• Iberoamérica
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• v.22 no.2
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• pp.99-122
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• 2020

The design and implementation of the so-called Mexican Fourth Transformation(Cuarta Transformacion, 4T), as an alternative form of government, faces daily the attack and violence of conservatism through a permanent campaign that seeks to instill fear in society, based on a web of lies that tries to create the image of a situation of political ungovernance in the public opinion. This work is a documentary analysis that accounts for the types of harassment of the conservative elite against the 4T; the objective is to show the forms of violence that threaten democracy. In conclusion, this study attempts to argue that the violence that conservative neoliberals caused against the 4T has its origin in that they feel threatened, because the reform policy of AMLO goes against their class interests.

• Korean journal of communication and information
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• v.41
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• pp.232-267
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• 2008

This study is a comparative analysis of news frames between Chosunilbo and Hankyereh which have shown contrastive political attitude. The coverage of two political scandal, the Prime Minister Lee Haechan's golf happening and an Assemblyman of opposition party Choi Yeonhee's sexual harassment were analysed. The two political scandals were occurred one after the other and had some similarities. But two newspapers showed very contrastive frame on the two political scandals. On the Prime Minister Lee's scandal Chosunilbo showed politicizing frame, lobby golf frame, immorality frame, resignation frame. In contrast Hankyereh used depoliticization frame and human error frame. On the Assemblyman Choi's scandal Hankyereh showed politicizing frame, personal responsibility frame, immorality frame, resignation frame. But Chosunilbo used social responsibility frame and human error frame. In conclusion two newspapers showed very contrastive coverage according to the respective political attitude.

• 지역과문화
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• v.6 no.3
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• pp.29-53
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• 2019

Korean traditional women artists are placed in dual suffering from unequal rights in terms of gender and misrecognition endowed by historical legacy. There has been no clear cut definition but interchangeable adoption of various terms such as Yeo-ak, Yeo-gi, and Gisaeng even in the study of music theory and history itself. Study on female musician has been mostly performed on the basis of music theory and history so that one sided discourse on female traditional artist has survived and aggravated its connotation during the colonial ages and modernization. Envisioning traditional female artist as instrumentalizing their body and status as artist resulted in crucifying victims of sexual harassment is one recent example. This study is an attempt to collect knowledge on the various layers of discourse about the status and role of female traditional artist. This is a first stage of analysis covering the period Joseon dynasty where original and official records regarding female traditional artists remains until today. The findings are that policy discourse are to be classified as politico-ideological layer, music theoretical layer, and socio-political layer. It is to be clarified in the future which layer has the most sustaining influence to the present and why.