• 한국콘텐츠학회논문지
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• 제3권2호
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• pp.1-10
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• 2003

시각예술 분야의 폭발적인 확산과 국제 영화제와 국제미술제가 실생활에까지 관계를 맺는 것은 교육의 대중화로인한 일반인들의 문화욕구와 상류문화와 하류문화의 경계를 넘는 현대예술표현의 특성 때문이다. 모든 시각예술은 맥락 속에 존재한다. 사진이라는 기호 또한 고유하고 단일한 의미체계는 없으며 다른 모든 것과 마찬가지로 사회, 문화적인 맥락에 의거한다. 현대미술에 관한 이론적 해체와 실험적 표현은 난무하지만 이에 관한 해부는 그동안 미학과 미술사적 해석에 의존해 왔다. 그러나 최근의 포스트 모던한 회화작품이나 사진작품을 이해하는 데에는 기호학적 해석이 이용되면서 이해의 영역을 넓히고 있다. 지금까지는 전시장에 보러가고 공연장에 들으러 간다고 이야기했지만 이것은 단지 시각적이고 청각적인 것으로 보기만 하고 듣기만 한다는 것으로 이해 될 수 있다. 이 글은 현대미술과 사진작품을 통하여 작품을 보기만 하는 것보다는 기호학적으로 읽어서 보다 총체적으로 접근 할 수 있다는 것이다.

• 한국의류학회지
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• 제36권6호
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• pp.592-600
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• 2012

Social reactions to body exposure in American leisure wear (bathing suits, shorts, and halters) in the 1930s were analyzed to provide an understanding of the process of adopting more abbreviated and less-occasion specific styles of garments in women's fashion. The research questions were as follow: How did women expose their bodies in leisure wear during the 1930s? How did the social reaction to women's body exposure in leisure wear change throughout the 1930s? How did the body exposure in women's leisure wear play a significant role in the history of women's fashion? Primary sources were collected from issues of The New York Times published in the 1930s. Topics including dress, fashion, ethics, social ethics, and sexual ethics, were reviewed in The New York Times indices. The findings were analyzed and interpreted with reference to secondary sources that included books and research papers. The results showed that the body exposure of the styles as well as the place where these styles were worn was a public issue. Women were criticized and regulated for body exposure as well as for wearing bathing suits, shorts, and halters on the streets. However, the social regulations that restricted bathing suit styles almost disappeared by the end of the decade. This represented the change of social expectations toward body exposure in the 1930s. In addition, reports of laws that forbade the wearing of bathing suits, halters, and shorts outside of beaches, pools, and parks indicated women's increased attempts to expose their bodies in public places. However, reactions to women's body exposure in leisure wear changed to accept more flexibility in the social customs throughout the decade. These phenomena were a partial step toward the popularization of less occasion-specific styles - sportswear - that took place in the 20th century.

• 한국도서관정보학회지
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• 제24권
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• pp.107-161
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• 1996

This study aims at introducing 'ethnography' which is one of the most representative qualitative research methods into Library and Information Science research in Korea.. Ethnography, derived from anthropology, helps researchers to understand the whole and deep aspect of the research object. That is because the researcher puts himself into the life-world of the research object and observes it for a long time. Ethnography can be used as an alternative method to quantitative research methods. Until now, Library and Information Science research in Korea has used quantitative research methods in almost every case. From the 1980s so-called 'scientific methods' using hypotheses testing, have provided the major premise for research methodology in Library and Information Science of Korea. And the researchers have seen their research object(Korean Libraries) not in the native perspective but largely in the western(especially American) perspective. There is a need in Korea for more culturally relative research. So the desirability of introducing ethnography and other qualitative research methods into Library and Information Science research in Korea can be summarized as follows : I. Ethnography and other qualitative methods are needed for the researchers to overcome the limitation of quantitative methods which have formed the main methodological paradigm in Library and Information Science research in Korea. While those quantitative scientific methods can be a n.0, pplied to the social sciences, they are not adequate for the social sciences. It is because the research objects of the social sciences are human and social phenomena. II. It is needed that Library and Information Science research in Korea pay more attention to the speciality of Korean libraries. To do researches based on the viewpoint of cultural-relativism, researchers should consider the cultural context of Korean libraries. During the past years researchers in other social science fields in Korea, especially sociology and pedagogy, have gradually a n.0, pplied the methods of ethnography to their fields. These social scientists have attempted to escape from ethnocentrism, a problem which has greatly influenced past and present research methods. To get a holistic and in-depth understanding of Korean libraries on the present stage, and to solve their problems radically, it seems imperative that Library and Information Science research in Korea pay more attention to qualitative research methods such as ethnography.

• 한국지역지리학회지
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• 제12권2호
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• pp.245-264
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• 2006

많은 개념적 연구와 담론에 의하면, 정보통신기술의 발달은 일상생활의 시공간적 활동에 지대한 영향을 미치고 있다. 그러나 이에 관한 경험적 연구들은 실제 그 영향이 그렇게 크지 않다는 점을 보이고 있다. 이러한 양 입장을 벗어나기 위해, 이 논문에서는 정보통신기술의 발달과 사회공간에 미치는 영향에 관한 연구는 개별 현상이나 의식에 초점을 두기보다는 사회공간적 관계, 즉 네트워크의 변화에 관심을 주어야 한다는 점을 주장한다. 카스텔(Castells), 어리(Urry) 등이 주장하는 바와 같이, 사실 정보기술의 발달은 새로운 정보네트워크의 창출을 의미하며, 그 공간적 측면을 이해하기 위해 '네트워크 사회공간'이라는 용어를 사용할 수 있고, 라투어(Latour) 등이 주장하는 '행위자-연결망'이론이 원용될 수 있다. 이 논문에서는 특히 새로운 사회공간을 구성하는 네트워크는 즉시적 층위, 기능적 층위, 그리고 물질적 층위를 가지는 것으로 이해한다. 또한 네트워크사회공간은 새로운 사회공간적 관련성으로서 중요성을 가질 뿐만 아니라, 네트워크의 결절을 형성하는 주체들의 참여와 이를 통한 정체성의 재구성이라는 점에서도 중요한 의미를 가진다는 점이 강조된다.

• 한국의류학회지
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• 제24권5호
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• pp.702-713
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• 2000

The purpose of this paper is to deeply understand the transitional concept of gender expressed in the later 20th century fashion through analyzing of various literature. Gender is constructed in the context of social and culture different than sex which is inherent difference between man and women. Thus the concept of gender can be changed according to change of social and culture. There are imposing changes in gender since 60's owing to various factors; namely, feminism, subculture, deconstruction, development of technology, market economy, changing sex roles, etc. Especially in the 60's to 70's, as radical changes were took place, gender became vague more and more. Finally these days there is no fixed gender. In terms of meaning, there may be a number of genders-since there are as many meanings of sex as there are people who have thought about it. That is, sex is, gender means. Sex exists in itself, and is sublimely indifferent to what humans think of it, However gender is all the meanings we assign to sex. In accordance with this phenomena, people don't mind their sexes with appearance. There is only different disposition and taste.

• 가정과삶의질연구
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• 제30권6호
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• pp.183-199
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• 2012

Since the Framework Act on Healthy Families came into effect in 2005, family policy has become a primary field of social policy, and 'family' has emerged as an important keyword for solving Korean society's various phenomena and problems. In order to seek practical plans for reforming social policy through family policy, this thesis has analyzed the transitional characteristics of Korean families in relation to where Korean families currently stand and the situation they are facing. This thesis has also reviewed the content of family policy in the master plan of healthy families, the starting point of the actual family policy, and other related policies. It also has analyzed the key content of child care support policy. From these various analyses and discussions, this thesis has emphasized "family care" as the keyword of family policy, family effect analysis as the means of reinforcing family perspective, and family integrity for policy effectiveness.

• 산학경영연구
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• 제23권1호
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• pp.17-44
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• 2010

창업아이디어는 어디에서 오는가? 비록 창업은 복잡한 사회경제적 현상이고 일반적으로 창업아이디어가 경제적, 사회적, 정치와 법적, 기술적 변화에서 발생된다는 것이 학계에서도 인정되어지고 있지만 창업은 일반적으로 경제적 관점에서만 논의되고 있고 주주, 소비자 공급자, 그리고 종업원 등과 같은 경제적 관계에만 초점이 맞춰지고 있다. 하지만, 최근 학계에서는 사회적 기업가에 대해 많이 논의가 되고 있다. 사회적 기업가를 어떻게 설명할 것인가? 본 논문에서는 이해관계자모형을 이용해서 창업기회를 이해할 수 있는 이론적 체계를 제시하고자 한다. 창업기회를 개발하는 것이 성공하기 위해서는 사후적으로 봤을때 이해관계자 관계의 비효율적인 부분을 식별해야 한다고 저자는 주장한다. 본 논문에서 저자는 이해관계자 비효율이 언제, 어디에서, 그리고 어떻게 발생되는가에 대해 점검, 논의하였다.

• 복식문화연구
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• 제6권2호
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• pp.203-216
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• 1998

In the study, conceiving that signifying processes like model, setting, advertisement and description are important to promote the purchase of clothes that would satisfy consumer's desire by their expressing mode, I considered the processes of components of which fashion ads consist. As for the methods to study, I regarded the results presented from prior researches of clothing & textiles and other disciplines for the components of fashion ads and objectified their image that may be interpreted subjectively: and then, I adopted to analyse them using advertisement-semiological method to make clear the signifying processes. The results are as follow: 1. Fashion ad, one of visual symbols to transfer brand image, conveys the image with which various components are combined like model, clothes, setting and description as signs. ① the image of clothes amy be differently expressed according to social, cultural norm and individual characteristics, in the case of clothes, therefore, the signified can be regarded as the transferred image by design of the clothes① sign, and the abstract conception which may be rise to mind by the image in a ceratin culture. ② Each signifier such as countenance, line of vision, attitude and hairstyle of a model conveys different image, or the signified, respectively, and it amy operate as a sign that can express the brand image symbolically. ③ The signifiers like background, color and property symbolize the advertised merchandise of clothes and define it attribute.. 2. In the case of fashion ads, key referent systems are fashion phenomena, contemporary role image, social psychology, common morality, and social, economical and milieu.

• 한국실내디자인학회논문집
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• 제10호
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• pp.34-49
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• 1997

Architectual environment in this study means a language and meaning complex which makes communication between human beings and environment possible. The purpose of this study is to propose a semiotic approach to analyze and examine meaning, as a semiotic system, and its effects, focusing on the generative meaning in the relationship between human beings and environment. For this purpose, it examines the academic status of modern semiotics in postmodernism and the possibility of its being metalanguatge for a study of a variety of cultural phenomena and desigv. It also provides two viewpoints as propositions for its analysis: it explains the necessity of environmental-discoursive attitude and social-semiotic viewpoint which understands environment as social-cultural reflectors. Finally, it provides framework and all the interpretative procedures for analysis of environmental meanings on the basis of the approach of semiotics of space. By applying the methods proposed this study to the case studies, it also proves validity of this approach and the potentialities of the application of semiotics. This study emphasizes not only denotative configuration of the architectural environment but also its connotative meanings. It maintains that designers, architects, and theorists should realize correctly today's changed value system and social and aesthetic paradigms. It also stresses the necessity of development of the new architectural language and meaning system.

• 복식문화연구
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• 제28권3호
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• pp.330-343
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• 2020

This study defines the concept of the fashion meme, which has recently emerged as a fashion trend, influential fashion keyword. After analyzing the concepts and characteristics of traditional memes from prior studies, examples of fashion memes were collected from online community and social network services, while a literature study and case study analysis were conducted in parallel drawing on related articles and journals. Modern fashion memes refer to fashion-related symbols and fashion images that are spread online by word-of-mouth, together with fashion styles and items that spread as a result of being worn. Fashion memes in cyberspace are mainly spread through social network or message services, and sometimes combine text, images, videos, hashtags, and emoticons. Fashion memes are a type of collective action of the people in response to social problems in the world, and often involve humorous antics, satire, shock, and eccentricity. Shared fashion memes reflect the expression of personality expression and fun, and at the same time are used as an expression of designer and brand creativity and are integral to marketing. Fashion memes are classified into four types, based on two central axes as follows: non-commercial/commercial and anti-fashion/fashion-friendly. Unlike traditional memes, Internet-based fashion memes emphasize elements of transformation through creativity as well as imitation, which has become a persisting contemporary trend beyond temporary phenomena.