• International Journal of Advanced Culture Technology
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• v.12 no.3
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• pp.449-465
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• 2024

This study conducted a systematic literature review using online databases to investigate the effective feedback types that enhance the learning experiences of online students. Feedback is a critical component for learner success. With the expansion of online education, the importance of feedback has become more evident due to the reduced interaction between instructors and learners. Instructors must provide high-quality feedback that motivates learners and supports their educational goals. This involves using automated tools appropriate for the environment and effective feedback strategies to deliver personalized feedback. The literature was gathered through an extensive search process, adhering to predetermined inclusion and exclusion criteria, and included a risk assessment of selected studies, drawing from sources such as Google Scholar, Elsevier, and other Scopus-indexed journals. The review adhered to the guidelines set forth by the Preferred Reporting Items for Systematic Reviews and Meta-Analyses (PRISMA). Specific keywords related to the study's focus, including "Online learning," "Improving learning," "Learner performance," "Feedback type," and "Feedback," guided the database searches. The protocol for selecting systematic reviews on learning enhancement involved screening articles published from 2013 to 2021 based on their titles and abstracts according to established criteria. Analyzing and studying data on learning patterns in non-face-to-face educational environments can improve learners' needs and educational effectiveness. Selecting the right types of feedback, taking into account the learners' levels and educational objectives, is crucial for providing effective feedback. A variety of feedback types are essential for the continuous improvement of learners' learning.

• Journal of the Korean Society for information Management
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• v.28 no.2
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• pp.79-96
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• 2011

Despite the widespread use, critics claim that citation analysis has serious limitations in evaluating the research performance of scholars. First, conventional citation analysis methods yield one-dimensional and sometimes misleading evaluation as a result of not taking into account differences in citation quality, not filtering out citation noise such as self-citations, and not considering non-numeric aspects of citations such as language, culture, and time. Second, the citation database coverage of today is disjoint and incomplete, which can result in conflicting quality assessment outcomes across different data sources. This paper discuss the findings from a citation analysis study that measured the impact of scholarly publications based on the data mined from Web of Science, Scopus, and Google Scholar, and briefly describes a work-in-progress prototype system called CiteSearch, which is designed to overcome the weaknesses of existing citation analysis methods with a robust citation-based quality assessment approach.

• Cross-Cultural Studies
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• v.23
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• pp.215-242
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• 2011

Yingchuang yicao(${\ll}$螢窗異草${\gg}$) is a collection of short stories in Classical Chinese, whose style was much affected by Liaozhai zhiyi(${\ll}$聊齋志異${\gg}$). It consists of 3 chapters, 12 juan, and 138 stories. This work was written by a scholar with the pen name of Hao gezi(浩歌子) in the reign period of Qianlong in the Qing dynasty, and has drawn relatively little attention among the scholars thus far; it was not until 1980's that scholars figured out that the author Hao gezi was Yin Qinglan, the sixth son of the renowned Qing scholar Yin Jishan. Yingchaung yicao had circulated as a manuscript for more than one hundred years until it was printed by Shenbao guan(申報館) in Shanghai in the reign period of Guangxu 2-3 (1876-1877). This edition is currently collected at The Kyujanggan(奎章閣) Institute of National Seoul University. At present, no known study of its introduction to and circulation in premodern Korea is available. However, given that the late $Chos{\ddot{o}}n$ period saw high interest in Chinese narratives, it is speculated that this work was imported to Korea soon after its first publication in China. Later, two publishing houses in Shanghai also published illustrated editions of the work. Given that the Shenbao guan version is the first printed edition of Yingchuang yicao, the copy collected at Kyujanggak Institute should be regarded highly for its academic values.

• (The)Study of the Eastern Classic
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• no.70
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• pp.385-405
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• 2018

This paper aimed at examining studies on the Book of Odes of Weng fang-gang(翁方綱), a scholar who lived during Qianjia(乾嘉) period in the Qing(淸) Dynasty. In study on the Book of Odes, he had confidence in interpretation of Shixu(詩 序) and Maozhuan(毛傳), laid emphasis on long interpretation and opposed a tendency to be dubious of Confucian classics, showing a tendency of hanxue(漢 學), and he also showed a tendency of songxue(宋學) by criticizing a problem of Zheng xuan(鄭玄) & Kong ying-da(孔穎達) and taking a positive position toward Shijizhuan(詩集傳) of Zhu xi(朱熹). So to speak, Weng fang-gang can be considered to be a scholar who appropriately adopted and used the study method of hanxue(漢學) and songxue(宋學) in studying the Book of Odes.

• Journal of the Korean Society of Costume
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• v.54 no.5
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• pp.83-93
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• 2004

The purpose of this study is to examine the relationship between thought systems of post-structuralism by Deleuze and digital culture which is the core topic of social and cultural discussion. And this study also aims to grasp the diversity and movable thinking shown in fashion illustration from the aesthetic thought systems of post-structuralism theory by Deleuze. Furthermore, this study intends to ascertain the concrete representation characteristics and its significance of fashion illustration by analyzing works on the basis of the above-mentioned theory. What are discussed in this paper can be summarized as follows First, this study examined the post-structuralism which supplies the theoretic basis for figuring out the principles of diversity and movable thinking. Second, this study examined the relationship between the open structure and movable individuality of Deleuze who is a representative scholar of post- structuralism. Third, this study analyzed the representative characteristics and aesthetic value to which the principles of post-structuralism, derived from the aesthetic theory of Deleuze, was applied.

• Cross-Cultural Studies
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• v.31
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• pp.217-240
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• 2013

The Chinese Bronze Epigraphy is based on the study of the Ancient Bronze, which is excavated from the ground and it is also related to Archeology and Historical Science as well. From the Han dynasty, to the Song dynasty and to the Qing dynasty. Chinese Graphonomy had a splendid development. Including ShuoWenJieZi in the Chinese Graphonomy and the study of Bronze got a shining improvement. ShuoWenJieZi as a key for deciphering ancient Chinese characters. With constant reference to the ShuoWenJieZi, Qing scholars pioneered the earliest large scale interpretations of bronze inscriptions. Several Qing Dynasty ShuoWen scholars such as a WangYun and DuanYuCai have made research in the Bronze Epigraphy. Through this research, we can figure out whether there is any relevance between the traditional study of Epigraphy and the Qing dynasty's.

• Cross-Cultural Studies
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• v.39
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• pp.461-484
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• 2015

Wangyun is a prominent scholar in the Qing dynasty. Shuowenshili is his masterpiece study of Shuowenjiezi. Shuowenshili discusses the difference between Fenbiewen and Leizengzi. It emphasizes that meanings to a word tends to help express more exactly. Wangyun's discussion about Gujinzi refers to the phenomenon that in order to recode a word different characters used in different periods. Wangyun's use of Gujinzi is based on the purpose to explain the relationship between characters. Fenbiewen and Leizengzi are specialized term of characters evolution. Wangyun's theory of Fenbiewen, Leizengzi and Gujinzi is the most important linguistics found. He was generous contributions to the linguistics of China. In particular, understanding the meaning and development of Chinese character.

• The Research Journal of the Costume Culture
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• v.13 no.2 s.55
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• pp.269-279
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• 2005

Okso, Keun Seob($1671\sim1759$) was descended from a noble family of Noreun(노론) and learned from his uncle, Keun Sang-ha who is a disciple of Song Si-Yeol, Kim Chang-hyeub and Kim Chang-heub. His $\lceil$Oksoko$\rfloor$ remains in the form of a transcription or a lithographic printing, and documents on 'Hakchangeui' are recorded in jabeui(잡의), Euijedogi(의제도기), which is a part of it. He left Seoul in 1714, settled in Chungpung, journeyed to many places, including the Hwang river area and Jecheon and led a literary and artistic life as Sadaebu(사대부), which was written in a collection of his works where the record about 'Hakchangeui', the most suitable clothes for the life of a retired scholar remains today to express one part of his life. This study introduces data about Hakchangeui written in $\lceil$Oksoko$\rfloor$, pursues the reason why Okso, Keun Seob told about it and intends to embody the figure of Hakchangeui based on the system, measure, material, and sewing method according to the records in a collection. Hakchaneui described in $\lceil$Oksoko$\rfloor$ reveals a structure that is different from old Hakchaneui, showing characteristics like the following. It is a Sadaebu's costume for field amusement in which the length of a former part is longer than that of a later part and the side seam of a garment rips. Black Yeon is attached to the white texture. Yeon widths of Git(collar), Sugu and Gil are varied, respectively. Yeon's figure attached to Gil and Somaejindong is a mountain. Git is Bangryeong and link parts between Git and Gil is connected with Sangchim. This Hakchangeui is considered to playas a gown because it has no string or support to adjust his dress. Especially we can identify that Hwayanggun(화양건) was used in this Hakchangeui.

• The Journal of the Convergence on Culture Technology
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• v.8 no.1
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• pp.313-320
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• 2022

Recently, the keyword 'convergence' has emerged in the education field. The voice of demand for the humanities is also increasing. The range of convergence of the humanities is gradually spreading to various fields such as science, technology, engineering, and the arts field. And also, the trend is to nurture the future creative convergence talent with logical, comprehensive, and creative thinking through the fusion of humanities, scientific, and empirical theories. Myths and legends contain the content of humanity's culture creation and deal with matters such as religion, philosophy, art, and science. Therefore, through the consciousness of the ancients who lived in the so-called convergence era when academic differentiation did not occur, it will be possible to reflect on the appearance of sages. In this paper, we propose a method for educating Chinese culture through the analysis of by Wen Yi-Duo, a famous Chinese scholar. He sought to find the origin of Chinese culture through myths and legends and to find national identity by restoring the concept of national culture in the period of origin. The myths and legends of China are closely related to the cultural phenomena of modern China, which will further enhance our understanding of China.

• 지역과문화
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• v.4 no.2
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• pp.1-23
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• 2017

The regional development plan by the city of Andong in establishing the foundation for cultural eco-tourism in the cultural area of confucianism(2010-2020) consists of 2 leading projects (the World Confucian Scholar Culture Park, the Korean Culture Theme Park) and 2 strategic projects (the Confucian Scholars' Literature Park, the Sunsunghyun Culture Complex, the Traditional Bittarae Weaving Village). By inter-regional input-output analysis, their multiplier effects of output, value-added, income and employment are estimated respectively 990.2 billion won(multiplier 2.23), 318.2 billion won(multiplier 0.72), 187.7 billion won(multiplier 0.42), and 4,791 workers(multiplier 10.6 workers/billion won). The ongoing project has been, however, delayed due to various issues and has hit a ceiling towards achieving the original objectives of the familiarization, industrialization and globalization of Confucian culture. To overcome these problems, the associated plans of constructing the Korean SMART LINK LINE, of developing contents blending traditional culture and ICT, of establishing tourist complexes and infrastructure around Lake Andong, and of constructing interactive attractions of traditional culture were proposed as new growth-leading plans.