• 패션비즈니스
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• 제16권4호
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• pp.152-165
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• 2012

The purpose of this study was examining the preference difference of the necktie design for the stripe patterns according to the demographic characteristics. The study method was a research study through a survey. The study subject was the adult men in their from 20's to 50's. The study stimulative was the stripe patterns of man's necktie which were made by Adobe Photoshop 9 with using the color, the arrangement, the interval, and the width of necktie. The results of study are as follows. As the difference analysis result for the color preference for stripe pattern according to the demographic characteristic, men in their 20's preferred most gray series, men whose monthly income is less than two millions won and men of owner-operator preferred most red series, and all the rest of men preferred blue series. As the difference analysis result for the preference of arrangement type, men in their 20's preferred most the stripe pattern of width, students preferred most the stripe pattern of length, all the rest of men preferred most the stripe pattern of diagonal. As the difference analysis result for the preference of stripe interval for necktie, unmarried men, students, men in their 20's, and men engaging in sales/service and production work preferred most the interval of 0.6cm, all the rest of men preferred most the interval of 1.2cm. As the difference analysis result for the preference of necktie width, unmarried men, men in their 20's, men engaging in sales/service and production work, and students preferred most the width of 7cm, all the rest of men preferred most the interval of 8cm.

• 감성과학
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• 제15권2호
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• pp.193-200
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• 2012

본 연구의 목적은 넥타이의 폭, 스트라이프의 배열과 면적비에 따른 소비자 감성을 알아보는 데 있었다. 본 연구의 측정 도구는 자극물과 소비자 감성 척도로 이루어져 있었다. 자극물은 넥타이 폭(좁은, 중간, 넓은), 스트라이프 배열(가로, 세로, 사선), 스트라이프 면적비(1:1, 1:2, 1:3)로 된 27개의 컬러 그림으로 조작되었으며, 소비자 감성은 7점 척도를 사용하였다. 자료는 서울, 광주, 대구, 진주, 창원 등지에 거주하는 20-30대 성인남녀 270명을 대상으로 하여 2011년 11월에 수집되었다. 자료 분석은 SPSS프로그램에 의해 변량분석과 Duncan-test가 사용되었다. 본 연구의 결과는 다음과 같다.; 넥타이의 폭, 스트라이프의 배열과 면적비에 따른 소비자 감성은 매력성, 품위성, 개성, 능력성, 활동성의 5개 차원으로 구성되었다. 넥타이 폭은 매력성, 품위성에서 독립적인 효과가 나타났다. 스트라이프 배열은 매력성, 품위성, 개성, 능력성에서 독립적인 효과가 나타났고, 스트라이프 면적비는 품위성에서 독립적인 효과가 나타났다. 또한 넥타이 폭과 스트라이프 면적비는 능력성에서 상호작용효과가 나타났다. 이러한 연구 결과는 넥타이 상품 기획 시 유용한 자료가 될 수 있을 것으로 기대한다.

• 복식
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• 제59권4호
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• pp.67-81
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• 2009

This study aims to characterize the effect of different combinations of chromatic-achromatic colors and 1:2:3 area-ratio variation of stripe necktie, and gender on the image of male wearer. The experimental materials developed for this study are a set of stimuli and response scales. The stimuli consist of 84 color pictures manipulated with every combination of 12 different colors and 7 different area-ratio. The 7-point scale designed for visual evaluation of image formation included 26 bipolar adjectives. The subjects were 2016 undergraduate students in Gyeongnam, Seoul, Busan, and Daegu areas. The results of this study were as follows. The analyses of images of male wearer in terms of combinations of chromatic-achromatic colors and I :2:3 area-ratio variation of oblique stripe necktie reveal that the concerned factors are of five characteristic dimensions of youth-activity, ability, attractiveness, appeal, and warmness. In addition, it has been found that individual images of male wearer are affected by observer's gender as well as combinations of chromatic-achromatic colors and 1:2:3 area-ratio variation of stripe neckties and that those images vary with every combination of each factor. The study results are highly expected to be used as useful sources in developing necktie designs.

• 감성과학
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• 제11권3호
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• pp.325-338
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• 2008

본 연구는 남녀 대학생을 대상으로 유채-무채 배색, 면적비, 성별이 남성복 착용자의 이미지에 미치는 영향을 규명하고자 한다. 이들 단서로 사용된 84개의 자극물에 대한 이미지를 평가하기 위해 경남, 서울, 부산, 대구 등지에 거주하는 남녀 대학생 2016명의 피험자를 대상으로 하였으며 26쌍의 의미미분척도를 요인 분석하여 이미지 차원을 밝혔다. 그 결과 이들 단서들이 어떻게 조합되어 이미지에 영향을 미치는지 규명하였으며 다음과 같은 결론을 얻었다. 유채-무채 배색, 면적비, 성별에 따른 3색 사선 스트라이프 넥타이 착용자의 이미지 차원은 젊음.활동성, 능력성, 매력성, 현시성, 온유성의 5개 차원으로 도출되었으며, 유채-무채 배색, 면적비, 지각자의 성별이 이미지 형성에 미치는 영향은 이미지 차원에 따라 차이를 나타내었다. 이러한 연구결과는 넥타이 디자인 기획 시 소비자의 감성을 충족시킬 수 있는 자료제시가 될 것으로 본다.

• 복식문화연구
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• 제7권5호
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• pp.80-92
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• 1999

The objectives of this study were to investigate the relation between personality(activity, emotional stability, and dominance) and clothing design preferences, and to examine the differences of clothing design preferences according to demographic variables of men. Subjects for the study were 255 male white-collar workers ranging in ages from twenties to fifties, in Seoul and Kwangju City, Korea. The men with higher activity of personality preferred the double jacket with 4 buttons, the combination of light color jacket and dark trousers, glen check pattern jacket, herringbone pattern jacket, light beige color dress shirts. The higher the emotional stability, the higher the preferences on diverse patterns such as fine stripe, plaid, hound\`s-tooth check, and small check pattern. The men with higher dominance preferred dark blue color suit, glen check pattern suit, and necktie of red circle, and disliked the necktie of gray circle. The men in their 20\`s and 30\`s liked the single jacket with 3 buttons, the suit of fine stripe and the necktie of gray circle more among three income groups. The higher the men\`s age and income were, the more they liked the conservative style such as a single jacket with 2 buttons. The men who reside in Seoul liked the suit of gray circle, the jacket and trousers of same color, the patternless jacket, and the patternless suit more than the men in Kwangju. Therefore, the men in methropolitan area preferred conservative clothing image. Fine stripe pattern and patternless materials were preferred when men wore jacket and trousers of same color, while glen check pattern was preferred as the pattern of jacket when jacket and trousers of different color. Male white-collar worker liked single jacket more than double jacket, and preferred the dark blue color suit and necktie, patternless suit, fine stripe suit, and the pale blue dress shirts generally. The present findings provide that the personality of male has influence on the clothing design preferences, and it is possible to infer men\`s personality by their attire.

• 한국의류학회지
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• 제20권5호
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• pp.753-768
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• 1996

The purpose of this study is to find out the effect of suit color, necktie color and necktie patterns on the men's suit image formation. The experimental materials developed for this study were a set of stimuli and response scales. The stimuli were 28 color pictures manipulated with suit color, necktie color and necktie patterns by computer drawing. The experimental design consists of 3 factorial design; 1) suit color (navy blue, beige), 2) necktie color (analogous, complimentary color), 3) necktie patterns (plain, dot, stripe, check, paisley, floral, abstract) The 7-point semantic differential response scale designed for visual evaluation of men's suit image on suit color, necktie color and necktie patterns were composed of 34 bipolar adjectives. The subject are 150 female undergraduate students in Chin-ju city. They responded twice to 14 stimuli at random order The result of this study are as follows; 1. By analyzing the responses of the subjects, 4 factors emerged in the dimensional structure of the men's suit image formed by suit color, necktie color and necktie patterns. The 4 factors are charm, potency, uniqueness and tenderness. Among these, charming and potential factors proved to be more important. 2. necktie color, suit color and neckite patterns had the significant effect on the formation of men's suit image. In the charm image, only necktie patterns were proved to be the most dominant variable. The most dominant variable in the potencial and unique image was necktie color and second to it suit color was important. But suit color was most significant in the image of tenderness. 3. In the effects of interactions between each variables, the combination of suit color and necktie color wins more significant than that of suit color and necktie patterns and that of necktie color and necktie patterns, but in the image of tenderness, only the combination of suit color and necktie color was more significant. In the interaction of suit color, necktie color and necktie patterns, the potential factor didn't have the significant effect.

• 감성과학
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• 제12권1호
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• pp.65-76
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• 2009

본 연구는 남녀 대학생을 대상으로 동일색조 코디네이션과 1:2:3면적비 변화에 따른 스트라이프 넥타이의 감성이미지와 상호작용효과를 알아보고자 한다. 이들 단서로 사용된 56개 자극물은 4가지 색조합, 2가지 색조, 7가지 면적비로 구성되었고, 감성이미지는 26개의 형용사쌍에 대해 7단계로 평가되었다. 조사대상자는 경남, 서울, 부산, 대구 등지에 거주하는 대학생 1344명의 피험자로 하였으며, 그 연구결과는 다음과 같다. 동일색조 코디네이션과 1:2:3면적비 변화에 따른 스트라이프 넥타이의 감성이미지를 요인분석한 결과 매력성, 젊음 활동성, 현시성, 능력성, 온유성의 5가지 차원으로 도출되었다. 색조합과 색조는 감성이미지의 모든 요인에서 독립적인 영향을 나타내었다. 또한 색조는 면적비와 상호작용하여 현시성과 능력성 요인에서 두드러진 단서로 작용하였다. 성별과 면적비는 젊음 활동성 요인에서, 성별과 색조는 온유성 요인에서, 색조합과 색조는 현시성과 온유성 요인에서 상호작용효과를 나타내었다. 이러한 연구결과는 남성 코디네이션을 위한 효과적인 기초자료로 활용될 것이다.

• 복식문화연구
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• 제15권5호
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• pp.760-769
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• 2007

Cultural commodity is a tourism souvenir for tourists with a high added value in terms of economy. When it excellently represents the region and is based upon its tradition, the positive images of the place can be originated. In this way, the formation of benevolent images has economically considerable effects that can promote the competitive power of the area. The purpose of this study is to develop the pattern design of cultural commodity related to Hampyeong Butterfly Festival. The software to be used is Adobe illustrator CS2, which is a Vector Graphic software, and by utilizing the program, the pattern for the cultural goods will be produced. The forms of the pattern are All over Pattern, which is one of the arrangement methods used the most in a necktie field, and Stripe Pattern. After designing with those two patterns, the design is applied on neckties. Like this, by designing through the Vector Graphic software which we can easily get an access to, the concept of design is visualized; therefore, we can prevent the commodity development that can be conducted out of the concept. By making it possible to visualize the examination by various forms or color mixture, the time is shortened, and throughout reproduction of the object, adjustment of the size, colorway, and reusing or remanufacturing the image, we can check the result of design before hand to reduce the time and expenses required.