• Title/Summary/Keyword: Sam-Cheong

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The Research Regarding Cheong-Sam Pattern of Fabric Design in the Period of the Republic of China(1912-1949) - Comparison Between Jing Pai and Hai Pai - (중국 민국시대(1912년-1949년)에 나타난 치파오 문양에 관한 연구 - 경파이 치파오와 해파이 치파오의 문양 비교를 중심으로 -)

  • Seo, A-Jeong;Oh, Hee-Kyoung;Kim, Sook-Jin
    • Journal of the Korea Fashion and Costume Design Association
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    • v.15 no.3
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    • pp.69-83
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    • 2013

  • Clothes show not just the different social status of people, but the ideology and value of former society through pattern, colour, materials, shapes, etc. The purpose of this article is to fill the academic blank of this part by researching the pattern of fabric design in Jing Pai(Beiing style) and Hai Pai(Shanghai style) cheong-sam during the period of the Republic of China. The contrastive analysis of regional pattern between Jing Pai and Hai Pai cheong-sam expect to provide the theoretical basis for the former fashion designers and scholars. There are three approaches in the article: Data collection method, comparison method and Combining theory with practice method as film. Regarding components of pattern, both Jing Pai and Hai Pai cheong-sam have mostly single or composite pattern like plants. Further the most of Jing Pai cheong-sam pattern is traditional flower pattern. But Haipai cheong-sam patterns have some western flower pattern. Beside that, it have some geometry pattern. Regarding arrangement of the pattern, both cheong-sams have scattered dot style, the border style, and pictures style. But continuous type of Jing Pai cheong-sam is less while Hai Pai cheong-sam is the most. Comparing Jing Pai cheong-sam color of patterns in "Moment in Peking" is unadorned and types are simple as chinese traditional clothes; However, "In the Mood for Love" introduces us various material colors, new types of patterns and extraneous characteristic geometry patterns of Hai Pai cheong-sam. Generally speaking, the main characteristic of Jing Pai cheong-sam is traditional and conservatism. It keeps Chinese traditional pattern and culture to the most extent. However, Hai Pai cheong-sam are confluent and open with absorbed external culture and techniques which are endowed new artistic color.

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Classic of Oriental Medicines in the San-Cheong Region (산청지역의 전통의학 문헌)

  • Ahn, Sang Woo
    • The Journal of Korean Medical History
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    • v.21 no.1
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    • pp.1-12
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    • 2008

  • San-Cheong region is the mountainous region in the southeastern part of Jiri-San where herbs with superior quality has been produced and famous doctors in history of Oriental Medicins such as Eui-Tae Ryu, Yi-Tae Yu, Cho-Gek Huh, and Cho-Sam Huh has lived. The most famous of all is Eui-Tae Ryu, who was a court physician under the reign of Suk-Jong in late 1660s. He wrote many classics on Oriental Medicines such as 痲疹編, a professional literature on measles, 實驗單方, a classic on miscellaneous diseases, 麟西聞見錄. Also, Cho-Gek Huh, and Cho-Sam Huh brothers wrote 晋陽神方, 晋寓神方, and various tales on medicines.

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