• Title/Summary/Keyword: Professional voice

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A survey on the voice related needs of occupational voice users (직업적 음성사용자의 음성관련 요구 조사)

  • Lee, Eun-Jeong;Kim, Wha-Soo
    • Phonetics and Speech Sciences
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    • v.7 no.2
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    • pp.39-45
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    • 2015
  • This research was conducted to investigate the voice related needs of occupational voice users. The data collected from teachers(379), tele-marketers(156), therapists(50) was classified according to its content, by colaizzi's inductive categorical analysis. The voice related needs are classified into 3 big categories, 1) how to use, 2) how to care, 3) how to be healthy. Again the category 'how to use' my voice was into 6 sub-categories: (1) efficiently, (2) as I desired, (3) without pain(discomfort), (4) expressively, (5) phonation (methods) and (6) clear articulation. The result showed that the needs from 3 groups of occupational voice users reflect their own environment which they have to use their voice as well as the voice characteristics wanted from their specific listeners.

The Voice of Mathematics Teacher Guides from Their Use of Pronouns, Modality, and Imperatives

  • Suh, Heejoo
    • Research in Mathematical Education
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    • v.22 no.3
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    • pp.223-243
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    • 2019
  • Researchers have been attending to the potential of curriculum materials as resources for professional development. In order for a curriculum material to fulfil such purpose, curriculum authors should intentionally attend to educativeness of the material. A feature of educative material is that its voice speaks to teachers. In this study, I explore educativeness of Algebra teacher guides by attending to their voice. In particular, I focused on the use of pronouns, modality, and imperatives. Findings indicate that some teacher guides have more educative voice than the others and that the amount each guide talk to teachers were less than sufficient. Implications for future research and practice are discussed.

Comparative Studies on the Self Voice Assessment of Voice Disorder Patients and the Hearer Voice Assessment of a Comparative Group of normal subjects (음성장애인의 자가음성평가와 정상음성인의 청자음성평가 특성 비교)

  • Lee, Yu-Jin;Hwang, Young-Jin
    • Phonetics and Speech Sciences
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    • v.4 no.2
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    • pp.105-114
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    • 2012
  • This paper will discuss the difference between self assessment of voice disorders and the hearer voice assessment of a comparative group of normal subjects. The study was conducted on 25 voice disorder subjects and 32 hearers of a comparative group of normal subjects. The results are as follows. Firstly, in K-VHI and VHI-H, the hearers of the comparative group of normal subjects perceived more serious voice disorders than the voice disorder group in all sub-domains. Likewise, in K-VQOL and VRQOL-H, the hearers of the comparative group of normal subjects perceived more serious voice disorders than the voice disorder group in all sub-domains. Secondly, the hearer voice assessment of the comparative group of normal subjects showed no difference in gender regarding the perception of the severity of voice disorder issues. Thirdly, the hearer voice assessment of the comparative group of normal subjects states that in the emotional aspects of VHI-H, professional voice users perceive more serious voice disorders than others. Accordingly, in VRQOL-H, there was no difference in use of the voice between professionals and others.

Assessments of Professional Voice (전문 성악인 교육 평가 방법 연구: 음향분석 컴퓨터 시스템 및 후두 회신경을 사용하여)

  • Kim, S.S.;Kim, H.G.;Hong, K.H.
    • Speech Sciences
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    • v.4 no.2
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    • pp.115-139
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    • 1998
  • The aim of this study is to develop an the assessment program for the singing voice which is based on the physiological and acoustic methods. 22 sopranos, 6 mezzo sopranos, 4 tenors and 4 baritones participated to these experiments. The results measured by Visi-Pitch, spectrograph, and strobo-scope can be summarized as follows: (1) The maximum phonation time of singers must over 14 second higher with one deep inspiration (2) The parts classified by vocal range using Visi-Pitch: soprano between 167Hz $\sim$1,190Hz, mezzo soprano between 146Hz$\sim$956Hz, tenor between 75Hz$\sim$503Hz and baritone between 73 Hz and 385 Hz. (3) Longitudinal glottal size of singers decreases depending on the high-low pitch variation while lattitudinal glottal size increases depending on high-low pitch variation. (4) Well-trained singers show over 5 times the vibrato rate of untrained singers and regular pitch variation during measured periods. Vibrato's intensity do not over 3 dB. (5) Singer's formant indicates professional voice depending on the each parts: 3,207 Hz for soprano, 3,057 Hz for mezzo soprano, 2,754 Hz for tenor and 2,560 Hz for baritone.. (6) $F_1$ of singing voice is higher than that of speech while $F_2\;and\;F_3$ of singing voice are lower than those of speech.

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The Vocalization for Korean Traditional Song "Pansori" (국악(판소리) 발성법)

  • Hong, Ki-Hwan
    • Journal of the Korean Society of Laryngology, Phoniatrics and Logopedics
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    • v.22 no.2
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    • pp.111-114
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    • 2011
  • All singers can often develop voice trouble secondary to vocal abuse and overuse, but it is well known that traditional Korean singer (pansori) develop voice disorders more frequently than western style sunger. While laryngological concern for voice disorders arising in professional singers has received some attention, empirically motivated investigations of the underlying acoustic features of the singing voice have been relatively limited. Since all singers have a good knowledge of the voice and voice training, they would hardly give consent for treatment to a doctor unless he understood their desire to maximize their voice quality. The components of this report are composed of breathing, basic ekement, and vocalization, essencial fact, for getting a perfect voice for pansori. The breathing is based on hypogastric breathing. The main functions of breathing are energy and power of utterence, tempo of rhythm and seperating paragraph and controlling feelings according to dramatic situation. Vocalization is based on general vocalization. Main uses of it are maintaining singer's tone and harmony of cosmetic dual force.

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Singing Voice Care

  • 권영경
    • Proceedings of the KSLP Conference
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    • 2003.11a
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    • pp.184-186
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    • 2003
  • 배경 : 전문 음성 사용자(professional voice user)중 성악인들은 특히 음성문제에 관심이 많으며, 전문 성악인이나 성악전공학생들은 항상 가장 좋은 발성으로 아름다운 연주를 하기 위해 노력한다(이정희 1992 ; 황화자 1999 ; Appleman 1986). 목적 : 병변이 없는 정상 성악인과 병변이 있는 성악인의 경우, 음성언어치료사가 행할 수 있는 치료접근법을 알아보고자 한다. (중략)

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A Survey on the voice symptoms and vocal-health service related experience of occupational voice users (직업적 음성사용자의 음성증상 및 '음성건강' 관련 서비스 인지도 조사)

  • Lee, Eun-Jeong
    • Journal of Digital Convergence
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    • v.13 no.1
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    • pp.397-405
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    • 2015
  • This survey was to identify voice symptoms and vocal-health service related experiences of occupational voice users(teachers, telemarketers, speech therapists). The 91.8% of teachers, 97.9% of telemarketers, 86% of speech therapists surveyed reported more than one voice symptom. The symptoms were classified as 9 categories(running a temperature, getting dry, dry and cough, pain, phlegm, tingled, hoarseness, cracks, swollen) and the most frequently reported from 3 groups was 'getting dry'. The 85.7% of teachers, 87.8% of telemarketers, 66% of therapists surveyed had no experience of vocal-health related services. The 19.6%, 19.9%, and 72% of each group reported they have heard both of 'voice/speech therapist'. The 36.8% of teachers and 43.6% of telemarketers answered they don't know how to use their voice efficiently and 45.3% of the teachers, 43.6% of the telemarketers, 28% of the therapists surveyed asked professional help for their voice. The result showed that most of the occupational voice users surveyed experienced voice symptoms but rarely knew professional vocal-health related services.

Voice Classification of Trained Classic Singers (성악가의 성종 구분에 관한 문헌적 고찰)

  • Nam, Do-Hyun;Paik, Jae-Yeon;Choi, Hong-Shik
    • Journal of the Korean Society of Laryngology, Phoniatrics and Logopedics
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    • v.18 no.1
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    • pp.56-61
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    • 2007
  • Introduction: Actually classification of classic singers' voice depends on habitual judgment by voice teachers or voice trainer referring to vocal timbre, vocal range and vocal quality. Such judgments, however, may turn out to be incorrect because they are based on subjective opinions. Therefore, more objective methodology is required. Method: Foreign dissertations searched through Pub Med, along with foreign and domestic journals, were reviewed regard ing how singers' voice has been categorized. Results: Vocal range, vocal timbre, voice quality, fundamental frequency of habitual speaking, length of vocal tract, the length from cricoid cartilage to thyroid cartilage's thyroid notch and length of vocal fold, tone of passaggio as well as traditional approaches such as perceptual judgment used by professional singers have been used for categorize the voice classification. Conclusion: To optimize categorizing singers' voice, vocal range, vocal timbre, voice quality, fundamental frequency of habitual speaking, length of vocal tract, the length from cricoid cartilage to thyroid cartilage's thyroid notch and length of vocal fold, tone of passaggio may be totally recommended.

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Ten years of clinical experience with the patients with vocal nodule (성대결절 환자에 대한 10년간 임상 경험)

  • Lim, Hye Jin;Kim, Jeong Kyu;Choi, Chul-Hee;Choi, Seong Hee
    • Phonetics and Speech Sciences
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    • v.9 no.4
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    • pp.99-106
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    • 2017
  • Clinical data about vocal nodules have seldom been reported, even though vocal nodules are commonly diagnosed in outpatient speech and voice clinic. This study aims to investigate clinical characteristics of the patients who are diagnosed with vocal nodules. This study analyzed the data for 10 years from the 319 patients diagnosed with vocal nodules (45 males and 274 females with the mean age of 39.4 ranging from 2 to 83) in terms of gender, age, occupation, voice change initiation pattern, change with time, throat clearing, smoking history, type of voice abuse, acoustic analysis, maximum phonation time, GRBAS, and VHI. Thirteen patients (4.08%) had unilateral vocal nodule and 306 patients (95.9%) had bilateral vocal nodule, the majority of which had a pattern of asymmetry (73.9%). The glottal closure pattern was hourglass in 72.1% of patients, posterior chink in 17.9% of patients, and irregular in 7.9% of patients. The most common occupational category was professional voice users (43.4%). The voice abuse pattern included excessive talking in 96 patients (76.8%), loud voice in 78 (62.4%) patients, and excessive singing in 17 patients (21.6%). The patients showed worse scores in G, B, and S than in R and A for the GRBAS evaluation. The most recommended treatment for vocal nodules was voice therapy. The current clinical data will be helpful for treatment planning for the patients of vocal nodule.