• Korean Journal of Logic
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• v.16 no.3
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• pp.309-346
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• 2013

This paper deals with the problem, which logic of language and which metaphysics Wittgenstein suggests in the Tractatus logico-philosophicus. I will ultimately show how he bases the metaphysics on the logic of language. The logic of language by which Wittgenstein sets the limit to the language 'in the language' is the logical syntax of the language. And Wittgenstein extends the idea of the logical syntax to the understanding the nature of the world, i.e. to the metaphysics. The logical form the language(proposition) must have is the form of the world(or the nature of the world), and it can be determined only together with the logical syntax of the language. But what is the logical form(form of the world) 'cannot be said', since the proposition saying it is devoid of 'sense' and 'says nothing'. Therefore Wittgenstein expresses that the logical form(form of the world) 'can only be shown' in the proposition that has sense. The Metaphysics Wittgenstein wants to base on the logic of language(the logical syntax) must be mystical.

• Korean Institute of Interior Design Journal
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• no.13
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• pp.150-160
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• 1997

The tendency of the Minimalism in the contemporary a architecture is based on Mies van der Rohe s saying ‘나SS IS m more" as the principle of the Minimal art and its formative c composition. It can be divided into technical Minimalism p prevailed in Northern Europe and the zone of German l language, and the regional one in Southern Europe and S Southern America. The former is interested in the experiences of the techniques and materials, and the latter in that of the s space and the place through the simple forms. The minialistic approach to the architecture is nat only m methodological one. It accepts the concept and the construction of architecture as 2 axes for making it keeps the tradition and c communication with the master builder, the materials, and i염 m means to compound. The expressive characteristics of works in M Minimalism are 1) as the formal issue, it is simple, self-referring. without any symbol or any allusion, and compounds the r repetitive forms as the comceptual aspec않 of architecture, 2) it h has the characteristies such as the approach directly to the m means by which architecture made, the critical interests to the m material attributes, and the capacity to the contemporary t technology as the issue of technique and materials, 3) regarding t the space and the place, it shows the good sense to the site in t the sphere intervention of architecture 1e Maininlalism architecture has i않 impotance in the point t that it seeks to the qualities immanent in architecture by s showing the marvelous status through discovering the i immanent properties of the site, program materials, and the s structure, and also it begins new way of interpreting a architecture with new viewpoint to the its essence as well as a architecture itself.self.