• 아동학회지
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• 제22권3호
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• pp.137-150
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• 2001

In this cross-national analysis of commercials for young children, 58 commercials were from KBS 2 in S. Korea, 51 from Nickelodeon, USA, and 69 from CTV, Taiwan, totaling 178 commercials. Differences between countries were that foods and beverages were mainly advertised in S. Korean and Taiwanese while a full range of items were evenly displayed in American commercials, and American commercials used more ordinary people in casting. Fantastic and realistic atmospheres were typical of S. Korean, realistic and explanatory of American, and explanatory of Taiwanese commercials. The commercials rarely showed an aesthetic sense or creative thinking, and the use of abusive language and aggression was ubiquitous, while some deviant behavior was also portrayed. The commercials often failed to provide useful information, and they stimulated customers to have unrealistic expectations.

• 한국의류학회지
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• 제21권5호
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• pp.880-888
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• 1997

This study was intended to analyze the perception of consumers towards TV commercials of women's clothes and variables influencing the effectiveness of the commercials. The sample consisted of 408 female students attending Ehwa Woman's university and the survey was conducted after the TV commercials were shown to the sample. Frequency, percentage, F-test, logistic regression were used for analysis. Conclusions of the study are as follows, 1. TV commercials were grouped into three image categories, Individuality, Nobility, and Activity. The commercials of the formal clothes were perceived based on nobility factor while the commercials of the casual clothes were perceived based on individuality factor by subjects. 2. Commercial image and the brand image appeared similar in three image factors. And TV commercials were more effective when two images were perceived similar. 3. The expenditures on TV commercial influenced the awareness of commercials, therefore frequent commercial drew more awareness. 4. The models on the commercials were more effective when the image of the commercials and the image of the models were perceived similar by subjects.

• 한국조리학회지
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• 제12권3호
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• pp.164-185
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• 2006

This is a study on preference and memory of TV commercials for food service products and on the processes of relevant attitudes and purchasing activities. The results of this study showed that the higher preference for commercials, the higher rate of memory and that a business with high preference for commercials had all of six variables in the process of purchasing behaviors at the high mean. In conclusion, a food service provider should consider preference to make efficient commercials for consumers in implementing commercials; such preference for commercials may be favorable for attitudes toward brand and commercials as well as for the future memory of the commercials, which have immediate effects on the future purchasing behaviors.

• 디자인학연구
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• 제14권2호
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• pp.127-136
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• 2001

The aim of this study is to examine and compare Koreans and Japanese creativities in advertising. It was to analyze empirically their creativities appreciated in 200 TV commercials broadcasted between 1992 and 1998. The content analysis, was a useful process, provided very important clues for comparative analysis. Many difference were found in the examined TV commercials in Korea and Japan. It showed major difference in ways in which the level of noise, the using of cuts, social space, camera work, etc. except preference of jingle, colors, elements of tradition. The most distinctive difference is that the Japanese TV commercials deal with atmosphere than the Korean commercials. This result may help to explain a common social phenomenon of not losing the original culture in each society, as a result of "international acculturation" and the subsequent "indigenization by adaptive change"

• 한국도서관정보학회지
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• 제39권2호
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• pp.125-146
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• 2008

이 연구는 TV 광고자료의 특성과 관련 메타데이터 요소를 비교 분석하여 TV 광고자료를 위한 메타데이터 요소설계의 방안을 제시하는데 있다. 이를 위해 먼저, TV 방송자료를 위한 메타데이터인 TV-Anytime 메타데이터나 PB 코어 메타데이터 요소를 분석하였으며, 이어서 AdForum 등을 비롯하여 광고자료를 서비스하고 하고 있는 국내외 광고전문사이트 7개를 대상으로 광고의 데이터요소를 비교 분석하여 광고자료 기술을 위한 데이터 기술요소를 추출하였다. 이를 토대로 TV 광고자료를 위한 메타데이터 기본요소를 선정하였으며, 더블린 코어를 기본으로 하여 광고자료 기술을 위해 일부 요소를 추가하고 필요한 요소들을 세분하였다. 즉, 더블린 코어의 15개 기본요소에 , , , 를 추가하여 모두 19개의 상위요소를 선정한 후, 다시 27개의 하위요소로 세분하였으며, 각 요소들에 대해 광고의 기술내용을 설명하였다. 더블린 코어의 공식 분류스킴에 의해 표현되지 않는 광고 주제분류, 광고 제작진, 광고유형, 광고 이용등급의 요소는 광고자료 요소의 특성을 반영하여 하위요소와 인코딩 스킴을 다시 설정하였다.

• 한국생활과학회지
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• 제19권2호
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• pp.343-359
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• 2010

The purpose of this study is to analyze college students' TV advertising information recognition, comprehension and affecting factors on them. Data were collected by a survey of college student consumers after experiments with TV commercials. ANOVA, Duncan, and stepwise multiple regression analysis were carried out with the gathered data. The results are as follows. First, the TV advertising information comprehension degree of the college students consumers were shown to be low, by 41.2%. The comprehension degree was especially low when the information was presented visually without any verbal expression. Second, assuming that the comprehension of TV advertisements is defined by a correct perceptual understanding after recognizing the consumer-deception factors, the percentage of correct answers was poor, by 29.2%. Third, according to sex, average monthly income, degree of immersion on TV commercials, advertisement attitude, and consumer education of school, the TV advertisement information recognition and comprehension showed varying degrees between the groups. In the case of women students whose average monthly income was 100 to 300 thousand Korean won, had a high degree of immersion on TV commercials, and a high degree of consumer education at school, the TV advertising information recognition was shown to be high. In the case of third year college students who had a medium level of immersion on TV commercials and a high degree of consumer education at school, the TV advertisement comprehension was high. Fourth, the high explanatory factor of TV advertising information recognition and comprehension was found to be common because of consumer education at school.

• 한국엔터테인먼트산업학회논문지
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• 제15권2호
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• pp.59-81
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• 2021

본 연구는 TV 광고의 어린이 및 청소년의 재현 양식의 문제점을 파악하기 위해 어린이·청소년 등장 광고를 대상으로 양적 분석(2019년 5월~2020년 4월), 질적 분석(13편 사례)을 실시했다. 구체적인 사례에 대한 질적 분석 결과, 여아의 '성적 대상화' 및 여성 청소년의 '성적 스펙터클'로서의 재현, 여성성/남성성의 고정관념을 강화시키는 재현, 여아의 기부를 목적으로 한 동정의 대상화 등의 재현 유형으로 분석되었다. 이는 기존 광고에서의 고정된 성역할 재현을 그대로 답습하고 있음을 알 수 있으며 이러한 성의 이분법적 재현은 각종 성범죄, 성불평등의 시작점이라고 할 수 있다. 'N번방' 성착취 사건의 피해자 대부분은 여성 청소년이고 이들은 이분법적인 사고로 남성들의 성적 대상으로 여겨지고 있기 때문이다. TV 광고는 고질적인 여성성, 남성성의 이분법적 재현의 일부분이다. 이러한 재현을 문제시하고 들뢰즈와 가타리의 논의를 중심으로 대안적 사유를 제시한다.

• 한국의류학회지
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• 제31권1호
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• pp.11-20
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• 2007

The purpose of this study is to analyze the various signs seen on TV commercials for school uniforms since year 2000, thus uncovering the connotative meanings in them. For this study, the semiotic approach has been used. The signs seen on the TV commercials are separated into linguistic and visual signs. They are found to have symbolic connotations. The results are as follows: First, there are plenty of signs expressing the sense of belonging to the student group and sense of conformity to his or her peer group. They are intended to garner their collective identity in the peer group of teenagers. Second, the TV commercials express the self that is realizing one's value dynamically. The frequent designation of 'I', 'me' and 'myself' represents that I am at the center of the world. Furthermore, the suggestion of diverse student roles beyond mere academic pursuits symbolically shows the ideal self that most teenagers wish to have. Third, the TV commercials implied a commercial ideology. That is expressed in the emphasis on aesthetic value that teenagers can realize their self only by consuming expensive school uniform brands. Forth, there are many signs related to appearance and appearance care. They are expressed with very specific signs such as 3 : 7 proportion, long legs, small face, and so on. Repeating or emphasizing the importance of looks and a certain brand name as the tool to accomplish better looks indicates that it contains the ideology of appearance management.

• 한국콘텐츠학회논문지
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• 제11권5호
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• pp.185-193
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• 2011

기업은 자사의 브랜드 이미지를 적절하게 구축하고 소비자에게 효과적으로 어필하기 위해 광고를 비롯한 각종 커뮤니케이션을 통한 홍보 수단을 동원한다. 방송 매체별 이용자 비율을 살펴보면, 여전히 텔레비전이 라디오, 신문, 잡지, 인터넷, DMB 등의 다른 주요 매체들에 비해 접촉률과 관심도면에서 월등함을 보여주고 있다. 이렇듯이 소비자들은 여러 매체들 중에 텔레비전을 통하여 많은 광고를 접하게 됨으로써 궁극적으로 기업의 텔레비전 광고 활동들은 브랜드 이미지에 영향을 미치게 된다. 따라서 본 연구는 국내 텔레비전 광고 표현 요소 중 영상 표현 타입을 중심으로 소비자들이 선호하는 브랜드 이미지가 무엇인가에 관하여 조사하고, 국내 텔레비전 광고 속 제품의 어떤 점이 브랜드 이미지를 형성하는데 중요한 요소로 작용하는 지에 대해 알아보고자 한 연구이다.

• 비교문화연구
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• 제21권
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• pp.113-138
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• 2010

This writing verifies ideology producing unethical stratification or discrimination targeting on Grandeur's TV commercial after 2008. And attempts to point out the utopia desired by those commercials reproduces distorted ideology at Korean society. To achieve this, the analysis model was postulated utilizing narratology and semiotics system in application of methodology. The result of discussion, is that the 2008 'Grandeur New Luxury' commercial can have utilized the inflected patriotism and sexual fantasies as the core strategy of storytelling. The fact trebly othering women's body from the point of view of gender ethics can be pointed out as the biggest problem in this commercial. 2009 'Grandeur New Luxury' frankly stimulates costumer's desire of stratum rise and possessiveness, circulating the logic 'owning a vehicle' is a proof of their existence. Also considering the meaning woman narration takes up in corresponding commercial, criticism utilizing feminine signifier as a tool to reinforce male success legend was available. Finally 2010 'The Luxury Grandeur' commercial was able to make a judgement using the mechanism of present consumption culture cleverly which Baudrilliard and Althusser has critically recognized. Because commercial images precisely utilizes the mistake called the 'phantasme-$m{\acute{e}}connaissance$' or the 'reconnaissance-$m{\acute{e}}connaissance$' that consumers easily make. Reminding TV commercials exerts control power against unspecified many sitting in front of the TV, continuous studies with same interest are needed in the future. This writing will be able to have a meaning as attempting narratological methodology for analyzing the storytelling of car TV commercials. But systemizing the criticism about the commercial as a single narrative with going through theoretical supplementation is being respected in the future.