 방송 다큐멘터리 등의 문서도 자료로 활용하였다. 자료 수집은 2017 년 8월에서 10월 사이에 이루어졌으며, 4명의 비장애 남자 형제가 연구에 참여하였다. 연구결과, 참여자들이 체험한 성인 지적장애인의 주부양자로서 돌봄경험의 핵심주제는 '장애 형제 중심으로 사는 삶', '복잡한 감정을 마음에 안고 사는 삶', '항상 조심스러운 삶', '위로받는 삶', '균형과 조화를 이루려 노력하는 삶'으로 분석되었다. 이러한 연구 결과를 바탕으로 본 연구에서는 성인 지적장애인을 부양하는 비장애 형제와 가족을 위한 정책적 실천적 개입방안을 제언하였다.

• 정신간호학회지
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• 제27권4호
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• pp.394-405
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• 2018

Purpose: The purpose of this study was to identify and describe cultural meanings for married Japanese immigrant women in rural Korean communities. Methods: The informants were 10 women in rural areas. Data were collected from August 2017 to June 2018 through in-depth interviews and participant observations and analyzed using text analysis and taxonomic methods developed by Spradley. Results: The meanings of adaptation were classified into five cultural domains: Practicing the doctrine, accepting the difference, redemption, true home, and confronting reality. The subthemes according to meanings of adaptation were comprised of international marriage with a sense of calling, bearing with sense of duty, and making a living substantively. The subthemes in this study reflect the process of adaptation. The cultural themes in the process of adaptation were overcoming differences and conflicts between Korea and Japan to achieve true family. Conclusion: The adaptation processes of married Japanese immigrant women included making their living reality known and recognizing the times when exchanges between Koreans and Japanese cannot exist within a hostile composition.

• 패션비즈니스
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• 제26권6호
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• pp.14-31
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• 2022

Worn by both males and females the kimono is the national dress of Japan. Previous research highlights that this national dress is fading from tradition and evolves to develop with the times and fashion trends. This research aims to investigate what a kimono represents both historically and currently within Western society. The idea of the kimono being more than a national dress representing Japan, the main three themes researched will be (1) Shape (2) Narrative (3) Journey from East to West. Based on both primary and secondary sources this research indicates that there is a strong relationship between the universal increase of kimono wearers in Eastern and Western societies from history through to present day. Primary research is utilised in the form of two types of interviews. Primary outcomes bring a personal perspective to how and why kimono is worn nowadays within Europe. Secondary sources include online lectures held by kimono specialists as well as subject relevant books. From the 19th century where the Dutch were the only European country to trade with Japan, an exchange of fabrics took place which later led to the exchange of: fit, fashion and pattern (primarily within Western womenswear fashion.) This distinct garment never gets discontinued and evolves with social demands within society today.

• 한국실내디자인학회논문집
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• 제22권5호
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• pp.68-77
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• 2013

'The Third space,' which is the concept that embraces sociological, spatial, and marketing concepts, refers to the place which is other than the home and the workplace and which is a comfortable frequented place where meditation, psychological relaxation, and social needs can be satisfied. 'The Third space' has the characteristics of comfort, openness, interactivity, playfulness, and diversity. In modern times, most of consumption spaces play the role of 'the Third space,' and the typical example is $Caf{\acute{e}}$. $Caf{\acute{e}}$ began from its origin with the characteristics of 'the Third space,' and recently it has become the complex cultural space of urban dwellers. $Caf{\acute{e}}$ as 'the Third space' has the characteristics of a healing space, communication space, personalized space, value-expressive space, culture and consumption space, nomad space. Such characteristics of $Caf{\acute{e}}$ are well represented in the cafes around the regions where 'street culture' has recently been formed. As examined through the examples, $Caf{\acute{e}}$ as 'the Third space' can be more strategically produced by establishing themes through storytelling, giving spatial identity through style creation, diversifying the sequence through complex space organization, and establishing interaction devices through experience elements.

• 복식
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• 제20권
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• pp.93-104
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• 1993

The purpose of this study is to clarify the adap-tation of traditional beauty of dress in Baek Eui for the establishment of tradition of dress culture. Especially, the color of the traditional dress rep-resent a symbol which is connedted with the na-tional character and the evvironment. But it is hard to examine closely because color preference are transformend with the times. This study is framed within the limits of the next themes : the origin, history and meaning of the Baek Eui ; the philosophical theory of cosmic Five Elements and the Prohibition of Baek Eui ; the beauty of Baek Eui. As the national character is indicative of the conservativeness and the purity, Koreans have kept up wearing Baek Eui spite of the occasional prohibition. Since the color of the dress represen-tatived the signs of the social class and the power, over the eighty persent of the common people put on the Beak Eui : ramie and flax fabrics that has it's own color in Chosun-Dynasty. I think that the use of natural color harmony is prominent and the beauty of Baek Eui is the naturality and the non-artificiality. The meaning of the symbol on the Korean Beak Eui is the divinity, the holiness, the purity, the cleanliness, the modesty, the frugality, the integ-rity, the constancy, the elegance, the simplicity.