• 수산경영론집
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• 제46권1호
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• pp.41-62
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• 2015

Though the debate of the establishment time, place and characteristic of the first fisheries cooperatives in Korea has been existed, it is clear that they had been established in the neighborhood of Tongyeong during the period of Japanese colonial rule. But the objective, motive and historical background of the first fisheries cooperatives are still slightly vague. To explain and explore that of fisheries cooperatives, over 1,000 articles of media, about 100 document of the Japanese government-general of Korea and the annals of the Joseon dynasty, many of research paper and others were included and refined. Through the result of that process, three core factors were founded that affect both the emergence of fisheries cooperatives and relationship of the them. The first one is about the royal family's fishing area where in the neighborhood of Tongyeong. The next one is Kentaro Kashii who was called king or devil of the Korean fisheries industry and the last one is fishermen and their organizations including fisheries cooperatives. Some of the above and the fishing rights conflict that make a guidance for understanding them has not been clearly mentioned. The result of this study shows that the birth of the first fisheries cooperatives were caused by not only the Japanese government-general of Korea but mainly Korean fishermen's voluntary activity and free will against fishing rights conflict between them. And both of the first fisheries cooperatives had somewhat difference in their constitution of organization and their characteristics but it was a tragic irony that the more exploitation and despoliation were conducted by Japanese government-general and Japanese capitalist the more movement and activity of Korean were frequently and severely occurred. Even though the findings and results of this study would be a proof and helpful material for understanding the establishment and their activity of fisheries cooperatives in Tongyeong, more research and contribution would be need by members of fisheries academic and business world.

• 한국초등과학교육학회지:초등과학교육
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• 제41권2호
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• pp.236-249
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• 2022

이 연구는 일제강점기의 교사 윤재천(尹在千)이 언급한 조선의 초등 과학교육에 대한 내용을 분석한 것이다. 윤재천은 대한제국 말에 태어나 일제강점기와 광복을 직접 경험한 사람이었다. 일제강점기에 경성사범학교 교사였던 윤재천은 <조선의 교육 연구(朝鮮の敎育硏究)>라는 교육 전문 잡지에 과학교육에 관련된 글을 많이 게재했다. 특히 그가 1939년에 저술한 "조선의 이과교육(朝鮮の理科敎育)"은 조선인 교사가 평가한 당시의 과학교육 전반을 분석하여 보고한 기사였다. 이 연구에서는 일제강점기에 조선인 교사의 눈으로 본 조선의 과학교육의 전반적인 상황을 추적했다. 일제가 강제 점령한 식민지 상황의 조선에서 윤재천이 생각했던 과학교육의 관점은 친일적인 색채를 드러내지 않을 수 없었던 한계가 있었다.

• 한국사회복지학
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• 제61권3호
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• pp.255-281
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• 2009

본 연구의 목적은 후기노인들의 삶에 나타난 일제강점기와 6.25전쟁에 대한 '개인적인 역사경험'이 어떠한 '현재성'이 있는지 생애사적 맥락에서 '재구성'하는 데에 있다. 이를 위해 Sch$\ddot{u}$tze의 자료수집 방법에 따라 실시한 '생애사적-내러티브 인터뷰' 9개를 Rosenthal의 '내러티브식-생애사 인터뷰 분석'방법에 따라 분석하였다. 그 결과, 개인적인 역사경험의 현재성은 주로 경험방식에 따른 차이를 보임을 알 수 있었다. 즉 '친일경험'으로서의 일제강점기에 대한 직접적인 역사경험과 '국군생활'로서의 6.25전쟁에 대한 직접적인 역사경험은 '개별화된 현재성'이 있는 반면, '남편의 역사적 죽음'으로 표출된 일제강점기나 6.25전쟁에 대한 간접적인 역사경험은 '잠재된 현재성'이 있는 것으로 나타났다. 이러한 연구결과에 근거해 개인적인 역사경험의 현재성에 대한 '이해'를 바탕으로 하는 노인복지실천을 위한 제언을 하였다.

• 한국농촌건축학회논문집
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• 제24권4호
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• pp.97-106
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• 2022

During the Japanese colonial period, Japan exploited the entire Korean Peninsula and targeted not only cities but also rural areas. The exploitation of rural area was accelerated with the support of Oriental colonization Company and The countryside was a living scene of direct exploitation. However, most of the research was concentrated in representative port cities such as Kunsan, which transports logistics such as rice and grains. There was insufficient research on how Japanese entered the country, how Korean were plundered, and the rural villages that were the target of exploitation. The contents of hi-exploitation were also historical and historical humanities such as colonial land ownership and farm management, and the spatial structure of the existing traditional villages were insufficiently investigated. Hwaho-ri, Shin Taein-eup, Jeollabuk-do, centered on Yongseo Village, there are many traces of farm houses, hospitals, employee residences, schools, churches, and Oriental colonization Company This study aims to study what changes traditional rural villages have brought by the Japanese colonial rule, centering on Hwaho-ri Village.

• 대한건축학회논문집:계획계
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• 제34권7호
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• pp.119-126
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• 2018

The Slaughterhouse is the place where animals are butchered for food. This study is to investigate the establishment and transition of slaughterhouse operated in Busanbu(釜山府) as public facilities during Japanese Colonial Period. It was established in relation to the application of hygienics which the idea of modern natural science and technology produced at that time. The establishment of slaughterhouse was based on the leading knowledge of public health. It also provided important revenues for the local government and became one of the techniques of Japanese Colonial Rule. The slaughterhouse was turned into the public management in 1921 and had to be shifted twice. Eventually, it had an effect on the culture of food greatly.

• 한국조경학회지
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• 제45권1호
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• pp.1-15
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• 2017

본 연구는 일제강점기에 계획된 부산 도시공원 32개소를 대상으로 도시의 성장과 발전에 따른 공원의 변화과정을 고찰했다. 특히, 도시공원의 변화과정을 도시계획적 관점에서 검토하기 위해 부산시에서 편찬된 도시계획사 관련 서적, 부산시보 고시공고, 도시공원 유원지 녹지현황 내부 자료, 결재문서 등을 조사 분석했다. 그 결과, 일제강점기 일본 거류지역 일본인에 의해 조성된 대정공원, 고관공원, 용두산공원은 시가지 공원계획 이전부터 공원으로 이용되었으며, 이러한 공원을 포함한 1944년 법적으로 명시한 32개소의 공원은 방재기능을 고려하여 계획되었다. 해방이후, 한국전쟁의 혼란한 시기와 도시계획 재정비로 인해 공원부지는 무허가 건축물 난립, 주택건설, 상업지, 공공청사 및 학교 건립 등으로 이용되었으며, 그에 반해 도심지에 위치한 도로공원과 대부분의 소공원은 폐지되었다. 하지만, 그린부산 정책과 더불어 일제강점기 당시 도심 외곽에 계획된 미집행 공원은 도시 성장으로 도심지에 위치한 주요 공원으로 자리 잡아, 쾌적한 도시형성을 위한 공원사업으로 연지공원, 양정공원, 당곡공원이 조성되고 있다. 이렇게 일제강점기에 계획된 32개소의 공원은 부산 도시형성 과정의 시대상을 반영하여 폐지 또는 조성되었다. 폐지된 공원은 개발압력에 토지매입 효율성이 낮다고 판단된 공원이며, 조성되고 있는 공원은 개발이 용이하지 못했던 위치에 입지한 공원이다. 따라서, 공원이 사회공통자본으로 인정받기 위해서는 공원 부지의 토지매입 여건에 대한 충분한 검토가 필요한 것으로 밝혀졌다.

• 한국조경학회지
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• 제43권4호
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• pp.124-139
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• 2015

남산은 수도 서울의 대표적인 랜드마크로, 여타의 다른 산과 달리 도심의 공원으로 인식되고 있다. 본 연구는 남산이 공원으로 인식되는 시점인 대한제국기와 식민지기를 주요 배경으로 변화와 변용의 과정 및 내용을 살폈다. 남산이 공원이 되고 공원이 다시 종교시설로 변용되는 일련의 과정이, 실은 일본의 도시 식민지화 과정과 식민지적 공간 통치와 연관되어 있음을 밝혔다. 일본이 왜성대공원(矮城臺公園)을 시작으로 경성공원(京城公園), 한양공원(漢陽公園)에 이르기까지 도성 안 남산을 모두 공원화한 것은 한성부에 대한 일본의 세력 확장과 관련한 것으로, 여기서 공원은 일본이 한성부를 점거하는 전략적 도구가 되었다. 그러므로 남산의 공원화는 단순히 위락과 여가시설의 확보가 아니라 공원 조성을 명분으로 한 타자의 공간 점유로 보아야 한다. 이 시기 남산의 공원 가운데 왜성대공원과 한양공원은 각각 경성신사(京城神社)와 조선신궁(朝鮮神宮)으로 변용되는데, 주체와 목적에 따라 그 양상은 점진적이기도 하고 폭력적이기도 하였다. 공원에 일본의 문화가 이식되고 공원이 지배자의 공간으로 치환되는 이러한 사실은 일본이 공원을 이용해 남산을 물리적으로 점거한 것과는 또 다른 공간 지배 양상을 의미한다. 즉 남산의 공원화가 한성부 내 일본의 세력을 확보하기 위한 수단이었다면 이후의 변용은 식민지 지배를 공간의 양태로 보여주는 것이다. 한편 남산은 공원이라 불렸지만 실제로 공원으로 이용된 시간은 매우 짧았다. 그나마 남산이 공원으로 인식될 수 있었던 것은 경성공원 일대의 산림자원 덕분인데, 그 배경에는 신사와 신궁을 위한 신원의 보존과 관리가 있다. 이 또한 식민 공간 통치의 결과로 이해할 수 있다.

• International Journal of Costume and Fashion
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• 제11권1호
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• pp.15-33
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• 2011

The late $19^{th}$ and early $20^{th}$ centuries of Korea were the times when the Confucianism (牲理學) ideology was shaken heavily under the influences of modernism and capitalism by Western and Japanese military and political-economic forces. Under such circumstances, alteration of clothing was much influenced by ideologies than changes in social structure or technological advance. In this study, an ideology was defined as "the force which drives people into a particular social order". Ideologies were postulated as an ongoing process of socialization with dialectic features rather than being a static state. Comparative analyses on conflict structures and different clothing patterns symbolizing the ideologies of the Ruling (支配) and the Opposition (對抗) were conducted. Investigating dresses as representations of ideologies is to reconsider the notion of dichotomous confrontation between the conservatives (守舊派) and the progressives (開化派) and a recognition of Koreans' passively accepting modernity during the Japanese occupation. This may also have contributed to enlightening Koreans about modernization. Here are the results. First, the theoretical review found that ideologies were represented by not only symbols of discourse, but also dresses, and that dresses embodied both physical and conceptual systems presenting differences between ideologies and their natures, Second, during the late 19th century Korea, conflict between conservatives' Hanbok (韓服) and progressives' Western suits (洋服) was found. Moderate progressives showed their identity by "Colored Clothing" (深色衣), and radical progressives by black suits with short hair (黑衣斷髮) or by western suits (洋服). The ultimate goal of both parties was a "Modern Nation". With these efforts, pale jade green coats and traditional hats symbolizing the nobleman class was eliminated within 30 years from 1880 to 1910, and then simple robes and short hair emerged. However, the powerful Japanese army had taken over the hegemony of East Asia, and Korea was sharply divided into modernization and pro-Japanese camps. Third, during the time of Japanese colonial rule, the dress codes having set by the modernization policies during the time of enlightenment were abandoned and colonial uniforms for the colonial system was meticulously introduced. During this period, Western or Japanese-style uniforms were the symbol of the ruling ideology. In the mean time, Hanbok, particularly "White Clothing (白衣)", emerged as a representation of the opposition ideology. However, due to Japan's coercive power and strong zeal for "Great orient (大東亞)", white clothing remained as a mere symbol. Meanwhile, Reformists (實力養成論者) movement toward improving quality of life followed a similar path of the Japanese policies and was eventually incorporated into the ruling ideology. Fourth, dresses as representations of ruling ideologies were enforced by organizational powers, such as organizations and laws, and binding policies, and changes in such dresses were more significant when the ruling ideologies were stronger. Clothing of the opposition ideology was expressed as an aggregation of public consciousness. During the period, the subjects of ruling ideology and the objects who were granted modernization benefits were different although their drives for colored clothing with short hair (色衣斷髮) for modernization were similar.

• 한국의사학회지
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• 제28권2호
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• pp.87-96
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• 2015

In this study, we investigated advertisements in Dong-a newspaper about gynecological drugs between 1920 and 1945 and analyzed the awareness of women's health and disease during the Japanese Colonial Rule. The advertisements included leukorrhea, oligomenorrhea, dysmenorrhea, feeling of cold, sterility, hysteria, and sexually transmitted infection and identified inattentive menstruation, improper intercourse, poor pre- and post-natal care as the cause for illness. This study includes the following limitations; it only analysed advertisements from Dong-a newspaper, and most of the drugs were manufactured in Japan and might not accurately reflect the health and disease of Korean women. Suggested future studies may include analysis of institute magazine and Japanese news advertisements during this period.

• 한국실내디자인학회논문집
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• 제17권2호
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• pp.3-12
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• 2008

Most of these cultural spaces are Western architecture which is completely unrelated to our traditional style. In Japan's colonial rule of Korea these Western formation flowed in and passed on by them. Therefore before the understanding of modem cultural space built in Japan's colonial rule of Korea, it's essential to study about the background of the western period in that time, architecture and trend of interior. Due to Great Depression and other reasons the economical modernism of architecture raised in this period. In this thesis, based on such background of period, cultural space has been divided into assembly, theatre and exhibition spaces. Those spaces were studied according to its expressional characteristics and brought to following conclusion from the analysis. The cultural spaces were created around 1930 due to an increase of demand when the modernism started to establish. Like other buildings cultural space expressed modernized elevation and space formation with ferroconcrete building. However until Japan's colonial period the cultural areas were not used for public but for Japanese authority class's social gatherings only. Consequently, unlike other buildings the classical elements that could express these characters were more used in cultural spaces especially in theater and exhibition areas. This distinctiveness didn't appear separately but according to type of rooms in one space. Once more, place like assembly space was expressed with modernism, special or recreation rooms where people pursue a comfort were expressed with decorative style. Also a special theater which was used for only one person was generally expressed with western style to represent the stem character such as power.