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Characteristics and Phase Transition of Clay Minerals as the Results of Bentonite Weathering (벤토나이트의 풍화에 따른 점토광물의 상전이 및 광물특성)

  • 노진환;이석훈
    • Journal of the Mineralogical Society of Korea
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    • v.15 no.3
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    • pp.147-159
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    • 2002
  • Weathered bentonites occcur as surficial alterations of some domestic bentonite deposits in the Tertiary formations, with the thickness of less than about 50 cm, along naturally-formed weathering surface with slopping in gentle. 7 $\AA$-halloysite was found together with montmorillonite in the weathered bentonite. Compared to normal bentonite, the weathered one is generally more clay-rich and contains little amounts of original rock-forming minerals and residues. In the electron microscopy, fine-scale occurrence of the clay minerals tends to be somewhat discrete and segregated rather than closely associated. h curled margin of montmorillonite lamella is deformed to become obtuse in the weathered bentonite. Halloysite occurs as acicular to tubular crystals with the length of less than 2 $\mu$m and the width of about 0.3 $\mu$m, which commonly forms bundle-shaped aggregates. Electron microscopic observations on the fine-scale occurrence and texture of the wtathered bentonites indicate that the clay mineral transition from montmorillonite to halloysite has undergone without accompanying any intermediate phases of both clay minerals such as a mixed-layered type (M/H). The alteration reaction between these two clay minerals probably took place in the form of dissolution and precipitation mechanism in oxidation condition. An intense chemical leaching of SiO$_2$, Na, K and Ca might occur during the alteration reaction, forming a lot of dissolution cavity and residual concentration of A1$_2$O$_3$ and Fe, relatively. As the result of the chemical change, a fsvorable condition for halloysite formation seemed to be provided.

STANDARDISATION OF NIR INSTRUMENTS, INFLUENCE OF THE CALIBRATION METHODS AND THE SIZE OF THE CLONING SET

  • Dardenne, Pierre;Cowe, Ian-A.;Berzaghi, Paolo;Flinn, Peter-C.;Lagerholm, Martin;Shenk, John-S.;Westerhaus, Mark-O.
    • Proceedings of the Korean Society of Near Infrared Spectroscopy Conference
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    • 2001.06a
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    • pp.1121-1121
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    • 2001
  • A previous study (Berzaghi et al., 2001) evaluated the performance of 3 calibration methods, modified partial least squares (MPLS), local PLS (LOCAL) and artificial neural networks (ANN) on the prediction of the chemical composition of forages, using a large NIR database. The study used forage samples (n=25,977) from Australia, Europe (Belgium, Germany, Italy and Sweden) and North America (Canada and U.S.A) with reference values for moisture, crude protein and neutral detergent fibre content. The spectra of the samples were collected using 10 different Foss NIR Systems instruments, only some of which had been standardized to one master instrument. The aim of the present study was to evaluate the behaviour of these different calibration methods when predicting the same samples measured on different instruments. Twenty-two sealed samples of different kind of forages were measured in duplicate on seven instruments (one master and six slaves). Three sets of near infrared spectra (1100 to 2500nm) were created. The first set consisted of the spectra in their original form (unstandardized); the second set was created using a single sample standardization (Clone1); the third was created using a multiple sample procedure (Clone6). WinISI software (Infrasoft International Inc., Port Mathilda, PA, USA) was used to perform both types of standardization, Clone1 is just a photometric offset between a “master” instrument and the “slave” instrument. Clone6 modifies both the X-axis through a wavelength adjustment and the Y-axis through a simple regression wavelength by wavelength. The Clone1 procedure used one sample spectrally close to the centre of the population. The six samples used in Clone 6 were selected to cover the range of spectral variation in the sample set. The remaining fifteen samples were used to evaluate the performances of the different models. The predicted values for dry matter, protein and neutral detergent fibre from the master Instrument were considered as “reference Y values” when computing the statistics RMSEP, SEPC, R, Bias, Slope, mean GH (global Mahalanobis distance) and mean NH (neighbourhood Mahalanobis distance) for the 6 slave instruments. From the results we conclude that i) all the calibration techniques gave satisfactory results after standardization. Without standardization the predicted data from the slaves would have required slope and bias correction to produce acceptable statistics. ii) Standardization reduced the errors for all calibration methods and parameters tested, reducing not only systematic biases but also random errors. iii) Standardization removed slope effects that were significantly different from 1.0 in most of the cases. iv) Clone1 and Clone6 gave similar results except for NDF where Clone6 gave better RMSEP values than Clone1. v) GH and NH were reduced by half even with very large data sets including unstandardized spectra.

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Video Matching Algorithm of Content-Based Video Copy Detection for Copyright Protection (저작권보호를 위한 내용기반 비디오 복사검출의 비디오 정합 알고리즘)

  • Hyun, Ki-Ho
    • Journal of Korea Multimedia Society
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    • v.11 no.3
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    • pp.315-322
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    • 2008
  • Searching a location of the copied video in video database, signatures should be robust to video reediting, channel noise, time variation of frame rate. Several kinds of signatures has been proposed. Ordinal signature, one of them, is difficult to describe the spatial characteristics of frame due to the site of fixed window, $N{\times}N$, which is compute the average gray value. In this paper, I studied an algorithm of sequence matching in video copy detection for the copyright protection, employing the R-tree index method for retrieval and suggesting a robust ordinal signatures for the original video clips and the same signatures of the pirated video. Robust ordinal has a 2-dimensional vector structures that has a strong to the noise and the variation of the frame rate. Also, it express as MBR form in search space of R-tree. Moreover, I focus on building a video copy detection method into which content publishers register their valuable digital content. The video copy detection algorithms compares the web content to the registered content and notifies the content owners of illegal copies. Experimental results show the proposed method is improve the video matching rate and it has a characteristics of signature suitable to the large video databases.

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A Study of Coastal Passenger Ship Routes through Social Network Analysis Method (사회 네트워크 분석 방법을 활용한 국내 여객항로 분석 연구)

  • Ko, Jae-Woo;Cho, Chang-Mook;Kim, Sung-Ho;Jung, Wan-Hee
    • Journal of Navigation and Port Research
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    • v.39 no.3
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    • pp.217-222
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    • 2015
  • In this research, sea routes of domestic coaster liners between 2005 and 2013 were studied via social network analysis. Study of the sea routes revealed that they follow power-law in a scale-free form, a characteristic found often in social network. We have looked into centrality, which is a major standard in the field of social network analysis. We have also analyzed the annual changing trend in the centrality of the connectivity, examined the effect of quantity through the comparison with the original quantitative analysis method, and lastly, verified the relationship between the centrality of connectivity and mediation. Then, we were able to identify ports according to priority using these factors. This research assumed and interpreted the coaster liners route as a single network and suggested useful results. Based on these results, directing of development of domestic coaster liners route development and other factors will be achieved more smoothly. And if we utilize social network analysis method in other various fields - for example, the centrality of airport and the diplomatic realations analysis of the neighboring country - we will be able to effectively analyze events in diverse perspectives.

An Image Warping Method for Implementation of an Embedded Lens Distortion Correction Algorithm (내장형 렌즈 왜곡 보정 알고리즘 구현을 위한 이미지 워핑 방법)

  • Yu, Won-Pil;Chung, Yun-Koo
    • The KIPS Transactions:PartB
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    • v.10B no.4
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    • pp.373-380
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    • 2003
  • Most of low cost digital cameras reveal relatively high lens distortion. The purpose of this research is to compensate the degradation of image quality due to the geometrical distortion of a lens system. The proposed method consists of two stages : calculation of a lens distortion coefficient by a simplified version of Tsai´s camera calibration and subsequent image warping of the original distorted image to remove geometrical distortion based on the calculated lens distortion coefficient. In the lens distortion coefficient calculation stage, a practical method for handling scale factor ratio and image center is proposed, after which its feasibility is shown by measuring the performance of distortion correction using a quantitative image quality measure. On the other hand, in order to apply image warping via inverse spatial mapping using the result of the lens distortion coefficient calculation stage, a cubic polynomial derived from an adopted radial distortion lens model must be solved. In this paper, for the purpose of real-time operation, which is essential for embedding into an information device, an approximated solution to the cubic polynomial is proposed in the form of a solution to a quadratic equation. In the experiment, potential for real-time implementation and equivalence in performance as compared with that from cubic polynomial solution are shown.

Microarchitectural Defense and Recovery Against Buffer Overflow Attacks (버퍼 오버플로우 공격에 대한 마이크로구조적 방어 및 복구 기법)

  • Choi, Lynn;Shin, Yong;Lee, Sang-Hoon
    • Journal of KIISE:Computer Systems and Theory
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    • v.33 no.3
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    • pp.178-192
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    • 2006
  • The buffer overflow attack is the single most dominant and lethal form of security exploits as evidenced by recent worm outbreaks such as Code Red and SQL Stammer. In this paper, we propose microarchitectural techniques that can detect and recover from such malicious code attacks. The idea is that the buffer overflow attacks usually exhibit abnormal behaviors in the system. This kind of unusual signs can be easily detected by checking the safety of memory references at runtime, avoiding the potential data or control corruptions made by such attacks. Both the hardware cost and the performance penalty of enforcing the safety guards are negligible. In addition, we propose a more aggressive technique called corruption recovery buffer (CRB), which can further increase the level of security. Combined with the safety guards, the CRB can be used to save suspicious writes made by an attack and can restore the original architecture state before the attack. By performing detailed execution-driven simulations on the programs selected from SPEC CPU2000 benchmark, we evaluate the effectiveness of the proposed microarchitectural techniques. Experimental data shows that enforcing a single safety guard can reduce the number of system failures substantially by protecting the stack against return address corruptions made by the attacks. Furthermore, a small 1KB CRB can nullify additional data corruptions made by stack smashing attacks with only less than 2% performance penalty.

Japanese Experimental Animation in 1960s (1960년대 일본의 실험적 애니메이션)

  • Park, Gi-Ryung
    • Cartoon and Animation Studies
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    • s.29
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    • pp.37-60
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    • 2012
  • This essay is discusses the phase on expression as experimental animation for the tendency of the animation which appeared newly 1960s in Japan by "3 members in animation". In general, experimental animation is contrary to traditional animation. "3 members in animation" tried to present the concept of animation newly with the various trials which overthrow the form of the conventional animated cartoon. Those days, the feature animation of Toei was the mainstream of the cartoon film. When comparing with Yoji Kuri's works, the movement and theme on expression are different. It can be said that the difference is an alternative method to the mainstream. Other members Ryohei Yanagihara and Hiroshi Manabe connected design and illustration with animation. The independent creators participated in the animation festival which "3 members in animation" held. They tried to create animation interchanging with other genres. It can be said that the intermediality seen in their work is trial which sets variegated the object of animation and it expands the possibility of the new animation. Their approach overthrew the traditional tendency and was able to call it experimental animation. Japanese experimental animation in 1960s is the historical starting point of recent independent animation which searched for art in which an original expression has been formed in Japan.

Conservation of Buddhist Monk Samyeong's Geumran-gasa and Jangsam, the National Folklore Cultural Heritage No.29 (국가민속문화재 제29호 사명대사의 금란가사와 장삼의 과학적 조사와 보존)

  • Chung, Young Ran;An, Bo Yeon
    • Journal of Conservation Science
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    • v.33 no.6
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    • pp.443-456
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    • 2017
  • The Geumran-gasa (Kasaya) and Jangsam of the monk Samyeong are historical relics and were designated as object No.29, a Buddhist costume of the Joseon Dynasty, by the National Folklore Cultural Heritage, in 1973. In 1984, after being treated for the purposes of washing and preserving the shape of the garments, the object was kept in the Temple Museum of Pyochungsa, as their holding institution. However, regular inspection conducted by the Cultural Heritage Administration in 2013 determined the need for a re-treatment. The Geumran-gasa had been originally made with 25 strips, but it had been separated into two parts and many pieces were lost. A part of the collar in the Jangsam was lost as well. Therefore, both relics needed to be restored. The re-treatment process involved pre-investigation, washing, reinforcement fabric dyeing, restoration, and fumigation. In particular, we focused on reinforcing the damaged parts and restoring the missing parts by applying advanced materials and methods in order to restore the original form as much as possible. This conservation is the result of the re-treatment of the cultural properties by replacing the old material used in past treatments and applying advanced methods under the basic principle of reversibility in conservation treatment.

A Study on the Generation of Ultrasonic Binary Image for Image Segmentation (Image segmentation을 위한 초음파 이진 영상 생성에 관한 연구)

  • Choe, Heung-Ho;Yuk, In-Su
    • Journal of Biomedical Engineering Research
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    • v.19 no.6
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    • pp.571-575
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    • 1998
  • One of the most significant features of diagnostic ultrasonic instruments is to provide real time information of the soft tissues movements. Echocardiogram has been widely used for diagnosis of heart diseases since it is able to show real time images of heart valves and walls. However, the currently used ultrasonic images are deteriorated due to presence of speckle noises and image dropout. Therefore, it is very important to develop a new technique which can enhance ultrasonic images. In this study, a technique which extracts enhanced binary images in echocardiograms was proposed. For this purpose, a digital moving image file was made from analog echocardiogram, then it was stored as 8-bit gray-level for each frame. For an efficient image processing, the region containing the heat septum and tricuspid valve was selected as the region of interest(ROI). Image enhancement filters and morphology filters were used to reduce speckle noises in the images. The proposed procedure in this paper resulted in binary images with enhanced contour compared to those form the conventional threshold technique and original image processing technique which can be further implemented for the quantitative analysis of the left ventricular wall motion in echocardiogram by easy detection of the heart wall contours.

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The Research on Japanese Independent Animator Koji Yamamura's works (일본의 인디펜던트 애니메이션 작가 야마무라 코지의 작품 분석)

  • Park, Gi-Ryung
    • Cartoon and Animation Studies
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    • s.21
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    • pp.19-32
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    • 2010
  • In this essay, Japanese independent animator Koji Yamamura's works were analyzed. As understood from etymology of 'anima', animation is the expression media in which creation of moving image is assumed to be essence. In the independent animation, possibility of animation to the essence shows by the most original and experimental method. And it contributes to diversification of the animation style. Yamamura keeps producing animation independently from the 1980's, and he designed and tried technique and theme of new ideas. Here, on Yamamura's early and after works, his animation method considered by analisis of experimental attempt in technique and theme. In the case of Yamamura, he variously experimented technique on his early works and it was made foundation. And, after , Yamamura searched by the method to harmonize form of animation with content treating drawing animation technique with allegorical theme. Especially, independent animation in Japan has developed growing spontaneously. Therefore the individual aesthetics of Japanese independent animators can be discovered indeed variously intheir creation activity and work. So the importance of independent animation is recognized by concretely analyzing the case of Japanese independent animator. In addition, the way used on the side of possibility of animation expression tries to be considered individual case.

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