• The Journal of the Acoustical Society of Korea
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• v.18 no.4E
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• pp.10-19
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• 1999

Psychophysical approaches to the room acoustics have been made in number of researches. The present study is looking at whether the listener's perception of frequency change in rooms are dependent on the acoustics of a listening environment. P(C)s for frequency change in short tones were measured in different listening conditions. Two experiments were carried out to investigate the influence of room acoustics on the listener's perception of frequency change, and its implication for evaluating the acoustics of listening environments were examined and discussed. It was found that the temporal and spectral contents of reflections from room surfaces might be an important factor which influenced the listener's perception of frequency change in a reverberant sound field. This implicates that psychophysical approach by measuring listener's frequency change perception might be an useful tool for evaluating room acoustics. However, cares should be taken, since some individual differences were found to exist with respect to the direction of frequency change.

• Journal of Korean Association for Spatial Structures
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• v.8 no.3
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• pp.53-63
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• 2008

In this study, the reverberation characteristics of coupled spaces were investigated using a scale model. Two rooms were connected through an acoustically transparent opening known as an aperture. The acoustic characteristics of the coupled room by varying three parameters, the aperture opening size, the absorption ratio between the two rooms and the locations of the secondary room, were measured and analysed. The results indicated that a reverberant secondary room, produced large variations of the acoustics in the main room and an absorptive secondary room was effective to provide systematic control of the acoustics in the main room. The reverberant secondary room should be located at the rear of the stage and the aperture opening ratio over 6.25% produced large variations of the acoustics in the main room. However, the aperture opening ratio over 25% had no effect on variations of the acoustics in the main room. The absorptive secondary room should be located at the rear of the audience areas and the aperture opening ratio over 3.13% produced large variations of the acoustics in the main room.

• Proceeding of Spring/Autumn Annual Conference of KHA
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• 2004.11a
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• pp.361-366
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• 2004

This study has carried out in order to furnish the fundamental material to systemize the lecture room into multimedia in the future, by locating college lecture room as the subject of study, by compare and analyze on acoustic character in both before and after of each improvement. Thereby, now we are about to compare and analyze on physical character of room acoustics in both common lecture room before improvement and the modified multimedia-lecture room after its improvement. Observing the conclusion obtained through experiment, reverberation time in the modified 'lecture room after improvement' became shorter compare with the 'lecture room before improvement', definition and RASTI also improved to be suitable to lecture, and considered that it is able to elevate the intimacy with studying and teaching efficiency, as well.

• Proceedings of the Korean Society for Noise and Vibration Engineering Conference
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• 2003.11a
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• pp.742-742
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• 2003

This study is about the effect of the sound pressure level of reverberation on stage acoustics. There are several electro-acoustics systems to enhance the room acoustics of concert hails but not many studies on the stage acoustics for the musicians who plays on the stages. To investigate the effect of reverberation on stage acoustics, the reverberation time of a test room has been controlled through a 4 channel speaker system, and the preferred reverberation level has been selected by performing musicians. As a result, the sound pressure level of reverberation seems to affect the perception of stage acoustics which motivates musicians' performances.

• Journal of KSNVE
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• v.9 no.4
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• pp.681-686
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• 1999

In a church, speech intelligibility is very important together with the reverberance for musical activities. In order to obtain the primary data of a acoustical design for churches records were refereed and churches were measured in Europe and Japan. And in the base of measurements, those were judged by subjective hearing test. As some results, it has been found that the room acoustics of churches were different in a country and the reverberation time was perferred two seconds for speech intelligibility. However, although personal deviations were admitted, more long echoes were preferred for the music.

• Transactions of the Korean Society for Noise and Vibration Engineering
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• v.22 no.5
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• pp.429-436
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• 2012

In concert halls and auditoriums, acoustic reflector and stage enclosure is one of the main factors on the room and stage acoustic characteristics. As a stage enclosure and acoustic reflector honey comb based light-weight reflector is widely used, because it is easy to install. However, there was not enough research on the surface density effect on room and stage acoustics. In this study, sound absorption coefficient tests on three kinds of wooden acoustic reflectors with different surface density were conducted. Surface density of acoustic reflector was changed from 11 kg/$m^2$ to 41 kg/$m^2$. For the low frequency excitation, sub-woofer was used with omnidirectional loud-speaker simultaneously. From the experiments, it was found that sound absorption coefficient below 250 Hz band was decrease by the increment of surface density. In order to check the influence of the surface density on room and stage acoustic parameters, room acoustic simulation was conducted with sound absorption coefficients, which were tested in reverberation chamber. By the increment of surface density of acoustic reflector, RT(reverberation time) and EDT(early decay time) were increased. Also, ST(stage support) was improved in low frequency bands.

• The Journal of the Acoustical Society of Korea
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• v.40 no.6
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• pp.626-648
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• 2021

Domestically, demands for multi-purpose performance venues which accommodate various performance genres have increased. However, those venues have limited capability and confined to a primary performance. The present work investigated various methods for controlling the acoustics of room for required performance genres by reviewing aurally presented and published materials. The method of varying the acoustics of a space is called Variable Acoustics, and adjusted in either passive and active ways. Passive control encompasses variable absorption, variable volume, coupled volume, and canopy reflectors, where the acoustics of a room is controlled in an architectural way. Active control includes In-line, Regenerative, and Hybrid systems where the acoustics of a room is manipulated electronically. The mechanism and application of each passive control system in existing venues are reviewed and their pros and cons are discussed. Also, the concept of each active systems and product applications are looked at through literature reviews. Lastly, some considerations that need to be taken into in the planning and design stage of a multi-purpose hall using Variable Acoustics are suggested.

• Proceedings of the Korean Society for Noise and Vibration Engineering Conference
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• 2010.05a
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• pp.462-462
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• 2010

Glass fiber is widely used in architectural acoustics or building acoustics for sound absorption since it was introduced into China for about 50 years. But recent years, with people pay more attentions to the air cleansing and their health which may be affected by the tiny fiber of the glasswool, a voluntary tendency opposing glass fiber of room using is gradual appeared in China. This paper discusses both the main opinions towards the question whether there are harmful impacts on people health from glassfiber, and the application circumstance of it's applying in china. This paper focuses on another substitute sound absorbing material, melamine foam, to discuss the strong environmental friendly tendency opposing glass fiber of room using in China now.

• Journal of Korean Association for Spatial Structures
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• v.11 no.1
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• pp.67-75
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• 2011

The present work investigate the effect of sound reinforcement systems on the acoustics of a large dome stadium using a computer simulation. The acoustics of a dome stadium was predicted analyzed by varying room absorption, as well as the configuration of speakers including their directivity, installed height, and numbers. It was found that both D50 and RASTI were improved by increasing room absorption. Larger EDTs were observed according to the increase of room absorption at mid and high frequencies. On the other hand, RT did not show any significant correlation with the changes in room absorption, which might be the effect of a forced linear fitting for non -linear energy decay process. With respect to the speaker configuration, the speech intelligibility of a sound reforcement system installed at higher placed more relied upon their directivity rather than room absorption, Also, lower placing of speakers was found to be effective in decreasing RTs regardless of room absorption.

• Proceedings of the Korean Society for Noise and Vibration Engineering Conference
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• 2008.11a
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• pp.589-590
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• 2008

Sound absorption characteristics of audience seating is very important when design and simulate room acoustics of concert halls or multi-purpose auditoriums. Sound absorption characteristics of audience seats were measured in reverberation chamber by varying the row to row spacing and number of audiences. By the increment of the row to row spacing, sound absorption characteristics in mid frequency band was increased. Also, sound absorption was proportionated to the number of audience.