• Journal of the Korean Institute of Rural Architecture
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• v.4 no.1
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• pp.87-97
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• 2002

This study is aimed at grasping how the farmhouses in Yongdong area continues to be transfigured according to the modernization and urbanization since 8.15 Liberation through the analysis of natural environment and sociocultural environment elements. The farmhouses in Yongdong area before 1960's have had a different spatial structure from those of the other areas because of the characteristics of the climatic, regional, geographic and sociocultural environment elements. The roof improvement promoting law after 1967, the Saemaul Movement since 1971 and the standard drawing of farmhouse after 1972 are transfigured the rural villages, but they were turned up the limitations of their exploits because of the lack of cognition about environment elements. Recently there were appeared the farmhouses which were reflected farmer's decisions in construction after 1980's because former farmhouses were not give consideration to environment elements.

• Proceedings of the Korean Institute of Interior Design Conference
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• 2006.11a
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• pp.187-188
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• 2006

With development of global network in the 21th century, Korea has recklessly accepted western culture occurred damages to our identity. Development of traditions in a modern way contribute us Korea identity and future vision. This study has studied about combination traditional material and contemporary material with a view to diversified user's desires and individuality. This object shows that function and decoration coexist together, and design reflects mans life and thinking of the age as a reflection of sociocultural phenomena. The purpose of this work to create the object that meets mans requirement and even foresees the possibility of such requirement through converting into various appearances. Different concepts including closed singleness and expansion within open structure coexist one element. also this objects suggest that transformative expressions that simplify or transform, the forms can be freely changed by consumer's emotional changes. Here, light and form are experimented for creating diversified emotions. Considering design as positively responding behavior against the limitations given by environment instead of the solution to simple functional requirement, future design will find Its value more In more active response.