• 제목/요약/키워드: Prosodic Patterns

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불어의 음절구조 분석 -억양과 강세음절- (Analyse de la structure syllabique du francais)

  • 이정원
    • 음성과학
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    • 제1권
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    • pp.113-135
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    • 1997
  • This study aims to present some notes on the French syllabic structure based on the relation between the intonation pattern and the stressed syllable. The recent phonetico-phonological study is mainly focussed on the notion of syllable. However it is quite difficult to analyse the syllable structure because of its complexity. In this paper I have tried to analyse the French syllabic structure both in phonetics and in phonology. This paper contains three parts. First of all, in section 2, the notion of syllable and the French prosodic phenomena are reviewed phonetically, and is phonologically focused on the intonation pattern. Secondly, in section 3, I have analyzed the relation between the intonation. pattern and the stressed syllable in French based on CSL analyses. Finally, in section 4, I have suggested some syllabic structure patterns in French based on the analyses in section 3. This. is an attempt to further the inter-disciplinary study between phonetics and phonology, and also an attempt to settle on a model of phonological French syllabic structure. I have left the application of the result of this study as a future subject to study. But still, the result of this study can serve as a basic reference for those who are studying French and for students who are would like to learn about French syllabic structure.

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A 3D Audio-Visual Animated Agent for Expressive Conversational Question Answering

  • Martin, J.C.;Jacquemin, C.;Pointal, L.;Katz, B.
    • 한국정보컨버전스학회:학술대회논문집
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    • 한국정보컨버전스학회 2008년도 International conference on information convergence
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    • pp.53-56
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    • 2008
  • This paper reports on the ACQA(Animated agent for Conversational Question Answering) project conducted at LIMSI. The aim is to design an expressive animated conversational agent(ACA) for conducting research along two main lines: 1/ perceptual experiments(eg perception of expressivity and 3D movements in both audio and visual channels): 2/ design of human-computer interfaces requiring head models at different resolutions and the integration of the talking head in virtual scenes. The target application of this expressive ACA is a real-time question and answer speech based system developed at LIMSI(RITEL). The architecture of the system is based on distributed modules exchanging messages through a network protocol. The main components of the system are: RITEL a question and answer system searching raw text, which is able to produce a text(the answer) and attitudinal information; this attitudinal information is then processed for delivering expressive tags; the text is converted into phoneme, viseme, and prosodic descriptions. Audio speech is generated by the LIMSI selection-concatenation text-to-speech engine. Visual speech is using MPEG4 keypoint-based animation, and is rendered in real-time by Virtual Choreographer (VirChor), a GPU-based 3D engine. Finally, visual and audio speech is played in a 3D audio and visual scene. The project also puts a lot of effort for realistic visual and audio 3D rendering. A new model of phoneme-dependant human radiation patterns is included in the speech synthesis system, so that the ACA can move in the virtual scene with realistic 3D visual and audio rendering.

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INTONATION OF TAIWANESE: A COMPARATIVE OF THE INTONATION PATTERNS IN LI, IL, AND L2

  • Chin Chin Tseng
    • 대한음성학회:학술대회논문집
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    • 대한음성학회 1996년도 10월 학술대회지
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    • pp.574-575
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    • 1996
  • The theme of the current study is to study intonation of Taiwanese(Tw.) by comparing the intonation patterns in native language (Ll), target language (L2), and interlanguage (IL). Studies on interlanguage have dealt primarily with segments. Though there were studies which addressed to the issues of interlanguage intonation, more often than not, they didn't offer evidence for the statement, and the hypotheses were mainly based on impression. Therefore, a formal description of interlanguage intonation is necessary for further development in this field. The basic assumption of this study is that native speakers of one language perceive and produce a second language in ways closely related to the patterns of their first language. Several studies on interlanguage prosody have suggested that prosodic structure and rules are more subject to transfer than certain other phonological phenomena, given their abstract structural nature and generality(Vogel 1991). Broselow(1988) also shows that interlanguage may provide evidence for particular analyses of the native language grammar, which may not be available from the study of the native language alone. Several research questions will be addressed in the current study: A. How does duration vary among native and nominative utterances\ulcorner The results shows that there is a significant difference in duration between the beginning English learners, and the native speakers of American English for all the eleven English sentences. The mean duration shows that the beginning English learners take almost twice as much time (1.70sec.), as Americans (O.97sec.) to produce English sentences. The results also show that American speakers take significant longer time to speak all ten Taiwanese utterances. The mean duration shows that Americans take almost twice as much time (2.24sec.) as adult Taiwanese (1.14sec.) to produce Taiwanese sentences. B. Does proficiency level influence the performance of interlanguage intonation\ulcorner Can native intonation patterns be achieved by a non-native speaker\ulcorner Wenk(1986) considers proficiency level might be a variable which related to the extent of Ll influence. His study showed that beginners do transfer rhythmic features of the Ll and advanced learners can and do succeed in overcoming mother-tongue influence. The current study shows that proficiency level does play a role in the acquisition of English intonation by Taiwanese speakers. The duration and pitch range of the advanced learners are much closer to those of the native American English speakers than the beginners, but even advanced learners still cannot achieve native-like intonation patterns. C. Do Taiwanese have a narrower pitch range in comparison with American English speakers\ulcorner Ross et. al.(1986) suggests that the presence of tone in a language significantly inhibits the unrestricted manipulation of three acoustical measures of prosody which are involved in producing local pitch changes in the fundamental frequency contour during affective signaling. Will the presence of tone in a language inhibit the ability of speakers to modulate intonation\ulcorner The results do show that Taiwanese have a narrower pitch range in comparison with American English speakers. Both advanced (84Hz) and beginning learners (58Hz) of English show a significant narrower FO range than that of Americans' (112Hz), and the difference is greater between the beginning learners' group and native American English speakers.

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한국 EFL 학생들의 영어 전방 설정 자음 혼동 (Confusion in the Perception of English Anterior Coronal Consonants by Korean EFL Students)

  • 초미희
    • 한국콘텐츠학회논문지
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    • 제10권5호
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    • pp.460-466
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    • 2010
  • 한국 학생들이 한국어에 없는 영어 마찰음을 파열음으로 대치하여 잘못 발음하는 경향은 잘 알려진 반면에 동일한 영어 마찰음을 어떻게 인지하는지에 대한 연구는 상대적으로 덜 알려졌다. 따라서 한국 대학생들이 마찰음을 포함하는 영어 전방 설정자음을 인지하는데도 마찬가지로 어려움을 느끼는지 알아보기 위하여 40명의 한국 대학생들을 대상으로 영어 전방 설정 자음이 들어간 임시어를 4가지 다른 운율적 위치(CV, VC, VCVV, VVCV)에서 인지하는 테스트를 실행하였다. 실험 참가자들은 CV나 VCVV처럼 강한 위치의 자음을 VC나 VVCV의 약한 위치보다 더 정확하게 판별하는 인지패턴을 보여주었으며, 한국학생들이 각 자음별로 흔히 혼동하는 자음들을 혼동도표로 제시하였다. 특히 한국 학생들이 인지하는데어려움을 느낀 영어 자음은 한국어 목록에는 없는 [$\theta$]와 [$\eth$] 이었으며, 한국 학생들의 인지 혼동 패턴은 파열음과 마찰음을 모두 틀린 마찰음으로 우세하게 인지한다는 점에서 일반적으로 알려진 발화 오류 패턴과는 달랐다. 또한 VC 위치에서는 인지상의 무성음화가, 모음 사이에서는 인지상의 유성음화가 각각 확인 되었다. 이러한 결과에 근거하여 교육 현장에서 적용될 수 있는 교육적 함축점이 제시되었다.

Effects of syllable structure and prominence on the alignment and the scaling of the phrase-initial rising tone in Seoul Korean: A preliminary study

  • Kim, Sahyang
    • 말소리와 음성과학
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    • 제7권4호
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    • pp.139-145
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    • 2015
  • The present study investigates the effects of syllable structure and prosodic prominence on the patterns of tonal alignment and scaling of the phrase-initial rise in Seoul Korean. Two syllable structures (Onset (/#CVC.../ as in minsa) vs. No-onset (/#VC.../ as in insa)) and two prominence conditions (Focus vs. Neutral) were considered. Results showed that the alignment of the L and the H tones in the phrase-initial rise was affected by syllable structure but not by prominence. The time of L was before the vowel onset of the first syllable in the Onset condition (i.e., within the onset consonant) and it was after the vowel onset in the No-onset condition. The difference was attributable to the fact that the initial L was anchored at a fixed distance from the phrase boundary, which was about 30ms after the onset of the syllable in both cases. The time of H was also consistently observed about 20ms after the second vowel onset (i.e., /a/ in minsa/insa). Moreover, the rise time (the duration from the L to the H tones) was longer as the local syllable duration became longer due to different syllable structure and prominence conditions. Taken together, the results provide a support for the segmental anchoring hypothesis, which claims that both the beginning and the end of F0 movement are consistently aligned with segmental 'anchor' points with relatively high stability (Ladd et al., 1999). Results also showed that the scaling of the early rise was slightly influenced by syllable structure but not by prominence. The differences between the results of the current study and a previous study (Cho, 2011) are further discussed.

직교 벡터 공간 변환을 이용한 음성 개성 변환 (Voice personality transformation using an orthogonal vector space conversion)

  • 이기승;박군종;윤대희
    • 전자공학회논문지B
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    • 제33B권1호
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    • pp.96-107
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    • 1996
  • 본 논문에서는 직교 벡터 공간 변환을 이용한 새로운 음성 개성 변환 알고리즘을 제안하였다. 음성 개성 변환이란 임의 환자(source)가 가지고 있는 몇 개의 특징 변수를 다른 화자(target)의 특징 변수로 변환하는 기법이다. 본 논문에서는 LPC 켑스트럼 계수와 여기 신호의 스펙트럼, 그리고 피치 궤적을 변환하여 음성 개성변환을 구현하였다. LPC 켑스트럼 계수의 변환을 위해 직교 벡터 공간 변환 기법이 제안되었다. 이 기법은 KL(Karhunen-Loeve)변환을 이용한 principle component의 분리와 최소 자승 오차를 갖는 선형 좌표 변환을 통해 LPC 켑스트럼의 변환을 수행한다. 또한, 화자간의 운율적인 특징을 변환하기 위해 피치 궤적 변환 기법이 제안되었다. 피치 궤적 변환을 위하여 먼저 두 화자간의 기준 피치 패턴의 작성하고 기준 패턴간의 대응 관계를 추정한 후 이를 이용하여 source 화자의 피치 패턴이 target 피치 패턴으로 변환되도록 하였다. 컴퓨터를 이용한 모의 실험 결과 제안된 알고리즘은 객관적인 평가와 주관적인 평가에 있어서 우수한 성능을 나타내었다.

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일본어의 초점 실현과 인토네이션의 구조 (Realizations of Discourse Focus and Structure of Intonation in Japanese)

  • 최영숙
    • 음성과학
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    • 제9권4호
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    • pp.187-200
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    • 2002
  • The purpose of the present study is to see in terms of $F_{0}$ variation in Japanese how discourse focus and the lexical word accent interact with each other in realizing overall intonation patterns. Discourse focus causes prosodic restructuring of phrase structures and, as a result, largely affects pitch contours, whereas the lexical word accent is said to delimit the $F_{0}$ into a certain range. Measurement of $F_{0}$ was made of utterances of Japanese sentences to observe behavior of pitch contours with varied focus assignment and lexical accent specifications. The utterances were obtained in question-answer discourse contexts so that in a sentence, either one NP was always focused or no focus was assigned. I set four points for $F_{0}$ measurement; $F_{1s},F_{1m}, F_{2s}$, and $F_{2m}$, two for each noun phrase corresponding to $F_{0}$ at the beginning of the first syllable and that of the vocalic portion of the second syllable in the two NP's. The results of present study were as follows: (1) for all combination of lexical accent types, the $F_{0}$ rise both in NP1 and NP2 are higher when focused than when not focused. (2) NP2 starts a new accentual phrase when focused, showing even higher $F_{0}$ than NP1, the latter of which implies that in forming a new accentual phrase by focusing, catathesis does not seem to take effect on NP2 preceded by accented NP1. (3) unfocused NP2 preceded by unaccented NP1 has higher $F_{0}$ than those preceded by accented NP1.

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