• Proceedings of the Korean Society of Precision Engineering Conference
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• 1995.10a
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• pp.683-686
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• 1995

The automatic solid reconstruction is one of the important problems in CAD. Nowadays solid reconstruction has been done many areas, we will proposed this algorithm contribute to that development. this paper presents the algorithm to automatically reconstruct the soild form a set of the orthogonalal three views.

• Journal of the Korean Society of Costume
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• v.64 no.7
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• pp.82-96
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• 2014

This study views the shadows cast by the light and a subject provides new interpretations rather than it simply being an additive product. Particularly in fashion photograph, light and shadows are often used as tools to convey meaning. Accordingly, this study aims to classify the utilization of the shadow created by light and deriving its expressive characteristics in fashion photograph. To achieve these research aims, literature and case studies were conducted. The results are as follows. First, the shadows were mainly focused on a subject. Secondly, shadows caused by lighting is casted directly into the inside of the main subject in a frame takes a role of omission or emphasis. Third, shadows caused by a second unseen object outside the frame are utilized with the main subject in the frame. Based on these results above, spatial third dimensionality, optical illusion and accentuation were derived as expressive characteristics of the shadow in fashion photograph. As such, in fashion photograph, shadow is an important element for photographers. The variability of the shadow makes it possible for creative changes as its amount, angle and direction can be altered by adjusting the light in accordance with the intention of the artist. Therefore, its utilization methods will be diversified hereafter. Accordingly, it is required to recognize that shadow may be recreated as an independent object in fashion photograph.

• Fashion & Textile Research Journal
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• v.2 no.4
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• pp.300-307
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• 2000

The purpose of this study was to classify and analyze the body type of obese boys who are school year for 9 to 11 years. A total of 49 body measurements were collected for this study including both direct and indirect measurements (33 variables from the direct anthropometric data, 16 variables from the indirect anthropometric data). Data from anthropometric measurement were analyzed using descriptive, factor and cluster analysis. The obese boys investigated in this project were in the category of average height 146.31 cm, weight 52.17 kg. The values for the study were compared to values from the National Anthropometric Survey of Korea. As the result of factor analysis for the classification of body type, 6 factors were extracted from all items. The first was transverse size of upper body, also, the second was its longitudinal size. The third was thicknesses of front and back at side views. The fourth was shoulder shape. The fifth was upper body angle factor. The sixth was upper body length. The body form was classified with cluster analysis, using factor score. The shape of the body was classified in 3 types.

• (The) Research of the performance art and culture
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• no.20
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• pp.339-367
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• 2010

Despite that it is relatively difficult to compare the movements in eastern and western dancing, this study approached hand-foot coordination movements, which involve lifting both an arm and a leg to stand on one foot, from a figurative point of view. In ballet, arabesque, developpe, and attitude were recognized as the example hand-foot coordination movements, and in Korean Dance, Oesawi, Gyeopsawi, and Meongseokmari of Mask Dance were classified into the hand-foot coordination movements. The figurative characteristics of these dances were approached from the aspects of racial traits, philosophies of dancing, and forms of movements. The following summarizes the findings about hand-foot coordination movements of this study. First, in relation to human physiology, eastern and western races have different traits. The forms of dancing have developed differently according to the builds and figures of dancers. Ballet is an elegant form of dancing using long legs and arms and its arabesque, developpe, and attitude movements emphasize stretching the body for an elegant and beautiful presentation. On the other hand, Korea was an agricultural society and lived closer to the land. As its people developed petite figures, its dancing movements, especially the hand-foot coordination movements, involved 'twisting' and 'walking down and up.' Second, despite that the hand-foot coordination movements are identical for east and west, ballet aims at the heaven and Korean Dance aims at the land according to the differences in the views of nature. Although the principle of hand-foot coordination movements is about aiming at the land, western philosophies and aesthetics pursue the heaven. Third, in ballet, the focus of beauty is the presentation of beautiful movements. Therefore, the hand-foot coordination movements precisely control the position and angle of arms and legs for the perfect balance of the body. On the other hand, the hand-foot coordination movements of Korean Dance are mostly rooted from natural daily movements and movements that enhance the efficiency of labor. Therefore, it is considered beautiful techniques even if the body looks rather unbalanced.