• 동양고전연구
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• 제32호
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• pp.391-424
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• 2008

1966년 해체 수리된 경주 불국사의 석가탑에서는 여러 가지 사리장엄구와 묵서지편들이 출토되었는데, 이들은 한국 불교사 및 불교미술사 연구에 매우 귀중한 자료이다. 본고에서는 석가탑에서 출토된 묵서지편에 등장하는 여러 가지 석탑 부재 관련 용어들을 정리하고, 이러한 새로운 용어들의 의미를 현존하는 유물과 비교하여 파악해 보았다. 석가탑 묵서지편은 크게 (1)<무구정광탑중수기(無垢淨光塔重修記)(1024)>, (2)<서석탑중수형지기(西石塔重修形止記)(1038)>, (3)<불국사탑(佛國寺塔) 중수포시명공중승소명기(重修布施名公衆僧小名記)(1038)> 등 세 종류로 구성되어 있는데, 그중에서도 석탑 부재 관련 용어들은 무구정광탑중수기와 서석탑중수형지기에서 기록되어 있다. 무구정광탑중수기에는 앙연대(仰蓮臺), 화예(花?), 통주(筒柱), 절석(節石), 통석(筒石), 분복(盆覆) 등 10개의 석탑 부재 관련 용어가 등장하는데, 이들은 대부분 석탑 상륜부 부재의 명칭으로 추정된다. 한편, 서석탑중수형지기에는 두정석(斗頂石), 상층석(上層石), 통주(筒柱), 통주석(筒柱石), 하층금당석(下層金堂石), 초층금당대석(初層金堂臺石), 월개석(月蓋石), 지대(地臺) 등의 여러 용어가 등장하는데, 이들은 현재의 석가탑 석탑의 탑신 및 기단부 부재와 크기 및 위치가 대부분 일치하여 주목된다. 이러한 여러 가지 석탑 부재 관련 용어들은 고려시대 11세기 불교계에서 실제로 사용되었던 것이지만, 현대 학계에서 사용하는 용어들과는 큰 차이가 있다. 아직까지 묵서지편의 판독과 해석은 정확하지 않기 때문에, 앞으로 중국, 일본의 중세 문헌의 관련 용어 및 다양한 실물 자료와의 비교 연구를 통해서 보다 정확하게 판독되어야 할 것이다. 또한 이러한 묵서지편에 등장하는 여러 가지 다양한 용어들의 분석을 통해서, 한국 불교사 및 불교 미술 연구가 한층 더 발전하기를 기대한다.

• 복식
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• 제62권3호
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• pp.137-151
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• 2012

In 1966, $Seokgatap$ pagoda in $Bulguksa$ temple was damaged by the tomb robbers and was dismantled to fix the damage. In the process, many offerings to Buddha and containers for Sarira(the cremated remains) were found in $Sarigong$(specially designated space for the Sarira casket) inside the second floor of the pagoda. Many fabrics like $Geum$, $Neung$(twill), $Rha$(complex gauze), silk tabby and linen were also excavated. In this study, $Geum$ fabric from the $Seokgatap$ was closely examined. $Geum$ of $seokgatap$ is weft-faced compound weave according to the analysis of its weaving pattern which was wrongly presumed as warp-faced compound weave for some time. Technical analysis of $Geum$: Main: silk, Binding: silk, Proportion: 1 main warp to 1 binding warp, Count: 15 main warps and 15 binding warps per centimeter, Weft: polychrome silk without apparent twist, Colors: yellow, mustard yellow, deep blue, green and purple, Weave: weft-faced compound twill, 1/2 S. $Geum$ of $Seokgatap$ was made in the $8^{th}$ century, since it was weaved in weft-faced compound weave twill which was popular in the $8-9^{th}$ century. And also, the arrangement of the colors was done in the same way of gradation $Geum$ silk which was popular in the $7-8^{th}$ C in China and Japan. Third, we restored the pattern of $Geum$ of the Unified Shilla Dynasty for the first time. It was very difficult to figure out the shape and the size of pattern since the fabric was partially lost and ruined. We tried to draw the diagram of structure with the cross point of the warp and the weft to restore the pattern. By doing so, we could identify two kinds of small flower pattern, palmette and the pattern of repeating vines. Fourth, we could infer that the $Geum$ of $Seokgatap$ was used for $geumdae$(a pouch made of $geum$) by analyzing all the documents and the characteristics of the fabric.

• 건축역사연구
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• 제19권6호
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• pp.39-59
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• 2010

Seokgatap and Dabotap are representing the tower patterns in "Gyeonbotappum" of the Lotus Sutra. It is very peculiar, for the description on "Gyeonbotappum" is usually made in terms of 'the two Buddhas sitting side by side'. If 'the two Buddhas sitting side by side' is describing the situation in Dabotap, the double structure of Seokgatap and Dabotap can be said to symbolize the scriptural description in a different viewpoint. Its correct comprehension is pretty important in understanding Bulguksa. For this, this paper first arranged the critical minds and flows about the faith objects in Indian Buddhism. And, it was considered how these aspects were accumulated through Saddharma-pundarika sutra. Secondly, it was considered why "Gyeonbotappum" took the typical symbolism in Saddharma-pundarika sutra(Lotus Sutra). These parts should be necessarily considered in advance in that Seokgatap and Dabotap were derived from the form of "Gyeonbotappum". Based on this approach, the author checked the actual aspects of Seokgatap that the tower was built on a natural rock ground and the stones surrounding the tower are constituting the 8-directional Lotus site. With these two aspects, we could get the clue on the foundation time of Bulguksa that its founder had intended. In that Dabotap was formed on the basis of "Gyeonbotappum", the features of Dabotap is very important in comprehending its foundation viewpoint. As a result, the viewpoint of double towers in Bulguksa can be said to be the one that the world of suffering was to change to the Pure Land after Sakyamuni preached the Lotus Sutra on the top of Mt. Grdhrakuta and Prabhutaratna-tathagata proved it. This foundation viewpoint shows us clearly that 'the Lotus Buddhist Country' existed in parallel to the Avatamska Buddhist Country. It secures an appropriate meaning in that it can complement or adjust our understanding on the 'Buddhist country (Bulguk)' of Bulguksa where the Avatamska Idea is emphasized relatively highly as shown in the whole title of Bulguksa as 'Avatamska Bulguksa.'

• 건축역사연구
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• 제24권5호
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• pp.49-58
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• 2015

The purpose of this study is to analyze the overall condition of the foundation for the three storied stone pagoda of Bulguksa temple in GyeongJu. As a research method, exploration of the electrical resistivity, refraction seismic, surface wave exploration, GPR exploration, Reputation loading test. The results of the investigation, the range of the foundation was formed in foundation stone outskirts of 1.5 ~ 2.0m. It was confirmed to be about 2.0m depth. The depth of the foundation becomes shallower from the base portion to the outside. And the bearing capacity of foundation was sufficient conditions to weight. It can sufficiently support the weight of pagoda. And, the result of this investigation becomes basis data for repair work.

• 지구물리
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• 제5권2호
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• pp.143-151
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• 2002

서기 751년에 축조되어 20세기에 해체 수리된 경주 불국사의 다보탐(높이 10.4m, 기단폭 7.4m, 하중 123.2 ton)과 석가탑(높이 10.8m, 기단폭 4.4m, 하장 82.3ton)은 국보급 문화재이나, 현재 석탁의 풍화는 물론 지대석의 어긋남 현상들이 관찰된다. 이 연구에서는 두 석탑의 안정성 진단에 필요한 지반 특성을 파악하기 위하여 탄성파, 전기비저항, 지하레이다 등의 지구 물리탐사를 실시하였다. 전기비저항 분포는 두 석탑 부근에서 최대 2200 Ωm의 값이나 석탑 외부의 지반은 200 Ωm 내외의 낮은 비저항치를 보이며 특히 북쪽 지반이 전반적으로 더 낮은 값을 보인다. 탄성파 P파의 속도분포에서는 다보탑 지반은 500~800m/s를 보여 300~500m/s의 범위를 갖는 석가탑 지반보다 상대적으로 견고하다. 이들 결과와 지하레이터 영상을 종합하여 탑의 지반 형태를 파악하였다. 다보탑 지반의 형태는 한 변의 길이가 약 6m인 8각형 모양으로 약 4m 깊이를 갖고, 석가탑지반은 약 9m × 10m의 직사각형 형태로 약 3m 깊이까지 분포한다. 이는 석탑 건립 당시 약 8ton/㎡의 탑하중을 견디기 위해 구축한 기초구조로 해석한다. 대체로 두 석탑의 북서쪽 부분이 주변지역보다 낮은 탄성파 속도와 낮은 비저항값이 관찰되는데 이 부분은 연약한 지반으로 판단한다.

• 한국지구물리탐사학회:학술대회논문집
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• 한국지구물리탐사학회 2004년도 정기총회 및 제6최 특별 심포지움
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• pp.70-83
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• 2004

문화유산의 안전진단에 대한 가장 중요한 전제는 비파괴에 있다. 석조문화재에 대하여서도 비파괴진단과 보존을 위한 연구는 필수적이며 주요한 기술적 핵심이다. 비파괴진단 기술로서 지구물리탐사는 석조문화재 지반의 특징을 밝히는 중요한 역할을 하는데, 그 이유는 지반의 특성을 이해하는 것이 안전진단에 필수적이기 때문이다. 탐사사례로 국보급문화재인 경주 불국사의 다보탑(높이 10.4m, 기단폭 7.4m, 하중 123.2 ton)과 석가탑(높이 10.8m, 기단폭 4.4m, 하중 82.3ton)에 대한 지구물리탐사가 이루어졌다. 현재 석탑에서는 풍화는 물론 탑의 기울임 및 지대석의 어긋남 현상들이 관찰된다. 두 탐을 구성하는 석재의 역학적 성질을 위해 초음파 속도 측정을 실시하였고 천부지하구조를 위해 탄성파, 전기비저항, 지하레이더 등의 비파괴 복합 지구물리탐사를 석탑 주변에서 수행하였다. 초음파 속도범위는 석가탑에서는 1217${\~}$4403 m/s이며, 다보탑에서는 584${\~}$5845 m/s이며 이로부터 추정한 일축강도 평균치는 각각 463 kg/$cm^2$, 409 kg/$cm^2$이다. 탄성파 속도 분포에서는 다보탑 지반이 더 큰 속도를 보여 상대적으로 석가탑 지반보다 견고함을 보여준다. 대체로 석탑지반의 전기비저항은 최대 2200 $\Omega$m이며 200 $\Omega$m내외의 외부지반보다 더 높은 값을 보인다. 복합 지구물리탐사 결과를 종합하면 다보탑지반의 형태는 팔각형(한 변은 6 m)으로 그 깊이는 약 4 m 이나, 석가탑지반은 약 8${\times}$10 m의 직사각형 형태로 깊이는 약 3 m 이다. 이는 석탑 건립 당시 약 $8ton/m^2$의 탑 하중을 견디기 위해 구축한 기초구조로 해석한다. 대체로 두 석탑의 북서쪽 부분이 주변지역보다 낮은 탄성파 속도와 낮은 비저항 값이 관찰되는데 이 부분은 연약한 지반으로 판단하며 각 석탑이 북북서쪽 방향으로 기우는 원인으로 판단한다.

• 한국문화재보존과학회:학술대회논문집
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• 한국문화재보존과학회 2004년도 제20회 발표논문집
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• pp.15-24
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• 2004

The Seokgatap pagoda composed of mainly alkali granite and other minor pink-feldspar granite, fine-grained granite, granodiorite, diorite, gabbro, and tuff. Despite the small loss and damage derived from joints, its peel-off and exfoliation are serious enough to cause the heavy deterioration on the stone surface. The chemical and petrological weathering has partly replaced the original rock-forming minerals with clay minerals and iron oxyhydroxides. Based on the petrogenesis, rock materials of the pagoda is very similar to rocks of Dabotap pagoda and the Namsan granite in the Gyeongju. The central fart of the pagoda has sunken highly, which caused all the corners to split and the structural transformation to become worse. The reverse V-shaped gaps between the materials have broken stones filled in a coarse way. The iron plates inserted between the upper flat stone laid on other stones and tile pagoda body in the north and east side has been exposed in the air and corroded, discoloring of the adjacent stones. The overall diagnosis of the Seokgatap pagoda is the deteriorated functions of the stone materials, which calls for a long-term monitoring and plans to reinforce the stone surfaces. But the main body including the pagoda roof stone needs washing on a regular basis, and the many different cracks should be fixed with glue by using the fillers or hardeners designed for stone cultural properties after removing the cement mortar. In case of the replacement of the stone materials with new stones, it's necessary to examine the pagoda for the center of gravity and support intensity of the materials. The structural stability of the pagoda can be attained by taking a reinforce measure in geotechnical engineering and making a drainage. The ground humidity, which has aggravated weathering and structural instability, should be resolved by setting up a humidity reduction facility. The contamination of lichens and bryophyte around the pagoda and on the surface is serious. Thus biochemical treatments should be given too in order to prevent further biological damages and remove the vegetation growing on the discontinuous planes.

• 건축역사연구
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• 제22권6호
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• pp.47-58
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• 2013

The purpose of this study is to analyze the cause of damage to the three storied stone pagoda of Bulguksa temple in GyeongJu. This report is attempted to making reinforcement and conservation plan through investigating and analyzing the cause of damage to that. The damage is caused by occurring of stress, degrading of stone strength, changing of underground soil structure, natural disasters and so on. Compressive stress, shear stress, bending stress and lateral pressure affected to the pagoda since built up. Ultrasonic examination data tells the strength of the stone. According to this result, strength of the stereobate stone materials is enough to support the weight of the upper ones. But we could found many other factors of the damage could consider, for example the problems occurred on building the pagoda construction and the weakness of the stone material(soft rock). And many environmental factors being changed in soil structure(subsidence of soil and degradation of bearing power of soil and freezing and melting of soil) can be seen as the cause of the damage. Natural disasters like earthquake, lightning and heavy rain were also thought to give direct impact to the damage. At last Concentration of compressive stress caused the crack and exfoliation on the stone materials and shear stress, bending stress and lateral pressure were main causes of the stereobate stone materials shearing.

• 건축역사연구
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• 제21권2호
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• pp.7-20
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• 2012

As the corner of wooden pagoda forms the roof by closely bordering left and right eaves on the various purlins and angle rafters, it is designed for every face to be recognized as front whose structure system increases load to bear proportionally. The corner of wooden pagoda is inseparable with the corner bracket set as it becomes stable thanks to the corner bracket set structurally and load burden under restrained structure makes the corner bracket set really important. Accordingly, this study could figure out some facts by analyzing corner bracket sets of Palsangjeon of Beobjusa Temple in Korea, Seokgatap of Bulgungsa Temple in China and Ojungtap of Beobryungsa Temple in Japan which were constructed with pure wooden structure. This study demonstrated that corner bracket set played a pivotal role in keeping balance of concentrated load of corner (corner of opening) in each floor that contributed to the stability of wooden pagoda structurally despite multiple duplications of floors and also figured out the outfit of corner bracket set was subject to the floor type and the cross section of Gongpo installed on top of Pyeongju. Wooden pagodas in 3 countries were two floor types of octagon and square, and employed different connection method between upper and lower floors. The difference between floor and duplication method determines the method of corner, but even different methods were sufficient to have entirety in every side by completing dynamic principle of corner bracket set even though old method had to solve the problem of concentrated load and it also confirms that it was essential Gongpo to prevent any deformation of corner.

• 복식문화연구
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• 제25권5호
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• pp.611-628
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• 2017

As a plan for establishing Korea's cultural identity and its competitive edge in the world market and for enhancing Korea's cultural status, creative and unique high value-added cultural products need to be developed utilizing our inherent cultural assets. Accordingly, this study focused on the development of the design of fashion cultural products that utilize the convergence of Hangeul our peculiar font style and Korea's cultural heritage, which is registered as part of UNESCO's World Heritage. A design method was devised that converges archetypal images of cultural property with the unique Hangeul font in a way that targets Korea's symbolic architectures. The symbolic architecture includes Korea's world-heritage pagoda architecture, such as Seokgatap pagoda and Dabotap pagoda at Bulguksa temple. It also included the architecture of royal palace, such as Injeongjeon hall at Changdeokgung palace. Finally, it also included the architecture of the fortress wall, such as Paldalmun gate in Hwaseong fortress. Thus, by developing cultural assets made from a convergence between architecture and the Hangeul font as a consumer-product image that has universality, the possibility of cultural products was pursued by applying color planning after an analysis that involved extracting the compositional colors of the flags of the world. This research and approach will lead to opportunities for further progress for Korea's cultural products in the global market as a results of additional recognition for their value, excellence, and universal appeal.