• Journal of Broadcast Engineering
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• v.21 no.6
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• pp.845-860
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• 2016

This paper proposes a digital watermarking scheme to protect the ownership of the freeview 2D or 3D image such that the viewer watches the image(s) by rendering a arbitrary viewpoint image(s) with the received texture image and its depth image. In this case a viewpoint change attack essentially occurs, even if it is not malicious. In addition some malicious attacks should be considered, which is to remove the embedded watermark information. In this paper, we generate a depth variation map (DVM) to find the locations less sensitive to the viewpoint change. For each LH subband after 3-level 2DDWT for the texture image, the watermarking locations are found by referring the DVM. The method to embed a watermark bit to a pixel uses a linear quantizer whose quantization step is determined according to the energy of the subband. To extract the watermark information, all the possible candidates are first extracted from the attacked image by considering the correlation to the original watermark information. For each bit position, the final extracted bit is determined by a statistical treatment with all the candidates corresponding that position. The proposed method is experimented with various test images for the various attacks and compared to the previous methods to show that the proposed one has excellent performance.

• The Journal of Korean Institute of Communications and Information Sciences
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• v.29 no.3C
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• pp.398-407
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• 2004

In this paper, a blind watermarking method which is suitable to the video compression using 2-D discrete wavelet transform was proposed and implemented into the hardware using VHDL(VHSIC Hardware Description Language). The goal of the proposed watermarking algorithm is the authentication about the manipulation of the watermark embedded image and the detection of the error positions. Considering the compressed video image, the proposed watermarking scheme is unrelated to the quantization and is able to concurrently embed or extract the watermark. We experimentally verified that the lowest frequency subband(LL4) is not sensitive to the change in the spatial domain, so LL4 subband was selected for the mark space. And the combination of the bitplanes which has the properties of both the minimum degradation of the image and the robustness was chosen as the embedded Point in the mark space in LL4 subband. Since we know the watermark embedded positions and the watermark is embedded by not varying the value but changing the value, the watermark can be extracted without the original image. Also, for the security when exposing the watermark embedded position, we embed the encrypted watermark by the block cipher. The proposed watermark algorithm shows the robustness against the general image manipulation and is easily transplanted into the image or video compressor with the minimal changing in the structure. The designed hardware has 4037 LABs(24％) and 85 ESBs(3％) in APEX20KC EP20K400CF672C7 FPGA of Altera and stably operates in 82MHz clock frequency.

• Journal of Korea Multimedia Society
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• v.14 no.11
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• pp.1431-1437
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• 2011

This paper proposes a novel watermarking algorithm that protects digital copyrights and is robust to attacks. Watermarks are embedded in the subband including the significant part of the signal such as a pitch. Generally, the subband containing the pitch has the biggest energy. In order to find this subband, wavelet packet transform is used to decompose the subbands and their energy are calculated. The signal of the selected subbands is transformed in frequency domain using FFT. The watermarks are embedded using QIM for samples higher than a certain threshold. The blind detection uses the Euclidean distance. The proposed method shows less than 5% BER in the audio watermark benchmarking.

• The KIPS Transactions:PartB
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• v.10B no.5
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• pp.485-490
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• 2003

In this paper, we propose the possibility of introducing chaotic sequences into digital watermarking systems as potential substitutes to commonly used pseudo noise sequences. Chaotic sequences have several good properties including the availability of a great number of them, the ease of their generation, as well as their sensitive dependence on their initial conditions. And the quantization does not destroy the good property. So this paper proposes a method that transforms Hangul text to chaotic sequence. And we presents how the Hangul text is expressed by an implied data and the implied data is regenerated into the original text. In this paper, we use this implied Hangul text for watermarking.

• Journal of Intelligence and Information Systems
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• v.24 no.2
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• pp.21-35
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• 2018

Since the introduction of MP3 players, CD recordings have gradually been vanishing, and the music consuming environment of music users is shifting to mobile devices. The introduction of smart devices has increased the utilization of music through music playback, mass storage, and search functions that are integrated into smartphones and tablets. At the time of initial MP3 player supply, the bitrate of the compressed music contents generally was 128 Kbps. However, as increasing of the demand for high quality music, sound quality of 384 Kbps appeared. Recently, music content of FLAC (Free License Audio Codec) format using lossless compression method is becoming popular. The download service of many music sites in Korea has classified by unlimited download with technical protection and limited download without technical protection. Digital Rights Management (DRM) technology is used as a technical protection measure for unlimited download, but it can only be used with authenticated devices that have DRM installed. Even if music purchased by the user, it cannot be used by other devices. On the contrary, in the case of music that is limited in quantity but not technically protected, there is no way to enforce anyone who distributes it, and in the case of high quality music such as FLAC, the loss is greater. In this paper, the author proposes an audio watermarking technology for copyright protection of high quality stereo music. Two kinds of information, "Copyright" and "Copy_free", are generated by using the turbo code. The two watermarks are composed of 9 bytes (72 bits). If turbo code is applied for error correction, the amount of information to be inserted as 222 bits increases. The 222-bit watermark was expanded to 1024 bits to be robust against additional errors and finally used as a watermark to insert into stereo music. Turbo code is a way to recover raw data if the damaged amount is less than 15% even if part of the code is damaged due to attack of watermarked content. It can be extended to 1024 bits or it can find 222 bits from some damaged contents by increasing the probability, the watermark itself has made it more resistant to attack. The proposed algorithm uses quantization in DCT so that watermark can be detected efficiently and SNR can be improved when stereo music is converted into mono. As a result, on average SNR exceeded 40dB, resulting in sound quality improvements of over 10dB over traditional quantization methods. This is a very significant result because it means relatively 10 times improvement in sound quality. In addition, the sample length required for extracting the watermark can be extracted sufficiently if the length is shorter than 1 second, and the watermark can be completely extracted from music samples of less than one second in all of the MP3 compression having a bit rate of 128 Kbps. The conventional quantization method can extract the watermark with a length of only 1/10 compared to the case where the sampling of the 10-second length largely fails to extract the watermark. In this study, since the length of the watermark embedded into music is 72 bits, it provides sufficient capacity to embed necessary information for music. It is enough bits to identify the music distributed all over the world. 272 can identify $4*10^{21}$, so it can be used as an identifier and it can be used for copyright protection of high quality music service. The proposed algorithm can be used not only for high quality audio but also for development of watermarking algorithm in multimedia such as UHD (Ultra High Definition) TV and high-resolution image. In addition, with the development of digital devices, users are demanding high quality music in the music industry, and artificial intelligence assistant is coming along with high quality music and streaming service. The results of this study can be used to protect the rights of copyright holders in these industries.

• Journal of the Korea Institute of Information Security & Cryptology
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• v.15 no.3
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• pp.3-12
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• 2005

This paper introduces a 3D perceptual model based on JND(Just Noticeable Difference) and proposes a video watermarking scheme which is perceptual approach of adaptive embedding in 3D-DCT domain. Videos are composed of consecutive frames with many similar adjacent frames. If a watermark is embedded in the period of similar frames with little motion, it can be easily noticed by human eyes. Therefore, for the transparency the watermark should be embedded into some places where motions exist and for the robustness its magnitude needs to be adjusted properly. For the transparency and the robustness, watermark based on 3D perceptual model is utilized. That is. the sensitivities from the 3D-DCT quantization are derived based on 3D perceptual model, and the sensitivities of the regions having more local motion than global motion are adjusted. Then the watermark is embedded into visually significant coefficients in proportion to the strength of motion in 3D-DCT domain. Experimental results show that the proposed scheme improves the robustness to MPEG compression and temporal attacks by about $3{\sim}9\%$, compared to the existing 3D-DCT based method. In terms of PSNR, the proposed method is similar to the existing method, but JND guarantees the transparency of watermark.

• Proceedings of the Korea Information Processing Society Conference
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• 2008.11a
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• pp.1500-1503
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• 2008

H.264와 같은 고압축 비디오처리 기법의 등장으로 기존의 MPEG2와 같은 비디오 압축에서 H.264로의 비디오 트랜스코딩이 증가되고 있지만, 고압축 비디오 콘텐츠의 온라인과 오프라인에서 불법배포는 현재 문제가 되고 있다. 본 논문에서는 다이렉트쇼 환경 기반에서 고압축과 저작권 보호를 위한 비디오 트랜스 코딩과 워터마킹을 구현한다. 제안한 방법은 다이렉트쇼의 필터를 이용하여 MPG,WMV를 H.264로 비디오 트랜스코딩을 하고 이와 함께 비디오의 공간영역 특성을 이용하여 저작권 보호를 위한 강인한 워터마킹을 구현한다. 실험 결과 MPG,WMV를 H.264로 트랜스코딩에서 H.264의 QP(Quantization parameter)를 15로 하고 화면간 반복을 10프레임으로 하였을 경우 저작권 보호를 위하여 삽입된 워터마크는 평균 99% 검출됨을 확인하였고, 또한 트랜스코딩중 워터마크삽입에 따른 시간지연은 전체 트랜스코딩시간의 5.7%가 됨을 확인할 수 있었다. 제안한 방법은 저작권 삽입 기능가지는 트랜스코딩 소프트웨어를 필요로 하는 Digital TV방송, IPTV, DVD 사업에 사용 될 수 있을 것이다.

• The Journal of the Institute of Internet, Broadcasting and Communication
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• v.15 no.2
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• pp.31-37
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• 2015

The security of the image information is very important in many areas of the IoT(Internet of Things), and study a number of ways to display the security (copyright, etc.). In this paper, information of image that is used by the IoT is converted to a DCT(Discrete Cosine Transform) and QC(Quantization Coefficient). And watermark (message) is to create a new encoded message(WMQR) through a QR Code. QC and WMQR applies LSB steganography techniques, can get the security (copyright, etc.) of image information. LSB steganographic techniques may be inserted according to a message (Watermark) to determine the location (Secret Key). The encoded image is sent to the recipient via the Internet. The reverse process can be obtained image and a QR code, a watermark (Message). A method for extracting a watermark from the security of the image information is coded using only the image and Secret Key, through the DCT and quantization process, so obtained by separating the watermark (Message) for the image. In this paper, we were able to improve the security of the method of image information, the image quality of the image by the simulations (PSNR), in turn, benefits were also normalized correlation (NC) and security.