• 대한가정학회지
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• 제44권8호
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• pp.47-61
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• 2006

The study analyzed the characteristics of the daily life and the living arrangements use of the elderly with literature review after the modernization period based on the daily life perspectives. The changes in the ideology, social system, and family system, which influenced the society and families, also affected the status of the elderly and their daily lives. Consequently, they had been facing conflicts, acceptance, and internal differentiations. The characteristics of the changes in the daily lives of the elderly in different periods were as follows. The contents were written from three different perspectives, phenomenological, symbolic interaction, and Marxist. During the modernization period, the family system and the hierarchy within a family had been reformed. However, the elderly were still considered as the symbolic leader and the respected figure of the family. From a phenomenological perspective, elderlies teach the next generations and influence the family's lives. On the other hand, from a perspective of symbolic interactions, spatial adjustment behaviors toward the largest room between the elderly and the next generation were detected. The actual authority was given to the next generation. However, the elderly were still treated as the symbolic authority. Yet, as the society became more industrialized, conflicts aroused about the support of the elderly. Those, who were neglected from the family, even spent their daily time at the elderly center or the community center. The daily lives from the Marxist perspectives suggested that modernization caused the young generations, who were well-educated and had financial powers, to have initiatives. The role of the elderly was reduced and they became negligible people, who spend meaningless daily lives. The interested the Third Ages is a new perspective on the elderly, who were neglected from the industrialized society. From a phenomenological perspective, the Third Ages are the generations that seek and demand for new housing.

• 한국의류산업학회지
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• 제16권4호
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• pp.543-553
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• 2014

This study analyzes the visual image and the symbolic image of the 'New Woman' main female characters' costumes in three films: , , and , set in the Korean Empire Period and filmed in the last 10 years. The findings are as follows. First, on the visual image by formative characteristics, Gibson girl style was reflected in Western costume design. Korean costume design is based on a traditional style (or modified in some parts). Second, the three films have the same historical background on the visual image by the fidelity of historical research; however, the fidelity of historical research differs and varies with the personality of characters or situations in the films. Third, all three films share the symbolic image by characteristics of characters and 'New Woman' aspect with the same historical background and 'New Woman' female character in common; however, the personality and 'New Woman' aspect of the characters were somewhat different. There was also a distinct difference in the symbolic image of Western and Korean costumes. Western and Korean costumes signify externality versus internality and denial versus the affirmation of national identity in ; dailiness versus ceremonialness and dynamics versus statics in ; and independence versus conformity and variability versus continuity in .

• 패션비즈니스
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• 제20권1호
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• pp.127-141
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• 2016

Korea traditional dresses are making news everyday through popular media and a number of exhibitions and fashion shows that have been held as a way to activate the use of the hanbok. This study intends to examine the current status of handbook brands and analyze the aesthetic characteristics of the hanbok. This study defined the terms related with the hanbok and examined the chronological changes in the hanbok through a literature review, an examination of the aesthetic characteristics of Korean traditional clothing, and an analysis of the aesthetic characteristics by dividing currently available hanbok brands in to the traditional hanbok. According to the results of the study, hanbok brands were divided into Traditional Hanbok, Life Hanbok, and New Hanbok. The Traditional Hanbok brands represented traditional beauty, the beauty of formality, symbolic beauty, and the beauty of nature. The Life Hanbok brands represented symbolic beauty, natural beauty, the beauty of blending, and the proportional beauty. The New Hanbok brands represented natural beauty, unproportaional beauty, the beauty of line, and the beauty of moderation. Therefore the New Hanboks gave changes to the traditional clothing and the unique clothing of our nation. Its formative elements coexist according to their characteristics.

• 한국의류학회지
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• 제26권2호
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• pp.205-215
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• 2002

The purpose of this study was to identity the relationship of clothing involvement, consumer characteristics, and clothing buying behavior of college female students in China. A questionnaire was developed to measure clothing involvement, materialism, conspicuous consumption, reference group influence, clothing purchasing modes, fashion information sources. The questionnaire was administered to 390 college female students in Dandong of china. The data were analyzed using percentage, frequency, factor analysis, and t-test. The results of the study were as follows: 1. Subjects were divided into low clothing involved and high clothing involved groups according to the level of clothing involvement. 2. Three dimensions of materialism were derived by factor analysis such as Happiness-pursuing, Life-centered, and Sucess-symbolic. And three dimensions of conspicuous consumption and reference group influence were derived by factor analysis such as luxury oriented, Status symbolic, Brand-name oriented, and Comparative, Informational, Normative exactly. Clothing purchasing motives and fashion information sources were factor analysed as Social and Individual mole, and Printed & Electric-wave media, Marketer managed, Personal exactly. 3. There were significant differences between high involved and low involved consumers in consumer characteristics and clothing purchasing behavior. The high involved consumers showed more importance than low involved consumers about materialism especially in Happiness-pursuing about conspicuous consumption in status symbolic and about influence of reference group in comparative. The high involved consumers put more importance than low involved consumer individual motive as clothing purchasing motive, and marketer managed in clothing fashion information. The high invoked consumers showed more importance than low invoked consumers about evaluating attributes of product, and about store patronage criterion.

• 한국HCI학회논문지
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• 제13권3호
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• pp.17-33
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• 2018

사람들은 시각을 통해 대상물의 형상, 크기, 색, 표면 재질 등과 같은 미적기능을 처리하는 것과 동시에 과거의 자신의 경험을 결합시켜 새로운 심리적 해석을 통한 상징적 기능으로서 대상물을 바라보기도 한다. 그렇기 때문에 단순히 사람들이 눈을 통해서 무엇을 보고 있느냐가 중요 한 것이 아니라 눈으로 받아들이고 이해한 것이 사람들에게 어떤 생각과 느낌과 심리적인 영향을 불러오는 것인가를 연구하고 이해하는 것이 매우 중요하다고 할 수 있겠다[15]. 이러한 연구목적의 하나로서 본 연구에서는 상징적 기능으로서 아날로그 이미지와 디지털 이미지의 인지적 특성이 무엇인지를 "형태적 관점"에서 디테일하게 밝혀내려 하였다. 그리고 다섯 가지 가설을 세우고 다음과 같은 실험을 진행하여 가설을 검증하였다. 우리주변에서 가장 많이 사용되고 있는 스마트폰을 2차원형상의 선화(線?)로 단순화하고 그 스마트폰 2차원형상의 가로라인에 R(radius)값이 부여되었을 경우와 런인알(run-in-r; radius)이 부여되었을 경우 그리고 그 도형들의 모서리에 R(radius)굴림이 적용 되었을 경우를 설정하고 12가지 짝(pair)을 이룬 도형의 조합을 실험방법으로 고안하여 피험자들에게 실험을 실시하였다. 그 결과 몇 가지 인간의 특징적인 현상을 발견할 수 있었으며, 특히 어떤 형상에서 사람들은 상징적 기능으로서의 아날로그이미지와 디지털이미지를 심리적으로 강하게 인지하는지를 객관적으로 검증할 수 있었다. 이와 같은 연구를 통해 얻어진 사람들의 생각과 느낌들을 확정된 하나의 가치로서 데이터베이스화 하여 제품디자이너들에게 제공할 수 있다면 소비자들이 원하는 기초적인 감성 디자인으로서 디자인형상에 응용할 수 있을 것으로 생각된다.

• 한국조경학회지
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• 제31권4호
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• pp.39-48
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• 2003

The Office of Korean National Railroads announced a design competition for Kwangyang Station and sought design proposals in October of 2002. The authors collaborated on a landscape design for Kwangyang Station and earned first prize in the competition. The Office decided to construct outdoor public spaces of Kwangyang Station for railroad users, visitors and staff, and local residents. The landscape design covers the following: site inventory and analysis; integration of design program and site analysis; evaluation of design concept; selecting a winning design alternative; schematic design including circulation form and spatial form; and design development including subarea design. In the design process, the authors focused on the integration and interpretation of site conditions as related to the Kwangyang Station building. They also collectively analyzed and considered the physical development of the outdoor spaces of Kwangyang Station. The following are some of the major areas in the design of the outdoor spaces of Kwangyang Station: 1) a plaza for waiting, 2) an entry area for passengers, 3) a train cafeteria, 4) a cultural plaza, 5) an image wall, and 6) a symbolic pond. The plaza for waiting is created as a place for users to wait and rest. The entry area for passengers provides an area for pedestrians approaching, passing and strolling. The train cafeteria features trains, lawns, grasses and trees. The cultural plaza is a main area representing the regional characteristics of Kwangyang. This plaza also provides an area for various public events. The image wall is meant to be an exhibition space for displaying the advancements of Korean National Railroads in sculptural image forms. The symbolic pond consists of an area with symbolic water features and several sculptures with artistic value. In the authors' design, the outdoor spaces of Kwangyang station are created as a new type of public realm with function, regional quality, original identity, cultural context, symbolic meaning and images, and beauty. The designed spaces would be one of the most representative places of interest and attraction in Kwangyang.

• 한국실내디자인학회논문집
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• 제26권3호
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• pp.25-33
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• 2017

The purpose of this study is to analyze the characteristics of interior space in his design hotel through the analysis of Tony Chi 's work and to present the direction of the design direction of the interior space of the design hotel in the future based on the results. The results are summarized as follows. First, the characteristics of the interior space of Tony Chi are divided into visual balance, repetitive rhythm, symbolic emphasis, exaggerated scale, design harmony, and physical borderlessness. Second, the spatial composition through visual balance was consistently shown in all cases, mainly by arranging elements such as furniture and lighting symmetrically. Third, the spatial composition through repetitive rhythm did not show its characteristics at the beginning of the works, but gradually appeared as repetitive rhythm expression using bold pattern. Fourth, Toni Chi constantly expressed the space composition through symbolic emphasis during the planning of the design hotel. Fifth, the exaggerated scale was mainly used to express the architectural detail vertically according to the height of the ceiling to express a grand space and appear in many works. Sixth, Toni Chi consistently expressed the composition of space through the harmony of design of oriental and western cultures, classical and modern designs in all cases. Seventh. In order to provide curiosity induction and aesthetic experience, spatial composition through physical borderlessness was used.

• 대한전기학회:학술대회논문집
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• 대한전기학회 1995년도 하계학술대회 논문집 C
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• pp.1140-1142
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• 1995

The transformer is fabricated with two piezoelectric vibrator with the divided electrodes and adhesive insulator. We applied the electric input to the driving vibrator in parallel and connect the output voltage to the generating vibrator in series to the resistor load near its fundamental resonance frequency. Then we investigate output voltage in series twice as large as in parallal. Moreover we investigate the load characteristics at resonance frequencies under various resistor and the frequency characteristics near the resonance frequency under no load. Its equvalent circuit is derived from the Mason's model of a thickness-driven piezelectric vibrator. By its equevalent circuit, symbolic expressions for input impedances, voltage ratios, resonance frequencies, and bandwidths have been derived. The values calculated from those symbolic exprssions are shown to agree well with the measurement values.

• The International Journal of Costume Culture
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• 제4권3호
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• pp.203-216
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• 2001

Subjects were 405 female college students and 505 was utilized for structural equation modeling. As results, hedonic shopping value had positive effects on impulse purohasing, variety seeking, and purchasing involvement. In contrast, interestingly, impulse purchasing did not show any significant effect on brand loyalty and purchasing involvement had rather a positive effect on brand loyalty. There was a Positive effect of hedonic shopping value on brand loyalty. This result indicates that people who get more involved in and enjoy clothing shopping are likely more brand loyal than others. This seems to come from the intrinsic characteristics of shopping. People who enjoy clothing shopping likely have high level of fashion or style concern, and this might lead higher levels of purchasing involvement and brand loyalty. Due to the symbolic characteristics of clothing, the brand loyalty of clothing seems to be more symbolic and emotive rather than utilitarian and cognitive.

• 대한전기학회:학술대회논문집
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• 대한전기학회 1994년도 하계학술대회 논문집 C
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• pp.1283-1285
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• 1994

A three-layered piezoelectric ceramic transducer is fabricated with three piezoelectric ceramic disk transducers and two sheets of thin insulator. Its equvalent circuit is derived from the Mason's model of a thickness-driven piezoelectric transducer. We applied the electric input near its fundamental resonant frequency to the center transducer and connect the output voltages across the left and right transducers in series to the resistor load. Then we investigate the load characteristics at resonant frequencies under various resistor loads and the frequency characteristics near the resonant frequency under no load. Moreover, symbolic expressions for input impedances, voltage ratios, resonant frequencies, and bandwidths have been derived. The values calculated from those symbolic expressions are shown to agree well with the measurement values.