• Journal of the Korean Society of Costume
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• v.65 no.1
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• pp.89-103
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• 2015

The purpose of this study is to design fashion-cultural products by reviewing the symbolism in Changseung and Sotdae, which are folk belief sculptures. This study was performed by literature reviews of Changseung and Sotdae in order to look into the characteristics of folk belief and traditional culture, and the designs were developed from the symbolism extracted from Changseung and Sotdae with photoshop CS5 and illustrator CS5. The Symbolism of Changseung and Sotdae were as follows: First, Changseung and Sotdae express the 'symbiotic world view' that human beings need to devote one's life to nature. Second, original materials were saved in order to achieve the 'pursuit of essence'. Third, 'simple esthetic expression' was symbolized through the undivided condition between art, religion and life. And fourth, 'empathic humor' was seen through the basis of emotional sense of affinity. The first concept of design development was 'Pursuit of Essence', which was inspired by the characteristics of 'symbiotic world view' and 'pursuit of essence'. Changseungs were expressed as simple and abstract, and Sotdaes as simplified and modern by symmetrical and rotating copy. The second concept, 'Touch of Humor' was inspired by 'simple esthetic expression' and 'emphatic humor'. The face of Changseungs was exaggerated in a humorous ways and Sotdae was developed as sub-motives. The items for the fashion-cultural design were T-shirts, bags, and scarves. Total of 24 items were developed with 4 differently styled designs for each concept. This study was based on basic culture and attempted to diversify the traditional culture items. It hopes to raise the value of traditional culture, and furthermore help build up national competitiveness.

• Journal of the Korean Institute of Rural Architecture
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• v.11 no.1
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• pp.9-16
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• 2009

This research surveyed the native resources which BiBo(replenishing shortages by helping each other) landscapes have been preserved by aiming at the village settlement spaces of five cities and counties in Gangwon Youngseo province. This research reveals that BiBo landscape patterns of 41 village forests, 23 BiBo symbols, and 6 BiBo ponds were surveyed. The village forests are all 41 places, and were mainly made on the plains in front of villages. BiBo functions of the forests were in the order of the land obstructing the view of the mouth of a river which is the most as 13 places, the land obstructing the view of the mouth of river, situation complements, village protection, and protection against wind. Bibo symbols were all 23 places. Towers, stone towers, menhirs, and Maitreya stones were 12 places, Jangseungs(a signpost raising on the entrance of the village or a temple) were 6 places, Sotdae(a pole raising at the entrance of the village as the symbol of a board or a village protecting deity) was 1 place, and the others were made multiply in 4 places. Bibo symbols were located at 21 places in front of villages. The village protection in Bibo functions was 6 places. 6 Bibo ponds were surveyed. Most Bibo ponds were made for earth power leakage prevention.