• Archives of design research
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• v.9
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• pp.401-418
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• 1994

A fairy tale of information by word of mouth gets to this day with admitting the change of period. A fairy tale reflects the morality of the education of children. The late 17th century, the information by an author of classical literature collects and the literature genre of children begins to fix. In 1697, Perrault publicates and is a volume of eight volumes' tale. Perrault describes that female children guard against male by annexing a figurative allusion. Sara Moon of a photography artist in 20th century expresses this theme by symbolic expression of illustration. Her illustration brings about many questions and becomes conscious of the veiled significance of sentences by author's consideration. She deletes the Perrault's preccept in substitution of bed photography and she substitutes a wolf with a car or a dog and a shadow, etc .. The illustration of Sara Moon gets ready a foundation of early sex education as reflecting a period. Now, an illustrator gets to rebirth a fairy tail as a new dramatizer of today.

• Korean Institute of Interior Design Journal
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• v.18 no.1
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• pp.11-18
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• 2009

현대 건축은 시공 기술과 재료생산 및 개발의 발전을 바탕으로 점차적으로 투명성을 띄게 되었다. 이러한 건축적 투명성은 재료나 기술적인 발전도 많은 영향이 있었으나 그 보다 사용자들의 공간적 인지와 요구에 맞춰 생성되었다고 볼 수 있다 본 논문은 도미니크 페로의 프로젝트를 바탕으로 건축 공간적 투명성의 근본적 요소들을 분석하여 프로젝트에 나타난 공간적 구획과 인지에 대해 알아보았다. 도미니크 페로는 투명성을 건축적 구축방법 및 표현방법으로 사용하는 것으로 나타났고, 건축물이 하나의 고립된 물체로 보기 보다는 대지와 건축물의 구분이 불분명하여 공간적인 경험이 건축물과 대지의 경험을 넘나들게 만들어 진 것을 볼 수 있다. 실내공간의 투명성은 공간 구획에서 표현이 되었는데, 도미니크 페로의 대부분의 프로젝트에는 매우 간단하고 개방된 구획을 추구한 것을 미뤄 볼 때 실내 공간구획과 외부와의 밀접한 관계를 동시에 설계한 것을 알 수 있었다. 공간적으로나 표피적인 투명도가 높은 공간의 사용하는 사용자의 생활패턴이나 공간적 인지에 미치는 영향을 살펴보았을 때, 개방된 공간이나 공간적 노출에 의식하지 않고 자연스럽게 적응하는 것을 알 수 있었다. 현대건축 공간에 나타나는 투명성은 물리적인 영향보다는 사용자의 공간인식과 시각적 인지에 큰 영향을 미치는 것으로 판명되었다.

• Architectural research
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• v.13 no.4
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• pp.11-18
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• 2011

The first attempt in architectural design theory to consider the perceptual and metaphysical dimension separately with a fully modern scientific manner, which exist in contrast to the Renaissance idea, was Claude Perrault, who emphasized the cognitive factors as an important scientific human issue in building design in 1683 in his book "Ordonnance". Even today many elaborated works to reveal the mysterious design processes based on a set of rational approaches have been introduced since the Design Method movement in 1960's. Their pioneering and challenging efforts to rationalize design process have been mostly rely on the cultural issues whether it takes a qualitative or quantitative stance. On the other hand, however, today's computer generated free form architecture seems not to be aware of those lessons learned from the past and, therefore, this study conducted an extensive research through exploring on morphological building forms with cultural issues to fill up the missing and/or lacking characteristics of today trend in building design.

• Cartoon and Animation Studies
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• s.40
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• pp.315-336
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• 2015

Since it is imperative to share the values with the spectators to convince the public of the era, the main characters of a story that underwent numerous adaptation through time would change gradually. This paper examined changes of the main characters in various versions of Cinderella. Until the mid-20th century, Cinderella would be portrayed as a meek, passive and obedient girl as in the original fairy tale version of Perrault. As moving to 70s, a heroine who acts with her own feelings and thoughts began to appear. In the 90s, spectators could meet a protagonist who fought fiercely to be the owner of her own fate, and in the recent Disney movie, Cinderella stood up for herself while accepting herself as she was. The prince character also underwent similar transition. In the early versions of Cinderella, the prince would be a vague figure with a title who was desired by all maids in the country. It is in the 70s that the prince began to be portrayed as a person who has his own problems. In the recent years, the spectators could see the process that the prince transformed from a naive aristocrat to a man with responsibilities. In modern society, women have more social opportunities compared to the past, and women's social statuses do not need to be secured by relationship with men any longer. Thus Cinderella story is not as popular nowadays, moreover somebody whose dream is becoming Cinderella would subject to social reproach. However, beside the gender, the story could be the only hope for people who feel a sense of helplessness that there is no chance in their lives. As result variations of Cinderella story will go on as long as people of social deprivation exist.

• Architectural research
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• v.15 no.1
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• pp.17-23
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• 2013

The purpose of this paper is to reconsider and revaluate Ste. Genevieve Library designed by Henri Labrouste as a criticism of Classicism. Considered as the epitome of the early structural Rationalism the modern historian tried to focus only on the iron structure of the library. Arguably, the structural concern was one of the ideas that the architect wanted to manifest in the library. As a rebel against a view of the Acad$\acute{e}$mie des Beaux-Art the notions of H. Labrouste were radical. He criticized an autistic Classicism with an echoing Claude Perrault's doubt about the myth of classical beauty. These radical ideas firstly showed in his report of the Grand Prix de Rome and must have been developed through several discussions for a novel: Notre-Dame de Paris by V. Hugo. 'Ceci tuera cela', one of the chapter of the novel, was generally known as the death of architecture due to the invention of the printing press around Renaissance period. We, however, consider that even though the historical background of the novel is the Gothic period the ideas, which was discussed with Labrouste, related to the death of architecture was not the architecture itself but classical architecture recomposed during Renaissance period. As the first design work the library must be reflected his ideas, which were developed, and manifested his criticism of the Classicism indirectly.