• 미술이론과 현장
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• 제9호
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• pp.33-57
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• 2010

Focused on the performance of interactivity in the appreciation of media art, this study is associated with the continually changed art texts and a participator's physical reactions to savor the art. Digital works of art emphasizing interactivity usually decentralize and disperse the responsibility and the central role for creating and producing the art works. Proper procedure of the work is generated by actions such as clicking the mouse, controlling the joy stick or actual movement of anticipators' bodies. The art works are influenced by participators' interactivity, which makes the leading roles and the responsibility for creating art scattered and divided. These features are similar with those of the 'Rhizome' which Gilles Deleuze(1925~1995) and Felix Guattari(1930~1992) have discussed. In their argument, 'Rhizome' is an interval or being 'between', which keeps changing. 'Rhizome' is a state in which the individual and the work of art never reach the conclusion, only a phenomenon of eternally altering. Like 'Rhizome', this sort of art work has the decentralized system, opens for several directions, and activates the system which is changeable as linked items increased or decreased. These works stimulate the individual to perform and act while appreciating the art piece. In terms of processing and preceeding, interactivity is the important equipment and catalyzer. Through these procedures, the pieces can be the 'floating work of art' combined and condensed with the whole participators' reactions. The 'floating work of art' is neither the expression of an individual nor that of one particular group. Multidimensional influence of the web is the web which is constantly reorganizing and producing in its connective state. This connective state is activated by interactivity. The Rhizomatic system embodies the floating work of art process. Due to each individual perceiving art in individualistic terms, there is no dominating powers or central points. I regard this art works possessing above traits as the work of art with Rhizomatic system. The work of art with the Rhizomatic system is embodied through interactivity and because physical action activates the process of appreciation, a participator can actually experience and practice the philosophy. Ultimately the Rhizomatic speculation occurs during the interactivity of appreciating the Rhizomatic art pieces. The Rhizomatic system penetrates into the intuitive area beyond our recognition and thoughts, as we are engaged in the connective process. With the methods and manners of interactive art, we can possibly reconsider the system as a tool in which the participator is directly able to link experience and theory to the philosophies of Deleuze and Guattari.

• 복식
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• 제18권
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• pp.321-337
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• 1992

Fashions are constantly subject to change, so that forecasting trends in fashion is very difficult and the forecasting is very important. The reason is that forecasting is identifying a hot trend for the next days' business and projecting the future. The purpose of this study is to suggest the realistic forecasting theory identify fashion trends at present, further forecast fashion trends to 1995. For this study, historical models (th historical resurrection model, the historical continuity model) and the art movement model among the behavioral science models which was suggested in 1986 by Geoge B.Sproles were selected. According to this study, was exhibited. This curve was resulted from relation between 1980s fashion trends and the behavioral science models of fashion. Fashion trends to 1995 through will be followings; 1. Body Conscious look as one of the characteristics of modern fashion will bi continued throughout 1990s' fashion trends. 2. The attraction of Mini style was started from the middle of 1980s, recently gets near micro mini and super shouts, These are representative of the historical continuity model. 3. Mini look as revivals of '60s in early 1990s fashion trends. This phenomenon identifies that "Fashion is repetition" 4. When Mini look and super shorts reach, will not progress any more. In this time, will bi seen transfer of style be using classic style. Tat is modern classic will be appeared. also this condition is same from late 1960s to early 1970s. In view of the historical base, the action of the varieted pants will be prominent. 5. Fashion trends which passed through this process will transfer from young look to elegant look. In this time, designers will retrospect '30s and '50s fashion trends, and then will design modern feminine look. 6. Ethnic look, the fashion trend after that condition will be accelated feminine look. This look with the feminine look will reveal rich, colorful, elegance feminine image. 7. In 1980s, activity and function in clothes were demanded. The clothes which are considered these condition will be demanded continuously. 8. The variety of fashion will appear as mixmode and new coordinate look in a clothes simultaneously in fashion of '90s. And these looks will creat mixed beauty. 9. Pop art, op art, graphic art will be not only development of textile but also movement of fashion soul in 1990s. The fashion behavior will be continuously scientificated.

• 유통과학연구
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• 제12권11호
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• pp.67-76
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• 2014

Purpose - PB (Private Brand) refers to the product for which the distribution company plans the production independently, consigns the production to the manufacturer, or attaches the self-developed trademark and sells it. To reinforce competitiveness in such a market environment, diverse products development, systematic management activities, and marketing efforts to analyze and understand the consumers' behavior regarding PB products are emphasized. Therefore, this study aims to investigate the relationships among PB product attributes, consumption emotion, brand attitude, and brand loyalty in general supermarkets. First, PB product attributes were defined using the five categories of perceived price, store image, familiarity, perceived service, and perceived quality, based on preceding studies. This study examined the influence of PB product attributes on consumption. Further, this study examined the relation among consumption emotion, brand attitude, and brand loyalty. This study provides more detailed and concentrated strategic implications. Research design, data, and methodology - In this study, the research model was designed to examine the relation among PB product attributes, consumption emotion, brand attitude, and brand loyalty. For the data collection method, the questionnaire survey comprised multiple items for each component and the direct interview method was employed. To collect data, the questionnaire survey was conducted for customers who personally visited the general supermarket after verifying the PB product purchase experience. The questionnaire survey was performed for one month, May 2014. A total of 300 questionnaires were distributed and 240 questionnaires were used for the analysis, excluding the unanswered and insincere questionnaires. The data were analyzed using SPSS ver. 20.0. Results - First, PB product attributes had a significantly positive effect on consumption emotion. The PB product attributes perceived by the customer at the point of service contact are important to form the positive consumption emotion. Second, consumption emotion had a significantly positive effect on brand attitude. Third, the consumption emotion had a significantly positive effect on brand loyalty. Such consumption emotion is an important factor in causing the positive evaluation on the brand attitude perceived by the customer. Fourth, brand attitude had a significantly positive effect on brand loyalty. The consumption emotion was positively represented to invoke the relational continuance behavior. The relational continuance behavior accompanies the repetition of purchase, word of mouth, and recommendation activities, and influences trust regarding the brand, for which the customer maintains the transaction continuously. Conclusions - The PB product attributes perceived by the customer at the point of service contact are important factors to form the positive consumption emotion. Based on this result, the discount store service provider would prepare the measures that can make the customer recognize the positive value, and make more detailed efforts. Consumption emotion is an important factor to cause the positive evaluation on the brand attitude perceived by the customer. Based on this result, the general supermarket must make efforts to provide fun or convenience in the purchase process for consumers.

• 한국지구물리탐사학회:학술대회논문집
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• 한국지구물리탐사학회 2008년도 공동학술대회
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• pp.207-212
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• 2008

독도화산체 정상부에 대한 연구를 위하여 1999년, 2004년 및 2007년에 획득한 멀티빔음향측심, 해저면영상 및 자력탐사자료를 함께 분석하였다. 독도 주변 연안에서부터 수심 약 -90 m까지의 해저지형은 많은 기복을 가진 변화를 보이는데 차별 침식된 암반 및 테일러스 등의 영향으로 사료된다. 해저지형의 계단형 경사면의 제 4 기 해침 해퇴의 영향을 받은 해안 단구로 생각된다. 북동 및 북서쪽의 수심 약 $-100\;{\sim}\;-120\;m$ 해역에는 작은 분화구 형태의 지형 기복들이 나타나는데 후기 화산활동에 의해 형성된 것으로 판단된다. 해저면영상에서는 독도 정상부에 돌출암반들이 산재하는 전형적인 암반특성을 보인다. 아날니틱신호분포에서 나타나는 독도 육지부에서 북동 및 북서쪽으로 연장되는 이상대는 다른 지구물리자료에서도 나타난 화구륜의 잔해로 예상되는 암반들의 위치와 유사하다. 이 암반들은 독도 화산체 형성 초기에 만들어졌던 화구륜의 일부가 파도에 의한 침식 및 자연붕괴 등으로 유실되고 남은 잔류체로 추정되고, 독도는 남쪽 화구륜의 일부일 가능성이 높다.

• 복식문화연구
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• 제18권2호
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• pp.261-276
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• 2010

The analysis of an art trend in the principle dimension starts by observing the object of work in the perspective of formative composition and recognizing it as a universal system. It can be said that it is consistent with an interpretation method for a form theory of formal history by Heinrich W$\ddot{o}$lfflin, a leading form critic in art criticism. Hence, the purpose of this study was to find out what are the formative principles in Renaissance Classicism as a design principle to be applicable to modern fashion by reviewing the formative characteristics of Renaissance Classicism Architecture with which W$\ddot{o}$lfflin directly dealt. As for the theoretical literature review, I used W$\ddot{o}$lfflin's theoretical framework and looked at the Renaissance Classicism Architecture that he studied and examined the possibility of utilizing his theory as a layout principle and the characteristics. As for analysis of design cases, I applied the aforementioned architecture layout principle to modern fashion and conducted case study analysis to delve into distinctive layout principles found in fashion. The study showed that the Renaissance Classicism Architectural Style is marked by linearity, planarity, closing and multiple unity: linearity was expressed in the observation form in fixed frontal view and an emphasis on a tangible silhouette homeogenous and definite line structures; planarity was achieved in the form of paralleled layers of frontal view element, planarity style, and identical and proportional repetition of various sizes.; closing signified the pursuit of complete and clear regularity, and architecture developed in a constructive phase through organizational inevitability and absolute invariability.; multiple unity was expressed in self-completedness and independent parallel of discrete forms and harmony of emphasized individual elements in a totality. Applying these layout characteristics of the Renaissance Classicism Architectural style and to see their individual expressive features, I found out that in adopting layout principles of the Renaissance Classicism Architecture to modern fashion, it turned out to be an emphasis of individual silhouettes, a flattened space, completed objects, organic harmony among independent parts: the emphasis of individual silhouettes was expressed in individual definitiveness of formative lines of clothes in accordance with body joints and an emphasis on formative lines of clothes; the flattened space was marked by single layer structure, planarity of elements of clothes, and listing arrangement by appropriate proportion.; the completedness of the objects was expressed by the stationary state where overall image is fixed, the construction of homogeneous and complete space, and absolute inevitability of internal layout in proportion; lastly, organic harmony of independent parts was stressed in independent completedness of each detail, and organic harmony of the whole. The expressive features would lead to a unique expression style of linear emphasis, proportion, constructive forms, and two-dimensional arrangement. The meaning of this study is follows: The characteristics of art school of thought are given shape by appling & analysing the architectural layout principles of historical art school of thought to modern fashion in the view point of formal construction dimension. The applied possibility of historical art school of thought as the source of inspiration about the fashion design is extended.

• 대한한방부인과학회지
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• 제27권3호
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• pp.66-78
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• 2014

Objectives: The purpose of this study is to investigate the relationship between vasomotor symptoms with upper-lower body temperature differences, and to identify Kidney Deficiency pattern (腎虛證) in menopausal women. Methods: 51 women who visited Kangnam Kyung-Hee Oriental Hospital from July to December, 2013 were analyzed. The experimental group consisted of 30 patients reported with vasomotor symptoms (Vasomotor symptom group, VG), while the control group consisted of 21 patients without vasomotor symptoms (Control group, CG). According to their chief complaints, VG was further divided into VHG (vasomotor-hot flash group) and VCG (vasomotor-cold hypersensitivity group). The temperature differences between upper and lower body part (CV17-CV4), proximal and distal extremity part (LU4-HT8, ST32-LR3) were checked. All patients reported other complaints such as headache, sweating, anxiety, dyspepsia, leukorrhea, which belong to Kidney Yang Deficiency pattern (腎陽虛證) or Kidney Yin Deficiency pattern (腎陰虛證). The relationship between vasomotor symptom and repetition rate of additional complaints were analyzed. Results: Statistical analysis showed that lower abdomen temperature of experimental group was lower than the control group. Temperature differences of upper and lower body (CV17-CV4) was significantly larger in vasomotor symptom group. VHG had more symptoms of sweating, chest discomfort, constipation, which belong to Kidney Yang Deficiency pattern group. VCG had more symptoms of leukorrhea, diarrhea, and dyspepsia, which belong to Kidney Yin Deficiency pattern group. Conclusions: Climacteric women who suffered from vasomotor symptoms showed lower temperature tendency in [CV4], larger temperature differences in [CV17-CV4] compared to the control group. Among them, VHG showed more symptoms of Kidney Yin Deficiency pattern, whereas VCG showed more symptoms of Kidney Yang Deficiency pattern.

• 한국엔터테인먼트산업학회논문지
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• 제14권8호
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• pp.103-116
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• 2020

본 연구는 텍스트 중심의 연기론과 신체 중심의 연기론의 연결링크가 필요하다는 문제점을 인식하며 출발한다. 배우뿐만 아니라 연기교육자에 의해서도 수차례 논의되어 온 재현적 반복 연기를 통한 현존성 상실이라는 난제를 극복해줄 방안으로 브레히트의 연기론을 연구한다. 브레히트의 연기론은 많은 연구자들에 의해 종래의 배우훈련의 대안으로써 이미 언급된 바 있지만 실제 적용이 가능한 연기 훈련방법에 대한 연구는 많이 진행되지 않은 실정으로 브레히트 연기법의 실제에 대한 기초자료가 될 수 있도록 목표한다. 본 연구는 그 중에서도 텍스트 기반의 모순 찾기와 신체 중심의 브레히트 연기론을 연구하고 그의 연기론이 텍스트와 신체 중심 연기론의 연결링크로써 작용할 수 있는 가능성을 탐구한다. 연구방법으로는 먼저 텍스트 중심의 재현적 연기론과 신체 중심의 포스트드라마 연기론의 개념과 한계에 대한 이론적 고찰을 진행한다. 그리고 브레히트의 서사적 연기 중에서 텍스트에 중점을 둔 연기실행도구와 신체에 중점을 둔 연기실행도구를 구분하여 그가 사용한 용어와 개념을 정리하고 연기실행의 과정에서 도달하는 현존적 효과에 대해 확인한다. 마지막으로 필자의 지도경험을 바탕으로 브레히트의 연기이론을 변형하여 개발한 연기교수법 학습모형을 제안한다. 그러나 본 연구에서 제시한 학습모형은 필자의 지도경험만을 바탕으로 하기 때문에 그 효과를 일반화하는 데는 한계가 있음을 밝힌다. 향후 후속 연구를 통해 브레히트 연기론에 대한 깊이 있는 통찰과 다양한 연기교수법 모형을 개발을 통해 현대 연기교육의 다양성에 보탬이 되기를 기대해 본다.

• 산업경영시스템학회지
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• 제45권2호
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• pp.48-55
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• 2022

The color image of the brand comes first and is an important visual element that leads consumers to the consumption of the product. To express more effectively what the brand wants to convey through design, the printing market is striving to print accurate colors that match the intention. In 'offset printing' mainly used in printing, colors are often printed in CMYK (Cyan, Magenta, Yellow, Key) colors. However, it is possible to print more accurate colors by making ink of the desired color instead of dotting CMYK colors. The resulting ink is called 'spot color' ink. Spot color ink is manufactured by repeating the process of mixing the existing inks. In this repetition of trial and error, the manufacturing cost of ink increases, resulting in economic loss, and environmental pollution is caused by wasted inks. In this study, a deep learning algorithm to predict printed spot colors was designed to solve this problem. The algorithm uses a single DNN (Deep Neural Network) model to predict printed spot colors based on the information of the paper and the proportions of inks to mix. More than 8,000 spot color ink data were used for learning, and all color was quantified by dividing the visible light wavelength range into 31 sections and the reflectance for each section. The proposed algorithm predicted more than 80% of spot color inks as very similar colors. The average value of the calculated difference between the actual color and the predicted color through 'Delta E' provided by CIE is 5.29. It is known that when Delta E is less than 10, it is difficult to distinguish the difference in printed color with the naked eye. The algorithm of this study has a more accurate prediction ability than previous studies, and it can be added flexibly even when new inks are added. This can be usefully used in real industrial sites, and it will reduce the attempts of the operator by checking the color of ink in a virtual environment. This will reduce the manufacturing cost of spot color inks and lead to improved working conditions for workers. In addition, it is expected to contribute to solving the environmental pollution problem by reducing unnecessarily wasted ink.

• 대한방사선치료학회지
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• 제17권1호
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• pp.33-40
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• 2005

목적 : 3D conformal, IMRT와 같은 치료기술의 개발로 인하여 CT를 이용한 최신의 치료들이 적용되어지고 있는 것이 지금의 현실이지만, 유방암 환자에서는 일반 CT의 hole size의 제약으로 인하여 일부의 경우는 기존의 환자고 정기구들이 사용되어지지 못하고 있다. 또한 simulation 시에 수술한 팔을 장시간 올리고 있는 자세를 유지함으로써 환자들이 pain을 호소하고, SCL (supraclavicular Imphnodes) 치료 시에 skin reaction의 문제점이 제기되었다. 이에 본원에서는 이러한 문제점을 개선하기 위하여 Ewha Breast device (EBD)를 자체 제작하여 사용하였으며, 이번 논제에서는 EBD의 제작과 유용성의 평가에 대하여 논하고자 한다. 대상 및 방법 : CT data를 이용하여 머리의 크기를 분석하였으며, 일반 CT의 hole size, 자세의 안정성, SCL field에서의 피부의 겹침(fold) 등을 고려하여 아크릴로 device를 제작하였으며 기존의 device를 사용하였을 경우와 set-up의 재현성, RTP상의 dose분포, SCL field에서의 skin reaction 등을 비교 분석하여 EBD의 유용성에 대하여 평가하였다. 결과 : 제작한 EBD를 사용 시 CT simulator가 아닌 hole size가 작은 일반 CT에서도 팔의 부딪힘이 없이 자세를 유지할 수 있었고, 위로 올린 팔의 pain도 많이 감소하였다. 그리고, 기존의 device와 비교하였을 경우에 set-up의 재현성에서 큰 차이를 보이지 않았으며, RTP상에서는 3D segment field를 이용한 plan으로 device의 tilting이 되지 않은 문제점은 해결할 수 있었으나 기존보다 팔을 많이 위로 올리지 않는 관계로 axillary region에서 이전보다 약$10\%$ 정도의 선량이 더 들어감을 알 수 있었다. SCL field에서의 skin reaction은 접힌 부분(fold)을 펼치기 위해 팔을 조정하여 위치를 잡는 관계로 이전보다 월등히 적은 skin reaction이 발생함을 알 수 있었다. 결론 : 비용이 저렴한 EBD의 제작으로 유방암 환자에서 CT를 이용한 3D 치료가 용이하게 되었으며, simulation 시에 팔의 pain을 경감시킬 수 있었고, skin reaction의 감소 등으로 치료에 EBD를 유용하게 사용할 수 있었다. 앞으로 EBD를 사용하여 나타난 device의 문제점 등을 보완 수정한다면 치료에 더 많은 도움이 되리라 생각된다.

• 만화애니메이션 연구
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• 통권33호
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• pp.1-29
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• 2013

초현실주의는 무한에 대한 동경, 무의식의 탐구 등으로 전통적인 서구 합리주의와 대립하는 미학관을 성립시켰다. 초현실주의의 주된 관심사는 정체성과 차이의 문제이며 '경이', '발작적 아름다움', '객관적 우연' 등과 같은 불가사의한 개념으로 그들만의 독특한 시도를 하였다. 이러한 그들의 독특한 미학관은 여러 가지 예술적 양식을 통해 표현 되어졌다. 그 중의 하나가 바로 초현실주의의 대표적인 표현 장치인 데페이즈망이다. 데페이즈망은 물체를 본래 있던 곳에서 '떼어내는 것'을 의미한다. 따라서 현실적 사물들을 대상으로 하여 그 본래의 용도, 기능, 의미를 현실적 공간에서 이탈, 환경을 변화시켜 그것이 놓여 질 수 없는, 또는 사물의 속성과는 관련성이 없는 낯선 장소에 조합시킴으로 초현실적인 환상을 창조해 내는 기법이다. 다시 말해 표현공간에서 사물 본래의 일상적인 질서나 배경, 분위기 등을 떼어내어, 자기장소를 떠나 존재하는 사물들이 새로이 '배치'하는 것이다. 시간과 공간을 초월하여 '재구성'된 이 사물들은 우리에게 경이와 심리적 충격을 안겨주며, 낯선 의미와 느낌을 전달하게 된다. 본 논문은 매체에 적용된 데페이즈망의 활용에 대해 고찰한 것이다. 특히 애니메이션의 적용에 논의의 초점을 둘 것이다. 애니메이션은 기타 다른 매체와는 달리 독특한 미학적 특성들을 지니고 있다. 우선 애니메이션은 분절 촬영으로 손에 의해 생성된 창조적 이미지이다. '배치'를 통해 생성된 애니메이션 이미지는 특유의 운동성으로 생명력을 얻는다. 노먼 맥라렌의 <환타지>와 해리 스미스의 <하늘과 땅의 마법>은 이러한 데페이즈망의 구조적 특성을 잘 반영한 흥미로운 작품으로, 추상적 형태와 다양한 움직임으로 이루어져, 관객에게 다양한 영화적 형식을 지각하도록 만든 작품이다. 여기서 우리는 생물과 무생물의 전위, 공간과 시간, 생성과 소멸, 반복과 변형 등 무수한 환상을 체험하게 되는데, 그 주된 장치는 애니메이션 프레임 공간의 데페이즈망을 강화한데서 기인한다고 할 수 있다. 결론적으로, 데페이즈망은 초현실주의의 대표적인 예술기법 중 하나인 동시에 애니메이션과 필연적인 연결고리를 갖는 양식이다.