• 한국실내디자인학회:학술대회논문집
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• 한국실내디자인학회 2003년도 춘계학술발표대회 논문집
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• pp.59-64
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• 2003

Recent rapid economical growth has brought many of changes and great improvement in quality of life in Korea. In accordance with this social trend, there are diversified lifestyles which influence consumer behavior, The purpose of this study was to develop an instrument that is able to measure more efficiently current housing lifestyle pattern. Eighty questioning items were analyzed and reclassified into same characteristics by using Q-sorting method.

• 조명전기설비학회논문지
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• 제26권4호
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• pp.88-94
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• 2012

The government has pushed ahead with the establishment of a connection system among education-task-qualification with regards to the promotion of engineering industry, but there has been a lack of pertinent data. In this regard, this study investigated the ways of connecting universities' engineering education with Electrical Professional Engineer examination. The results show that the tendency of questions consists of 30[%] of transmission, 16[%] of basic theory, 14[%] of transformer, 14[%] of generation, 9[%] of new technology, 11[%] of other relevant fields. This study also presents a survey on the relationship between the engineer's license and college curriculum. The curriculum of Electrical Engineering Department of a leading National University in Seoul is investigated in relation to the Examination. Some learning materials for successful completion of the university curriculum and acquisition of the Professional Engineer license are also recommended.

• 만화애니메이션 연구
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• 통권45호
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• pp.479-512
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• 2016

본 논문은 실행에 근거한 연구로, 기억의 신비와 복잡함을 탐구할 수 있는 유일한 형태인 애니메이션 다큐멘터리에 관한 실험을 탐색하는 데 목적을 둔다. 애니메이션 다큐멘터리란 역사적으로 자리잡아 영향을 받은 내러티브의 맥락에서 한 개인의 기억을 밝혀낼 수 있는 하나의 매체라고 할 수 있다. 애니메이션과 다큐멘터리간의 혼인은 새로운 형태의 영화를 탄생하게 했다. 그렇다면 이 새로운 형태를 어떻게 범주화할 것인가? 이것은 애니메이션 단편영화인가 아니면 다큐멘터리 단편영화인가? 실제로 이것은 애니메이션과 다큐멘터리의 본질에 대해 질문하는 문제를 제기한다. 슈이보 왕 (Shuibo Wang)의 작품 이래로 더 많은 젊은 중국의 아티스트들은 시각적 나레이션에 있어서 상징을 통한 (정치적인 팝 트렌드와 관련된 상징) 실험을 해왔는데 이것은 중국 현대 예술분야에서 구조주의와 기호학을 반영하는 것이라고 보여질 수도 있다. 사례연구로 본 논문에서는 애니메이션 단편 "케첩 (Ketchup)"이 6세 소년의 기억을 통해서 어떻게 청춘의 문제와 사회적 혼란을 드러내는 지에 대해서 밝힐 것이다. 그간 영화제와 학회에서 청중은 이 "케첩"이 사실에 근거해서 만든 작품이라는 사실을 알고 충격을 받았으며, 또한 그런 중대한 사건이 어떻게 해서 거의 잊혀지게 되었는지에 대해서도 궁금함을 표시했다. 사실상 이 망각이라는 것은 기억의 층의 한 부분이다. 애니메이션 다큐멘터리는 우리의 기억이 어떻게 형성되는지를 탐험하는 새로운 방법을 제공할 것이다.

• 조형예술학연구
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• 제9권
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• pp.49-87
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• 2006

Narrative has broad domains. So it is related to the everything man faces in his daily life and also performed in various modes. Narrative is revealed through all media including a character, which is also applied to plastic art. And narrative objects formed beyond the differences in media aid forms of expression are commonly based on a language. The study on such objects which created a new conceit of narratology can be said to be a spiritual trend by which to understand the world and man from the viewpoint of a 'story'. Plastic art took high interest in narrative in the same period as the rise of postmodernist art in the latter half of the 20th century, which was also applied to sculpture. The researcher, therefore, investigated through the history of sculpture in the 20th century the process in which narrative was denied under the value system of modernism and reappeared with the quickening of postmodernism. And as a result this period could be briefly characterized by 'return to figure' and 'reappearance of narrative'. The is, such flow means that late sculpture converted its center of interest from simple geometric abstract forms to irregular, figurative images. The researcher chose as the subject of his study the work of Louise Bourgeois, who was judged to have performed narrative positively and successfully among a great number of performed narrative positively and successfully among a great number of postmodernist sculptors who adopted it as their own strategy of expression. As the central artist of postmodrnist sculpture, She expressed human desire and condition as sexuality through the introspection of her own personal experience in contrast to the character of pop art sensitive to external world. The researcher borrowed narrative semiotics as a method of analyzing more elaborately the problem about the generation of narrative shown in her works. For it, he selected as the sample work for analysis Bourgeois's , which were judged to contain narrative most abundantly and as the metaphor of a gaze and recollection presented a new woman self that sublimed love, hatred, and loneliness. The narrative in her works are characterized by introspection questioning one's own trauma. It has independent domain and characteristics and clearly reveals narrative and content-centered characteristics, which are commonly discovered in postmodernist sculpture. The researcher could more concretely and definitely understand the characteristics of narrative through figurative images by analyzing the sample work. The researcher wanted to call your attention to the fact that the sculpture in the late 20th century contained narrative commonly and uniformly despite being characterized by various expressions and modes. And the focused on highlighting the fact that the narrative was more effectively revealed through figurative images of human body and simultaneously analyzing the formalizing process and structure for narrative. Besides he wanted to argue that the position of narrative defining the characteristics of sculpture should be valued more justly. Also, such acceptance of narrative, which is discovered in the sculpture, will have to be understood as the characteristics of the period reflecting the cultural aspect of the present time.

• 수산경영론집
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• 제35권2호
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• pp.91-115
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• 2004

The main purpose of this study is to analyze the cooperative squid fisheries problems surrounding the $E128^{\circ}$, established by the 1965 Korea - Japan Fisheries Agreement which banned Korean large trawlers' fishing east to the $E128^{\circ}$ In fact, the moratorium was put on by Japans request. However, such issue did not occur until the filefish stock in the southern Korean sea, which was a major target fish species of the large trawl fisheries, The filefish stock collapsed completely around 1991 and at the same time most of bottom fish stocks in the East China Sea began to show a symptom of over - exploitation. Thus, the off - shore large trawlers learned to have a little opportunity of finding out alternative fish stocks as well as fishing grounds. Fortunately, at that time squid resource stock and consumption were on the increasing trend. The large trawl fisheries were able to economically exploit squid stock east to the $E128^{\circ}$ through cooperative fishing with squid angling light boats in the East and East - South Sea, even though such cooperative fishing activities violate the existing fishery laws apparently. Some important reasons that the large trawlers have continued the cooperative fishing seem to be because (ⅰ) squid resource stock has been on the increasing state over time, (ⅱ) the trawl fisheries have made a significant contribution to meeting domestic and export demands and stabilizing squid prices, and (ⅲ) they have kept domestic squid market from foreign competition. However, the new Korea - Japan fisheries agreement in 1998 provided a momentum of questioning the effectiveness of the $E128^{\circ}$ by the squid - related fisheries other than the squid angling. Serious conflicts between squid - related fisheries began to emerge and to be much intensified. Squid angling industries in the East opposed to large trawlers's efforts to formalize such illegal cooperative squid fishing activities. Their main argument was that such formalizing would definitely make the East coast squid prices lower and in turn their business performance would be worse off. The results of quantitative analysis suggest that the trawlers' massive landing may have a significant influence on lowering the east coast squid prices. Now, an important issue that the squid - related fisheries and the government are facing is to solve such complex squid fishing problems through a multi - participatory negotiation process, including price stabilization, total allowable catch level and its operation schemes, $E128^{\circ}$ rearrangement, and so on.

• 방송공학회논문지
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• 제24권3호
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• pp.411-419
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• 2019

오늘날 인공지능은 과학기술 공학 분야에 가장 중요한 기술로 떠오르고 있다. 방송미디어를 포함한 모든 과학기술은 완전히 새로운 기술의 등장으로 급격한 변화의 시대를 맞고 있다. 여럿의 핵심 기술과 그것의 운용이 전례없는 새로운 방식으로 융합하는 현상이 전개되고 있는 것이다. 이를테면 NBIC 기술융합현상을 꼽을 수 있다. 컴퓨터의 데이터 처리 능력과 속도가 기하급수적(exponentially)로 발달함으로서 나노, 바이오생명, 디지털 테크놀러지 그리고 인공지능 기술의 융합이 가능해진 것이다. 이 모든 기술융합의 현상의 중심에 인공지능이 위치한다. 인공지능 기술은 구글, 애플, 페이스북, 에플 등 거대 플랫폼 기업의 핵심역량으로 자리매김하고 있다. 디지털기술과 사이버네틱스를 기반으로 한 인공지능은 현재뿐만 아니라 미래 플랫폼 기업에 결정적인 전략자산이 될 것이 확실하다. 이러한 맥락과 배경에서 트랜스휴머니즘(더나아가 포스트휴머니즘)에 대한 논의와 연구가 북미와 서유럽 국가들을 중심으로 활발하게 일어나고 있으며 전세계적으로 확산하고 있는 추세이다. 일반적으로 트랜스휴머니즘은 인간역능을 개선, 향상(강화)하고 전통적인 휴머니즘에 도전하는 기술기반의 새로운 사상의 흐름을 말한다. 트랜스(포스트)휴머니즘은 과학기술의 발달로 촉발되었지만, 이것은 인간과 인류문명에 대해 근본적인 질문을 제기하고 있다는 점에서 과학기술영역을 넘어 횡단적이고, 특히 인문과학 중심의 학제적인 논의를 필요로 한다. 방송미디어가 단순히 기술공학 만이 아니라 정치와 문화영역, 즉 인간의 일상과 인류의 미래에 지대한 영향을 미치는 분야라는 사실을 고려한다면 인공지능기술과 그것의 다양한 함의에 대한 초학제적이고 복합적인 연구와 논의가 절실히 요구된다.

• 조형예술학연구
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• 제12권
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• pp.65-96
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• 2007

Today, the modern art is extremely diverse. It is denying its own boundary through chaos, extreme, abjection. In fact the diversity of the modern art can be best described as questioning and challenging to the essence of the reality, rather than the artistic pursuit of the beauties. The pursuit of the reality has been a long lasting discourse since the ancient. Through the history, the reality (referent) and representation (image) has been complementing and disposing each other in a relationship of a meaningful construction until the modern times. The limit of modernistic self-reference and the emergence of the figure leads to the emergence of Post-modernism in a trend of experimenting new visual arts. The return to the figure is clearly distinguished from existing representation's system and it brought new meanings to approaches and interpretations of the reality. In the case of Pop arts of 1960's and the following the modern sculptures, which is covered by this thesis, I put an emphasis on the diversification of those via changed strategies on the reality. In a situation where the reality is dictated by signified, the modern arts can no longer stay on a classic concept of representation, rather it pursuits new system and diverse strategies. I provide three types of strategic characters of the reality and the diversification of reality: the transition of the reality. These three types can be used as a frame work, which is supporting new aspects of the modern arts in reflecting on existing system. Therefore, the reason of categorizing is to distinguish modernistic arts and post modernistic arts, and to propose new post-modernistic discourses. Adapting J.F, Lyotard's view, absence is used to trace down the diversification of the reality thorough the sublime on the deconstruction of the mega discourses and the relationship of representation. Based on H. Faster's theory of the appropriation, the appropriation is used to exemplify the strategies of visual arts are in variations and being delayed. Lastly, in the transition, J. Baudrilliard's simulacre is used in terms of the concept of post modernistic representation. Based on the core of his theories, the deconstruction of existing concepts and simulation as the post modernistic representation, and the world of hyperreality based on simulacre are explained. These allows us to deny that representation is the expression of reality through mimesis. My aim is to work on the definition of the arts and representation in the modern era, and go further from there in order to clarify meaning and extension of the modern sculptures. Now two artists are reviewed based on their own art works: George Seagal; Jeff Koons. They are selected among numerous artists from the Post Modern era. Epic contents and emphasis on daily life of Seagal's works show good examples to artists from Pop Arts and following time period and may have served as a start point for Postmodernism. Indeed, he tried to show a newly defined relationship between art works and daily life experience. On the other hand, J.Koons used the strategies of fabrication and appropriation, which shows characteristics of the postmodernism. Through his four individual exhibitions, he shows the diversification of the reality based on art works as fetishistic merchandises, and newly defined concept of Ready-made since M Duchamp. Lastly, the diversification of the reality is analyzed again in context of my art works. I focused on the return to the figure among a variety of trends of late 20 th century modern sculpture. It showed the post modernistic point of view on the reality. Post modernistic diversified strategies are adopted as a method of distinguishing each art works via the diversification of the reality. This is the result of contemporary social and cultural situations.