• 한국멀티미디어학회논문지
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• 제11권6호
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• pp.755-763
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• 2008

Silhouette is useful in computer graphics for a number of techniques such as non-photorealistic rendering, silhouette clipping, and blueprint generating. Methods for generating silhouette are classified into three categories: image-based, object-based, and hybrid-based. Hybrid-based method is effective in terms of time complexity but spatial coherence problem still remains. In this paper, we proposed a new hybrid-based method which produces 3D data for silhouette and also guarantees no spatial coherence problem. To verify the efficiency of the proposed algorithm, several experiments are conducted for various 3D models from simple to quite complex. Results show that our algorithm generates no gap between any two consecutive silhouette lines when the silhouette model is magnified significantly.

• 한국의상디자인학회지
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• 제6권1호
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• pp.73-87
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• 2004

In the designing stage, the HANBOK CHIMA is created using a flat pattern with linear shapes. However, when worn, the skirt creates a fluid and organic silhouette. According to the wearing method(wrapping), HANBOK CHIMA can create various shapes and movements. In comparison to the general skirt, It is more effective in revealing the wearer's sense of beauty. The method of wrapping the skirt from the rear is a suitable way of wearing the garment in accord with the Korean ON-DOL(온돌) culture and it creates mystique eroticism. We can devide the silhouettes according to six different period of time. The silhouette of HANBOK CHIMA is affected by the following elements: length, width, pleats, textures and the usage of underwear. [1. Koguryo (5C∼6C) - The first Tent silhouette. 2. The South Dynasty Silla (7C∼8C) - The second Tent silhouette. 3. Kyoryo dynasty (l4C) - Cylinder silhouette. 4. The first Chosun dynasty (late 14C∼17C) - Bell silhouette and Cylinder silhouette. 5. The second Chosun dynasty (mid 18C∼mid 19C) - Bell silhouette and Barrel silhouette. 6. The third Chosun dynasty (late 19C∼the beginning of 20C) - Tent, Cylinder and Bell silhouette.]

• 한국콘텐츠학회논문지
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• 제8권12호
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• pp.10-19
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• 2008

본 논문에서는 문화재의 실측된 3D 스캔(scan) 데이터로부터 내부문양 및 실루엣(silhouette)을 효과적으로 추출할 수 있는 자동화된 실루엣 추출 방법을 제안한다. 제안한 방법에서는 먼저 3D 벡터 데이터의 에지리스트(edge list)를 생성하고, 시점에 따라 윤곽 에지(contour edge)와 주름 에지(crease edge)를 결정한다. 다음으로 주름 에지에서 인접면들의 벡터 변화량을 검사하여 표면 실루엣을 추출한 후, 최종적으로 문화재의 도면(blueprint) 생성을 위한 윤곽 실루엣과 표면 실루엣을 추출한다. 제안한 실루엣 추출 방법의 성능 평가를 위하여 전통 기와, 자동차 및 석탑 데이터를 이용한 실루엣 추출 실험을 진행하였다. 제안한 방법은 기존의 임계값을 이용한 실루엣 추출 방법에서 불필요한 에지까지도 실루엣을 형성하는 것을 보완하여, 잡음과 같은 의미 없는 에지들을 효과적으로 제거함으로써 더욱 선명하고 깨끗한 실루엣 및 내부 문양을 추출하였다.

• 한국지능시스템학회논문지
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• 제15권7호
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• pp.852-857
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• 2005

본 논문은 지능형 로봇 시스템을 위한 인간 몸의 하이브리드 실루엣 추출 기법을 제안한다. 지능형 로봇은 내부적인 진동과 낮은 해상도로 인해 강인한 실루엣 추출을 필요로 한다. 이를 극복하기 위해서 본 논문에서는 하이브리드 실루엣 추출 기법을 제안하였다. 하이브리드 실루엣은 영상간의 공간차 및 시간차 정보를 고려 생성되며 움직임 영역 모델을 통해 두 정보간의 중요성에 가중치를 준다. 최종적으로 실험결과를 통해 제안된 기법의 우수성을 확인하였다.

• 한국의상디자인학회지
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• 제18권1호
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• pp.121-133
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• 2016

The purpose of this study is to recognize the differences of visual evaluation by variations in pattern and silhouette of the block dresses. The stimuli are 9 samples: 3 variations of the silhouette and 3 variations of the size of pattern. The data has been obtained from 55 fashion students and has been analyzed by using Factor Analysis, Anova, Scheffe's Test and the MCA method. The results of this study are as follows; 1) The visual evaluation by pattern and silhouette of block dresses are composed of 4 factors: lovable personality, physical characteristics, boldness, and simplicity. 2) Block dresses were evaluated to display the figure more efficiently, such as looking slimmer or taller, in the order of 2nd stage, 1st stage, and 3rd stage in every silhouette. As the patterns became bigger, straight silhouette dresses were judged to have bolder, more dignified images. 3) Block dresses were evaluated to have cute and lively images in order of hourglass silhouette, straight silhouette, and fitted silhouette in every pattern. They were evaluated to appear slimmer and taller in order of hourglass silhouette, fitted silhouette, and straight silhouette in every pattern. 1st stage and 2nd stage dresses were evaluated to have a bolder, more dignified image in order of fitted silhouette, hourglass silhouette, and straight silhouette. 4) The pattern and the silhouette of the block dresses interacted with boldness. These were the boldest, most dignified image in the fitted silhouette and 1st stage, while they were not judged so in the case of the straight silhouette and 1st stage. 5) According to the MCA regarding lovable personality and physical characteristics, the silhouette affected the visual image of the block dresses more than the pattern did. According to the MCA on simplicity, the pattern affected the visual image of the block dresses more than the silhouette.

• 한국지능시스템학회:학술대회논문집
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• 한국퍼지및지능시스템학회 2005년도 추계학술대회 학술발표 논문집 제15권 제2호
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• pp.257-260
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• 2005

This paper discusses a human body extraction method for mobile robot system. The skeleton features are used to analyze human motion and pose estimation. The intelligent robot system requires more robust silhouette extraction method because it has internal vibration and low resolution. The new hybrid silhouette extraction method is proposed to overcome this constrained environment. Finally, the experimental results show the superiority of the Proposed method.

• 대한전자공학회:학술대회논문집
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• 대한전자공학회 2008년도 하계종합학술대회
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• pp.643-644
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• 2008

Various researches on 3D silhouette extraction have been performed in the area of computer graphic. This paper presents a new method for internal pattern extraction by using an arbitrary region silhouette control technique. The proposed method was tested by using 3D data of stone pagodas. The results show that the proposed method particularly improves the performance of internal pattern extraction.

• 대한전자공학회:학술대회논문집
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• 대한전자공학회 2008년도 하계종합학술대회
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• pp.645-646
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• 2008

Silhouette extraction is widely used in many computer graphics applications. In this paper, we proposed a method for extracting 3D silhouette and internal pattern from 3D vector data. To do this, we first make an edge-list, secondly define the silhouette, and finally remove hidden lines. After getting the silhouette, we extract internal pattern using adjacent edge's dihedral. The proposed method not only effectively improves the performance of extracting 3D silhouette and internal pattern from 3D vector data but also reduces the computational complexity.

• 한국지능시스템학회논문지
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• 제17권7호
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• pp.913-918
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• 2007

본 논문에서는 인간과 로봇의 인터액션을 위해 연속된 이미지 정보로부터 얻을 수 있는 색상(color)과 기울기(gradient) 정보를 이용하여 인간 몸의 실루엣 추출 기법을 제안한다. 연속된 이미지 정보로부터 얻어진 RGB 영상 정보에서 색상 배경 제거 기법은 각각의 신체 비율 정보로부터 추출된 모션 영역 정보에서 색상 공판별 평균 이미지 정보를 얻고 옷 색상 정보를 볼록 합하여 계산된다. 기울기 배경 제거 기법은 공간상 정보와 시간상 정보의 볼록 합으로 계산된다. 최종적으로 색상 정보와 기울기 정보의 볼록 합을 하여 인간 몸의 실루엣을 추출한다. 마지막으로, 실험을 통하여 제안된 기법의 성능을 확인하였다.

• 한국의류산업학회지
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• 제10권6호
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• pp.989-996
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• 2008

The purpose of this study is to provide the basic knowledge for the pattern development of a flared skirt. Two flat pattern (FP) methods, the concentric circle method and the corrected concentric circle method, and a draping were used for pattern making. Using these patterns, skirts were made with lengthwise grain in the centerline. The influence of pattern making method on the silhouette of the flared skirt was evaluated by the hemlines formed at the skirt worn in a dress form. Moreover, the combined influence of pattern making method and cutting direction on the silhouette of the flared skirt was examined with the draping pattern (DP) skirt and a FP skirt with $45^{\circ}$ bias grain in the centerline. The DP skirt had more uniform nodes and formed a stable wave form than the FP skirts throughout the whole hemlines. The number of nodes was reduced with lining in the two FP skirts, whereas the number of nodes was not changed in the DP skirt. The unit wave form of all the skirts by three patterns showed long loop form, and the slope angles of the unit wave form of the two FP skirts were higher than that of the DP skirt. The silhouette of the flared skirt was highly influenced by the shape of the waist circumference line in patterns. The DP skirt with lengthwise grain in the centerline showed good silhouette with uniform nodes and high marking efficiency, compared to the FP skirt with $45^{\circ}$ bias grain in the centerline.