• Title/Summary/Keyword: Shin Jae hyo

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A Study on the analysis of Whitney Houston, the healer of the world-based on Shin Jae-hyo's gwangdaeron (clown theory)

  • Ko, Kyung-Ja;Cho, Hyun-Yong
    • CELLMED
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    • v.10 no.4
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    • pp.28.1-28.2
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    • 2020

  • The purpose of this study is to find out why Whitney Houston gave healing to people around the world based on Shin Jae-hyo's gwangdaeron (clown theory). In Korean music, gwangdae (廣大, the title of clown) is a nickname dedicated to outstanding artists. Not only is it a clown that cannot be a person, but it does not give a clown a nickname for doing art activities. This is why Shin Jae-hyo, a pansori (Pansori epic chant) theorist and critic in the late 19th century of the Joseon Dynasty, presented the virtues of outstanding artists. There are four outstanding clown conditions claimed by Shin Jae-hyo: appearance (人物), words (辭說), perfect vocal music (得音) and wonderful movements (neoreumsae). These conditions show how difficult it is to be a gwangdae (a prominent artist), or an accomplished artist. We think Whitney Houston is a famous singer who fits these conditions. In her heyday, she was optimized for Shin Jae-hyo's clown theory, while her post-2007 moves are regrettable. However, it is clear that he is a singer who fits well with the title of America's greatest clown. In conclusion, I felt that the best emotion through music was the best healing, and that the best singer was becoming the best healer.

  • https://doi.org/10.5667/CellMed.2020.0028 인용 PDF KSCI

The Problem of Property Portrayed in Baktaryeong and Shin Jae?hyo (<박타령>에 나타난 재화(財貨)의 문제와 신재효)

  • Jeong, Choong-kwon
    • Journal of Korean Classical Literature and Education
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    • no.35
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    • pp.221-251
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    • 2017

  • This study attempts to examine the problem of properties mentioned in Shin Jae hyo's adapted version of Baktaryeong through the property related behavior of the characters, and discuss Shin Jae hyo's view of properties and his contemporary perception problems. As a result, in Baktaryeong, Nolbu takes the shape of a rich farmer in the existing text with grain centered accumulated properties, and of a wealthy man who is skilled in money management and growth as an economically well-informed person. In contrast, Heungbu is a poor peasant isolated from his own farm without enough property to minimally survive, representing the alienated poor who can not adapt to the currency economy led by the Nolbu people. This adaptation could have been a product of Shin Jae hyo's own view of property. Through the detailed description of Baktaryeong, it can be seen that he found it difficult to observe too much, but he thought that interest in property and money seemed basically to be affirmed in human life. In addition, in terms of issues of the poor, he found that the economic efforts of the lower classes and the care of the rich should be needed for the poor. However, he was forced to put the sense of crisis and the self defense consciousness as a wealthy family of middle class in the local society under the rapidly changing circumstances of the time into the text. That is, Baktaryeong included his own diagnosis of the present reality by drawing the issue of wealth and poverty in existing Heungboga(jeon), which is perhaps more appropriate for reality based on Shin Jae hyo's own view of properties.

The Meaning of Namgyeong on Shimchungga of Shin, Jae-hyo (신재효 판소리 사설 <심청가>에 구현된 남경의 중의적 의미)

  • Lee, Moon Sung
    • (The) Research of the performance art and culture
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    • no.36
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    • pp.169-184
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    • 2018

  • This paper reveals the double meaning of the temporal background and spatial background on Shimchungga. Its temporal background is the fictional and romantic time of the story, while the time of the weary lives of ordinary people is realistic and historical in the late Joseon Dynasty. The spatial background has a dual meaning that reminds us of the ancient capital of China and Seoul of the Joseon Dynasty. Namgyeong, a spatial background is fictional and romantic where the daughter of the public, Simcheong, becomes "The mother of all the people." In addition, Namgyeong reminds us of Seoul, the capital of Joseon Dynasty. Shimchungga is based on the customs and manners of the late Joseon Dynasty, and it is embodied by borrowing time and space from China. It is recalled Joseon's as backgrounds of China First of all, Namgyeong on Shimchungga is the ultimate attraction of the free imagination of the ordinary people as well as Shin, Jae-hyo in the late Joseon Dynasty.