• 한국문화재보존과학회:학술대회논문집
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• 2004.10a
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• pp.1-14
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• 2004

World state of the arts of the conservation of stone monuments is reviewed and the modern conservation program based on conservation science is proposed for the scientific conservation of stone monuments in Korea. The conservation program suggests that the site environment diagnosis, decay diagnosis, petrophysical property analysis, and conservation experiment should always be carefully studied before conservation treatment. It is an up-to-date widely accepted concept in the world of stone conservation science. Our urgent national tasks that should be accomplished for the scientific conservation of stone monuments in Korea are proposed in the following: 1) The stone monument conservation projects should be planned in accordance with 'Conservation Concept of Stone Cultural Properties' and executed in accordance with the proposed 'Conservation Program for Stone Cultural Property' based on conservation science. 2) It is proposed that 'National Institute of Conservation Science for Cultural Properties' be established for systematic conservation research on the tangible cultural properties. 3) The conservation projects of stone monuments should be executed under the control of stone conservation specialist for their quality control. 4) Special national budget should be prepared for quick development of researches on conservation science in Korea.

• Conservation Science in Museum
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• v.23
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• pp.31-48
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• 2020

Conservation treatment of stone cultural properties in the open air is mainly conducted by companies specialized in conservation treatment. This study presents cases of conservation treatment of stone cultural properties housed outdoors in Seoul, including the Three-story Stone Pagoda at Nakseongdae in Gwanak-gu. The present condition of and damage to stone cultural properties are investigated and the materials and techniques used for conservation treatment are presented. The contamination on the surface of stone cultural properties located in downtown areas shows features specific to the related areas, meaning each case requires tailored conservation techniques. This study is expected to serve as reference for future conservation treatment of stone cultural properties in Seoul as well as others in museum collections exhibited outdoors. It is hoped that the cases presented in this study can become widely known to people in charge of conservation treatment in the private and public sectors to improve the quality of conservation treatment applied to stone cultural properties.

• 보존과학연구
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• s.25
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• pp.93-117
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• 2004

The stone cultural properties durability is the falling. So the conservation is easy relatively. But the conservation countermeasure of the stone cultural properties the environment pollution needed urgently as extreme. I will find out about the stone cultural properties Through the example of Restoration and conservation treatment about Bowonsabeobin-guksaboseungtap in the paper. Damage reasons of the stone cultural properties are a physical damage, a structural damage, a biology damage, a chemical damage and artificial damage. The moisture plays especially the role which damage is make the stone cultural properties. The stone cultural properties is damaged due to damage reasons. So we investigate the stone cultural properties and must remove damage reasons. Bowonsabeobin-guksaboseungtap is funerary stupa of buddhist monk with circleorientedoctagon in Geryeo Period. There is the open air. Parts of it were damaged by grave robbery in 2004. So restoration was begun in 2004.While restoring it, wrong arrangement on top of the monk-stupa was rearranged. After being arranged in right order, the middle of monk-stupa was fixed by setting up stainlesssteel shaft. A roof stone of stupa finial has cracks. So It was adhered with epoxy resin(L-30) and was washed with distilled water for pollution clearing. The stone cultural properties takes the influence of the environment pollution much because it stays at the fields. It is easy also to be robed. Therefore we must watch more with the concern.

• Journal of Conservation Science
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• v.37 no.6
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• pp.778-790
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• 2021

The Stone Seated Buddha Triad and Stone Standing Buddha in Bijung-ri are state-designated heritage (treasure) statues having the Buddha style of the Goryeo dynasty from the 6th century. Conservation scientific investigations were conducted to understand the preservation status of these stone Buddha statues and to establish a conservation plan. The Stone Seated Buddha Triad and Stone Standing Buddha are composed of fine-medium grained biotite granite, which is considered to be of the same origin owing to their low magnetic susceptibility distribution of less than 0.2 (×10^-3 SI unit) and similar mineral characteristics. The Stone Seated Buddha Triad has highly homogenous mineral composition and particle size, whole-rock magnetic susceptibility, and geochemical characteristics very similar to those of the nearby outcrop. It was confirmed that a combination of physical, chemical, and biological factors affects the Stone Buddha statues. In particular, both the Stone Seated Buddha Triad and Stone Standing Buddha tend to be chipped off from the front and cracked and scaled from the back. The Stone Standing Buddha located outdoors experiences granularity decomposition and black algae formation, which accelerate the weathering under unfavorable conservation environments. The result of non-destructive physical property diagnosis using ultrasonic velocity showed that both the Stone Seated Buddha Triad and Stone Standing Buddha have been completely weathered (CW), indicating very poor physical properties.

• 한국문화재보존과학회:학술대회논문집
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• 2004.03a
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• pp.1-8
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• 2004

• Conservation Science in Museum
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• v.3
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• pp.37-42
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• 2001

The Stone Lamp from Hyeon Hwa Temple is an important piece of buddhist art from the Koryo Dynasty (initiated by King Hyun-Joung). It provides an insight into stone-art techniques employed during the Koryo Dynasty, and serves as an authentic example of work from that period, which had both a refined style and artistic integrity. However, the stone lamp was dismantled and has been stored at the National Museum of Korea since 1986. This was because it was severely damaged, as a result of exposure to an outdoors environment. This article discusses the conservation of the stone lamp, which was carried out by conservators at the National Museum of Korea. It was prepared for a new display of the lamp to the public. The conservation process can be briefly described as follows: Cleaning (this includes the removal of previous repairs that were made), the re-attachment of the object's original fragments, and the gap-filling of missing parts. After its conservation, the object is in a much better condition and ready to be displayed once more. What is more important, in terms of the long term preservation of the stone lamp, is that the condition of the stone lamp needs to be continuously monitored, and appropriate conservation actions should be taken as necessary.

• 한국문화재보존과학회:학술대회논문집
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• 2005.11a
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• pp.104-110
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• 2005

• 한국문화재보존과학회:학술대회논문집
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• 2007.05a
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• pp.65-66
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• 2007

• 보존과학연구
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• s.32
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• pp.99-112
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• 2011

The three-storied stone pagoda located in Seungansaji temple site consists mainly of medium to fine-grained biotite granite and granitic gneiss, and partly macrocrystalline gneiss, muscovite gneiss and gabbro. The surface of the stone pagoda is extensively colonized by lichen and moss due to surrounding trees and lawns, and severly deteriorated. Therefore, a comprehensive deterioration diagnosis has been carried out and conservation treatment was conducted in this study. For the conservation treatment, dry cleaning is performed throughout all the surface of the pagoda for naturally grown lichen and biological contaminants using a soft brush and wooden knife. Crustose lichen strongly adhere to the surface was removed by wet cleaning using distilled water. Also, protective railings were reinstalled to an appropriate height with taking the distance from the stone pagoda into account. Finally, the ground around the stone pagoda was repaired with clay sand, and dike was installed with a natural gradient to facilitate water drainage.

• Conservation Science in Museum
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• v.26
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• pp.1-12
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• 2021

The bisphenol A epoxy resin currently used for the conservation of stone cultural heritage items is known to suffer from yellowing discoloration. In order to mitigate this yellowing and explore the availability of more diverse materials for the conservation of stone cultural heritage items, a hydrogenated Bisphenol A-based epoxy resin was prepared and compared with the epoxy resin currently used in the conservation treatment of stone cultural heritage items. The newly prepared epoxy resin showed improved physical properties relative to the existing materials, especially in terms of tensile strength, adhesion, and machinability, while the yellowing discoloration was reduced by a factor of roughly five to eight. The results suggest that epoxy resin could be used as a stable material for the conservation treatment of stone cultural heritage items, most of which are located outdoors.