• 말소리와 음성과학
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• 제1권2호
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• pp.119-128
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• 2009

Many researchers have argued about the relationship between information structure and intonation. Their results can be summarized in three main points: the intonation of topic and focus in English information structures is implemented as i) a pitch accent, ii) a tune (a pitch accent + (an) edge tone(s)), or iii) a boundary tone. The purpose of this paper is to study various intonational patterns of topic and focus in English information structures, using natural conversations. In this paper, the types of topics and foci are divided, based on contrastiveness. The topics are classified as five non-contrastive and four contrastive topics. The foci are classified as neutral focus, informational focus, and contrastive focus. The results show that the intonation of the topic in English information structures is mainly implemented as a pitch accent, except for the type of the pronoun topic (Lp) which is not implemented as a pitch accent or a tune. However, the intonation of the focus is implemented as a tune in the neutral focus (Fn) and as a pitch accent or a tune in the informational focus (Fi) and the contrastive focus (Fe). In our discussion and conclusion, we suggest that it is not always true that for the meaning of contrast, the topic or the focus is represented as a $L+H^{\ast}$ pitch accent, which has been the main contrastive intonation from earlier studies.

• 음성과학
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• 제10권2호
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• pp.303-318
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• 2003

This paper attempts to investigate the tonal implementations of English stress clash, arguing that a preceding stress shifts leftward when two lexical stresses conflict across word boundaries or that H* and L* pitch accents are alternatively manifested on the stressed syllables, establishing intonational peak and valley contours. We claim that the H*/L* alternation might be a tonal strategy to avoid stress clash, and that pitch could be solely manipulated to display a rhythmic effect with maintaining lexical stress. In the experiment, we examined two-word combinations whose boundaries involve stress clash, and divided them into two categories. One has the preceding words involving a heavy syllable ahead of stress to guarantee the place for a shifting stress and the other, a light syllable, in which case stress shift is completely prevented. We analyzed the distribution of pitch accents in the word combinations, focusing on the pitch configurations in the cases where stress should not be shifted. Results show that approximately 50% of the stimuli show stress shift in the heavy syllable combinations of the preceding words; the preceding stress is moved leftward within the word. The other 50% and the light syllable combinations show various pitch accents patterns; H* and L* alternation, deaccentuation of either stressed syllable, or L-insertion between two H* pitch accents, etc. We interpret this as a rhythmic effect of tone to avoid stress clash and suggest that a true stress clash would be confined into cases without H*/L* contours.

• 음성과학
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• 제10권2호
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• pp.319-338
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• 2003

The aim of this paper is to examine the sentence final tonal patterns of English wh-questions through phonetic experiments, based on Intonational Phonology, and to explain the meaning of the final phrase tones of English wh-questions. Pierrehumbert and Hirschberg (1990) suggested that it is pitch accents rather than boundary tones which play a crucial role in the meaning of a sentence, and that most of the general questions have H-H% tonal patterns in the sentence final. However, they could not explain why wh-questions had final falling tonal patterns (L-L%). While Bartels (1999) suggested that L phrase tone has the meaning of 'ASSERTION' and it could be applied to the explanation of the meaning of wh-questions' final tonal patterns. However, her suggestions are only theoretical explanation without any experimental support. In this paper, based on Bartels (1999), the data was classified into the following three classes: 1) echo wh-questions, 2) reference questions, and 3) common wh-questions. Using this data, a production test by three English native speakers was conducted. The results show that reference questions and common wh-questions have L phrase tones in the sentence final at a high rate, and echo wh-questions have H phrase tones in the sentence final at a high rate.

• 음성과학
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• 제8권2호
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• pp.149-163
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• 2001

This paper investigates the manner in which various. syntactic structures with a single meaning implement a consistent intonational pattern by examining English conditional clauses. In the phonetic experiment, we explore the edge tones in three different syntactic clauses which are semantically interpreted as a single conditional meaning (an if-clause, a clause with no if. and a clause with no if but followed by and) and compare them with the edge tone realized in a clause which is not interpreted as a conditional meaning. We also investigate the tonal differences resulting from the semantic difference between conditional and non-conditional meanings. That is, the conditional clauses expressed in three different syntactic structures show a consistent intonational pattern in their clausefinal boundaries; a rising contour (H- or H%) is realized at the edge of the intermediate phrases (ip) or intonational phrases (IP) in 89% of the if-clauses, 72% of the clauses with no if, and 79% of the clauses with no if but followed by and. On the other hand, 82% of the non-conditional clauses have a falling contour (L- or L-L%) in their final edge. Statistically, Chi-Square tests show that these percentages are all significantly higher, which suggests that a conditional meaning implements a consistent intonational pattern though it is expressed through different syntactic structures. Therefore, the result supports Bolinger's (1989) claim that intonation makes an important contribution to discourse interpretation.

• 말소리와 음성과학
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• 제9권4호
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• pp.77-89
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• 2017

This study investigates the phonetic meaning of clarity and turbidity(淸濁) that has been used in psychoacoustics, musicology, and linguistics in both the East and the West. With a view to clarifying the phonetic meaning of clarity and turbidity, this study conducts three perception tests. First, 34 subjects were asked to take one of Clear and Turbid by forced choice for 5 pure and complex tones, respectively, ranging from A2 to A6 differing by octave. Second, they were asked to select between the two choices for 25 pure and complex tones, respectively, ranging from A2 to A4 differing by semitone. Third, they were asked to opt for one of the two choices for 8 different vowels of different formant and fundamental frequencies. Results showed that there is a certain range of tone which is perceived as clear, that clarity level increases as fundamental frequency increases, and that pure tones have a higher level of clarity than complex ones, fundamental frequency being equal. Results also showed that vocal tract resonance enhances clarity level on the whole, and that lower vowels have a higher level of clarity than higher ones. This study is significant in that it demonstrates that clarity level is proportional to fundamental frequency and the first formant frequency, all else being equal.

• 말소리와 음성과학
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• 제3권3호
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• pp.69-75
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• 2011

This paper investigates phrase positional effects on the timing of F0 (pitch) peaks in Tokyo Japanese disyllabic words with varying accent type (HL or LH) and phrase position (final or non final). The F0 peak timing was normalized by the total word duration ('normalized H timing'). The normalized H timing was significantly affected by accent type and phrase position. The H timing was later in the LH accent type than in the HL accent type, and in non final positions than in final positions. In addition, to examine the validity of the quantitative results, different models of phrase position effects were compared by measuring H timing in two approaches: normalization versus relative distance measures. For the normalization measures, the H timing was measured as the time of the F0 peak divided by the total word duration or by the duration of the tone bearing syllable. For the relative distance measures, the H timing was measured as the distance in milliseconds from the end of the word or from the end of the associated syllable. The best model was the normalization by the total word duration, rather than by the duration of the tone bearing syllable. This means that phrase positional effects on the timing of F0 peaks in Japanese disyllabic words are best modeled in terms of proportion of the total word duration.

• 말소리와 음성과학
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• 제1권1호
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• pp.87-91
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• 2009

The purpose of this study was to examine the characteristics of prosody of utterance of ambiguous sentences in patients with neurogenic communication disorders. Ambiguous words on which prosody may have an impact were used to investigate this matter. The characteristics of tone duration, pitch and intensity were analyzed to examine the characteristics of prosody in patients with lesions in the left or right hemisphere and normal controls. The whole process was recorded using a Praat 4.3.14 and for statistical analyses, two-way Anova and multiple comparative analyses were carried out using SPSS10.0 for Windows. The conclusions of this study are as follows: The length of vowel in homograph in Korean was different depending on the meaning and the duration of vowel was the longest in patients with lesions in the left hemisphere. There was agreed that they had problem of timing of prosody(Danly & Shapiro, 1982). On the other hand, there found that patients with lesions in the right hemisphere had deficiency of changeability in pitch. Among various acoustic parameters, this study focused on the duration which are closely related to suprasegmental characteristics of prosody. More acoustic parameters should be taken into account in future studies.

• 음성과학
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• 제7권4호
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• pp.203-217
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• 2000

In spoken language, the characteristics of prosodic realization are related to the meaning of utterance. The pitch pattern of an interrogative sentence which differs from that of declarative sentences can be considered in this respect.. If we consider the question-answer pair, we can find that the most important variation comes from the intended meaning of asking. In this paper, we experiment with four kinds of interrogative sentences and show that the difference in pitch patterns of interrogative sentences can be explained in relation to the focus phenomena that is, the differences of the boundary tones in interrogative sentences are due to the differences in the prosodic domain of focus. For a relevant explanation with the focus phenomena, we divided focus into the categories: emphatic focus, which plays a role in delivering the speaker's intended meaning for the sentence interpretation, and informational focus, delivers the central intended meaning of the utterance. The results can be summarized in three points. First, High boundary tone delivers the meaning of asking. Second, the realization of different boundary tones that are found in wh-question and alternative question are just phonetic variations caused by focusing. Third, the high rise boundary tone in echo questions is related to the meaning of surprise or incredulity, and this relation is a consensus of existing opinion, that is, the speaker's attitude of surprise can raise the pitch range. From these results we can distinguish between boundary type and phonetic variation, and we can also give appropriate meaning to the different boundary tones in interrogative sentences that have been regarded as merely a part of sentence type.

• 음성과학
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• 제9권3호
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• pp.47-59
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• 2002

A new brilliant service using human-voice and DTMF (Dual Tone Multi Frequency) technique is expected nowadays in order to obtain valuable information on the internet more easily. VoiceXML (Voice eXtensible Markup Language) is the right choice that makes the new service possible. In this paper, the design and implementation of IVR (Interactive Voice Response) server using VoiceXML is described, where it connects with internet and IVR server efficiently. IVR server using VoiceXML is composed of two groups: VoiceXML document handling and VoiceXML execution. Scenario part of IVR server corresponds to VoiceXML document, the execution is performed by VoiceXML execution.

• 음성과학
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• 제6권
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• pp.119-143
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• 1999

In this paper, the development of English Intonational Phonology is introduced. The existing representation systems of intonation are largely divided into the American structuralist school and the British school, which describe intonation by means of 'levels' and 'configurations' respectively. Both representation systems have some theory-internal problems, however. As for the American school, there is no way to represent pitches much lower than the reference line, while the system of intonation in the British school is limited in that intonation is described in a phonetic impressionistic way rather than from a phonological perspective. Intonational Phonology, a real phonological approach, which has grown out of the basic assumptions of autosegmental-metrical(AM) theory has been suggested by Pierrehumbert(1980). In her approach, an intonational tune is made up of one or more pitch accents, followed by an obligatory phrase accent and an obligatory boundary tone, and interestingly 22 combinations are possible. Intonational Phonology has been revised from Beckman & Pierrehumbert(1986) in developing ToBI(Tones & Break Indices), a proposed standard for labelling prosodic features of digital speech databases in English.