• 한국의류학회지
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• 제40권5호
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• pp.801-814
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• 2016

This study uses the "Sejong chronicles" ritual manual to investigate the movements and roles of provincial governors during the enshrinement rituals of the royal portrait, the official uniforms of the provincial governors in their roles, and the characteristics of the official uniforms system for local governors in the early Joseon Dynasty. The results of this study are as follows. Provincial governors who participated in the enshrinement rituals of the royal portrait were governors 'en route' and governors 'in destination'. The movements of the governor 'en route' followed the provincial borders, official residences, and neighboring provincial borders. The movements of the governor 'in destination' followed the provincial borders, the official residence, and jinjeon. The roles of the governors included the welcoming ceremony, the bow-down ceremony, the front guard, and the farewell ceremony. The governors 'en route' wore Jobok in the welcome ceremony, and a Sibok in the bow-down ceremony before the farewell. The governor 'in destination' wore Jobok in the welcome ceremony, and Jobok (or Sibok if Jobok was not available) in the bow-down ceremony before the farewell. The characteristics of the official uniforms system for local governors in the Joseon Dynasty were as follows. First, the governors wore different uniforms depending on the importance of the rituals in the early Joseon Dynasty. Second, the names of official uniforms Sang-bok and Si-bok were used interchangeably in the early Joseon Dynasty. Third, local governors were allowed to wear Sangbok (or Sibok) instead of Jobok.

• 동양고전연구
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• 제73호
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• pp.303-325
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• 2018

황희(黃喜: 1363~1452)는 조선 초기의 명재상으로 세종 시대의 찬란한 문화를 여는 데 지대한 공을 세웠다. 그는 종묘(宗廟)에 배향된 공신(功臣)이며 조선시대의 대표적 청백리(淸白吏)이다. 학문상의 공로를 인정하는 팔도유생들에 의해 문묘(文廟)에 배향을 청하는 상소가 두 차례나 있었다. 그에 대한 역사적 평가와 위상은 실로 남다른 바가 있다. 그러나 "세종실록" 등 조선왕조에서 펴낸 실록(實錄)에 따르면 황희에 대한 당대(當代)의 평가가 일률적이지는 않았다. 황희의 부정과 비리 등을 비판하는 내용이 실록에 다수 실려 있다. 모두 사실로 인정하기는 어려울 것이다. 단순히 의혹을 제기하는 수준의 내용이 있고, 고의적인 악평(惡評)에 가까운 내용도 있다. 다만, 사관(史官)이 양심에 따라 객관적으로 서술하려 한 것이기 때문에 일단 존중할 필요는 있다. 황희는 특유의 관대함[관(寬)]으로 높은 평가를 받았고 관료 사회에서 인심을 얻었다. 그러나 관대함이 지나쳐 집안을 다스리는[제가(齊家)] 데 문제가 있었다는 것이 사관의 평이다. 필자는 이 평이야말로 당시 일각에서 황희에 대해 제기한 비판의 근본 원인을 잘 설명해주는 것이라고 생각한다. "사람의 잘못에는 저마다의 유형이 있다. 잘못을 보면 그 사람의 인간됨을 알 수 있다"고 한 공자의 말에도 잘 들어맞는다고 하겠다.

• 복식
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• 제64권1호
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• pp.45-63
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• 2014

In the Taenghwa(Buddhist paintings), the clothing habits of the times can be observed since it depicts the lives of people from all walks of life. These 16th century Taenghwas were drawn based on the understanding of the ritual costumes of early Joseon dynasty appearing in works such as oryeui Se-jong-sil-lok; Sejong chronicles and Gyong-guk-Dae-jon. It shows the perception of various types of clothing such as the Myeon-Bok(King's Full Dress), Won-yu-gwan-bok(King's Ceremonial Dress), and Gon-ryong-po(royal robe at work), and describes the early King's Won-yu-gwan-bok in the early Joseon dynasty that equips Bang-sim-gok-ryong(Round Neck Band). Various officials' uniforms and various men's coats are described. From it, one can visually verify the records of Joong-jong-sil-lok; Joongjong chronicles that describes the appearances of various hats and coats. They also tell us that Chang-ot(light outer coat) was worn prior to the 17th century. It also shows us that the ritual costume of women in Koryo was passed down to early Joseon. Also, in regards to the Buddhist priest costumes, the jang-sam's gray color and ga-sa's red color has been passed down until today. The most representative characteristic for clothing materials were horsehair, silk, ramie, hemp, and cotton.