• 혜화의학회지
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• 제9권1호
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• pp.121-134
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• 2000

The following results obtained through studies related on nose. 1. Nose is called mingtang(明堂) mianwang(面王), as it emphasize the meaning of viewing diagnosis(望診) and is called yuanpinzhimen(元牝之門), tianpinzhimen(天牝之門), qiqizhimen(七氣之門) as it emphasize the meaning of the entrance of atmosphere flow. Because it's position is the middle of face, we call tianzhongzhiyue(天中之嶽), zhongyue(中嶽). 2. As the organ of body, nose comes under the category of lung-iron(肺金), functionally comes under the category of heart-fire(心火). Functionally we can smell oder, organically nose is the pathway of respiration and to be resonator. 3. Wuzangliufu(五臟六腑) is arranged closely around the nose. The essence of wuzangliufu(五臟六腑) reflect nose, so nose becomes the standard of coloring diagnosis(色診). 4. We call nose is feihou(肺候), but it is not connected directly between the lung channel and nose. In case of lung symptom(肺證), first of all, nose become to appear the condition of lung, the lung channel and nose is close functionally. 5. The view of channels, nose is a connection with channels of yangming(陽明), bladder(膀胱), du(督脈) directly. By the connecting of each three channels, spleen stomach heart and kidney(脾胃心腎) are connected with indirectly. As the result of the relation, nose helps for body to breathe and to circulate qi(氣) and smell. And so the nature of wuzangliufu(五臟六腑) appear to the nose. 6. Particularly, the yangming channel(陽明經), and the bladder channel(膀胱經) are important. Because air-qi(天氣) reach to kidney lung through nose, ground-qi(地氣) reach to spleen stomach through mouth and yingwei(營衛) revolve through the bladder channel(膀胱經). As the result nose becomes the essential organ of circulation of yinewei(營衛), ascent and descent of qi(氣).

• 한국음향학회지
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• 제26권1호
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• pp.32-41
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• 2007

엔지니어의 모니터링 위치가 한 지점에만 한정되어 있는 음향조정실의 기존개념을 여러 사람이 동시에 작업할 수 있는 지역적인 방식으로 개선하였다. 이를 위하여, Davis의 $LEDE^{TM}$ 방식을 도입하였고, 내부의 구조 및 흡음재료의 특성, 확산기 및 저역흡음기의 설치와 음상법 등을 활용하여 초기시간지연을 제어하였다. 따라서 여러 엔지니어들이 서로 유사한 음향특성 하에서 동시에 소리를 모니터링 할 수 있는 무반사지역을 형성시켰다. 뿐만 아니라, 음향조정실 (특히 무반사지역) 안에서 정재파, 음향초점, 컬러링, 하스효과 그리고 플러터 에코 등의 발생을 억제하거나 크게 감소시킬 수 있었다.