• The Journal of the Korea institute of electronic communication sciences
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• v.6 no.2
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• pp.237-242
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• 2011

This paper proposes a detection algorithm for each section which detects the voiced section, unvoiced section, and the silence section at each frame using a multi-layer perceptron neural network. First, a power spectrum and FFT (fast Fourier transform) coefficients obtained by FFT are used as the input to the neural network for each frame, then the neural network is trained using these power spectrum and FFT coefficients. In this experiment, the performance of the proposed algorithm for detection of the voiced section, unvoiced section, and silence section was evaluated based on the detection rates using various speeches, which are degraded by white noise and used as the input data of the neural network. In this experiment, the detection rates were 92% or more for such speech and white noise when training data and evaluation data were the different.

• SUVANNABHUMI
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• v.16 no.1
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• pp.103-123
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• 2024

The traumatic experiences of people from peripheral islands are susceptible to mnemocide. Such erasure of memory is facilitated by "defensive and complicit forgetting," which, according to Aleida Assmann, leads to "protection of perpetrators." My paper reflects on the vulnerability of traumas from the islands to mnemocide by looking into [1] the massacre of communists and civilians on Jeju Island, South Korea in 1948 as described in Hyun-Kil Un's short story "Dead Silence" (2017; English trans.) and [2] the eviction of residents and indigenous people from Calauit Island, Philippines for the creation of a safari in 1976 as imagined in Annette A. Ferrer's "Pablo and the Zebra" (2017). In "Dead Silence," I direct the attention to how to the execution of the villagers-witnesses to the death of the communist guerillas-is a three-pronged violence: it is a transgression committed against the innocent civilians; an act of "erasing traces to cover up" the military crackdown on the island; and, by leaving the corpses out in the open, a display of impunity. In "Pablo and the Zebra," I second that both residents (i.e., humans and animals) experience post-traumatic stress because of their respective displacements; thus, the tension between them has got to stop. Curiously, while it concludes with a reconciliatory gesture between an elder and a zebra, no character demanded a reparation for their traumatic past per se. Could the latter be symptomatic of a silence that lets such violence "remain concealed for a long time"?

• Proceedings of the IEEK Conference
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• 2000.06d
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• pp.98-101
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• 2000

On CELP type Vocoders G.723.1 6.3kbps/5.3kbps Dual Rate Speech Codec, which is developed for Internet Phone and videoconferencing, uses VAD(Voice Activity Detection)/CNG (Comfort Noise Generator) in order to reduce the bit rate in a silence period. In order to reduce the bit rate effectively in this paper, we first set the boundary condition of the energy threshold to prevent the consumption of unnecessary processing time, and use three decision rules to detect an active frame by energy, pitch gain and LSP distance. To evaluate the performance of the proposed algorithm we use silence-inserted speech data with 0, 5, 10, 20dB of SNR. As a result when SNR is over 5dB, the bit rate is reduced up to about 40% without speech degradation and the processing time is additionally decreased.

• Phonetics and Speech Sciences
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• v.10 no.3
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• pp.19-29
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• 2018

We propose to use independent component analysis (ICA) and deep neural network (DNN) to detect music sections in broadcast drama contents. Drama contents mainly comprise silence, noise, speech, music, and mixed (speech+music) sections. The silence section is detected by signal activity detection. To detect the music section, we train noise, speech, music, and mixed models with DNN. In computer experiments, we used the MUSAN corpus for training the acoustic model, and conducted an experiment using 3 hours' worth of Korean drama contents. As the mixed section includes music signals, it was regarded as a music section. The segmentation error rate (SER) of music section detection was observed to be 19.0%. In addition, when stereo mixed signals were separated into music signals using ICA, the SER was reduced to 11.8%.

• The Transactions of The Korean Institute of Electrical Engineers
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• v.60 no.9
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• pp.1693-1699
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• 2011

In this paper, for magnetic silence technology of naval vessel, is to make lab deperm system and to evaluate the deperm capacity of naval vessel regarding deperm protocol. Initial permanent magnetic field of naval vessel is magnetized before deperm, having the magnetic field of the same size, to evaluate the deperm capacity regarding a variety of deperm protocol for experimental reliability growth. Current dead time effect of deperm protocol is measured at the different initial current, which are 8A, 6A and 4A respectively. Furthermore, the experiment under the same condition except changing duty cycle into 50% is carried out. As a result, it is possible to compare the six different experiment outcomes. The result shows that the experiment with dead time improve the deperm capacity more than 48.51 percent comparing to the case without dead time.

• MALSORI
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• no.45
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• pp.1-14
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• 2003

This paper criticizes S. Kim (1992), claiming that the perception of place cues in the reduced stop consonant clusters ('reducing' means 'cutting off' the acoustic silence in stop clusters) largely depends on the acoustic characteristics such as formant transition and noise frequency distribution of stop burst, rather than the closure duration time as advocated by S. Kim (1992). The claim is based on the perception test conducted upon 111 stimuli over 10 subjects. The finding is that, when the closure duration is cut off up to the point where only one stop is perceived, place of the second stop, not the first one, in the cluster is in most cases perceived regardless of the places of the first and second stops. It is likely that the place cues of the stop in the prevocalic position mask those in the postvocalic position.

• Survey Research
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• v.9 no.1
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• pp.87-100
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• 2008

We calculated the predictive interval for the number of seats belonging to major political parties in the case of the 2004 General Election of Korea, using Bayesian frame of inference. Moreover, we proposed the adjustment procedure for correcting the minor group's propensity of refusal or nonresponse due to effect of the spiral of silence.

• Proceedings of the IEEK Conference
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• 2001.06d
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• pp.281-284
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• 2001

Speech is classified into voiced signal and unvoiced signal. Since the amplitude of voiced fall off at about -20dB/decade, dynamic range is often compressed prior to spectral analysis so that details at weak, high frequencies may be visible[5][6] There is a distinct difference in spectrum slope between voiced signal and unvoiced signal. In this paper, we got the slope of each frame by using autocorrelation method, and determined voiced /unvoiced region. Also, we used energy to decide region of silence. To show experimental results, we allot to 1 value in voiced region, -1 value in unvoiced region and 0 value in silence region.

• The Transactions of The Korean Institute of Electrical Engineers
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• v.64 no.3
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• pp.417-421
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• 2015

In this paper, study for B-H curve characteristics of the magnetic material due to tensile stresses of submarine for magnetic silence. For the experiment, made the sample of the material of AH36 and made to a B-H curve Tracer. In addition, design and made a system of stress by the weight in order to apply a tensile stress, it was possible to obtain results for the change of the magnetization.

• Proceedings of the Korean Institute of Interior Design Conference
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• 2005.05a
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• pp.263-266
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• 2005

This work aims at the design of the artwork for the atrium of a furniture department store. In complying with the request of the building owner I have established the basic concept, 'silence in movement - movement in silence', to design a artwork, which not only can make the various atmospheres in the store to the unique one, but also arrange an emotional stability for the visitors. Most exhibited furnitures are those that demand particular interests from the visitors, and the exhibition scale is enormous. So it is difficult to sustain the continuous inspiration and the emotional stability, and also it is hard to make the store have the consequent image. This problem can be resolved through the installation of the artwork that can evoke the visitor to the abundant sensitive receivability. The materials, which are used tp express the basic concept, are water, concrete, light and aluminium that represent a unified harmony in a contrast each other.