• 복식
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• 제60권1호
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• pp.56-75
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• 2010

Jeju island is located in far from main land and has very harsh environment that has formed an unique clothing style as well. In addition, the popular belief has been developed with originality even their clothing. Therefore, this study is concerned with costumes worn for various ritual events and to analyze their features in Jeju. The shamanism served 18,000 gods are composed to 12 different types of the events for wealth, safety, heath, sadness or thanks. The costumes worn by officiating priests or 'Simbang(shaman)' depend on the occasion of an event, and they are different for male and female performers. The styles of costumes for religious service can be divided into 7 types: Regulation dress(Jebok), Korean full-dress attire(Dopo), Official uniform(Danryung), Military uniform(Gunbok), Formal dress (Durumagi), Casual wears and Special costumes. The costumes for religion events are not various and splendid as compare with another province in Jeju. Because, when simbang expired, their clothings had been burned according to custom. However, It is important materials for us to know the clothing of time. We should keep studing that costume more as a valuable culture.

• 한국철학논집
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• 제39호
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• pp.7-27
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• 2013

퇴계의 거경 공부는 정좌와 독서라는 실제적인 방법 속에서 더욱 효과적으로 발현되었다. 그는 주자에 비해 정좌의 형식을 더 중시했는데, 그 중에서도 위좌(危坐)의 형식이 더욱 강조되었다. 정좌와 독서는 퇴계가 가장 즐겨 행한 실천 방법이었다. 그러나 정통 주자학의 입장과 다르지 않게 퇴계는 정좌와 독서가 하나의 목적이나 유일한 방법이라고 주장하지 않았다. 공부의 궁극적인 목표는 나 자신의 편벽된 기질을 변화시키고, 의리를 궁구하고 마음을 함양하며, 사물을 대하는 데 있어서 절도에 맞게 행동하는 것이었다. 이밖에 퇴계는 심신의 수련과 치료, 그 중에서도 특히 육체의 질병을 치료하고 원기를 회복하는 차원에서 부분적으로 도인술을 활용했다. 퇴계의 기록들로 볼 때, 그는 적어도 안마법과 호흡법에 정통했다고 말할 수 있다. 퇴계의 공부론은 주자 공부론에 비해 형식적인 면이 강조된 측면이 있고, 거경의 공부가 더 광범위하게 해석되어 적용된 측면이 있으며, 도인술과 같은 비정통적 공부론을 배격하지 않고 부분적으로 도입하여 보완적인 요소로서 활용한 데서 그 특징을 찾을 수 있다.

• 복식문화연구
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• 제7권1호
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• pp.68-81
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• 1999

This paper makes a report of Shaman\`s ritual performed among Korean resiednts in Japan as socio-historical facts, and this also examines the symbolic meanings of Shamans\` costumes. The results are as follows ; 1) At the ritual of Jungsip-Wang Maji, Shamans wear Gwandae, Kunbok, Jangsam, Durumaki, and Chima-jugori. These costumes show that their wearers are priests and gods at the same time. 2) The reason why Simbang performs the ritual in different costumes at different Jaechas is that each object-god needs different costumes to represent its different character. 3) Shamans\` instruments consist of musical instruments and other instruments. Among the musical instruments are such percussions as Buk, Jing, Janggo and Sulsae. Among other insttruments are Sindo, Sanban and Yoryung. 4)Shamans think that the musical instruments have magic powers to drive out minor demons and invite gods. Sindo, Sanban and Yoryung are thought to be the symbolic instruments representing god\`s will.

• 한국생활과학회지
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• 제22권6호
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• pp.649-658
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• 2013

Various paper ornaments appear in Gut, the rite of shaman in Jeju, and these are frequently called Gime, Gimekijeon or Gimejeonji. Gime are slips of white or colored paper, made to resemble the shape of god and used in the ritual shaman dances of Jeju. These Gime are hung around an altar, fastened to the end of a green bamboo pole, or held in the shaman's hands when they dance. The purpose of the study is to develop textile design based on the formative features of Gime, as a way of using Myth of shaman in Jeju. This study is used Gime made by 'Kim Yoon-Su' Simbang (shaman) who plays a role of Intangible Cultural Assets of The 71th 'Jeju Chilmeoridang Yeongdeunggut'. As a result, it was to develop the Komusaljang pattern, Seongjukkot pattern, Jijeon pattern, Jowoangki pattern and Cheoljjukdae pattern design of Jeju image using Gime that is one of the unique, indigenous pattern of Jeju.