• 한국산학기술학회논문지
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• 제16권10호
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• pp.6816-6822
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• 2015

본 연구에서는 기존의 글라스울의 흡습에 의한 변형을 해결하고 단열성능향상을 위해 실리카 에어로젤을 이용한 단열재를 개발하였다. 글라스울 단열재에 액상의 혼합 바인더를 이용하여 실리카에어로젤이 함침된 글라스울 복합체를 제조하였다. 액상의 혼합 바인더는 수용성바인더(CMC, carboxymethyl cellulose)와 물에 분산시킨 실리카 에어로젤을 이용하여 준비하였다. 초기 $0.048g/cm^3$의 밀도를 갖는 글라스울 보드를 준비하고 실리카 에어로젤을 함침시켜 $0.065g/cm^3$의 밀도를 갖는 단열보드를 제작할 수 있었다. 이렇게 제조된 실리카 에어로젤 함침 글라스울 보드 복합체는 단일 글라스울 보드의 단열성능보다 7.4% 향상된 0.0315 W/mK의 열전도율(thermal conductivity)을 나타내었다. 제조된 실리카 에어로젤-글라스울 복합체는 불꽃 관통시험에서 362초간 내화 저항성을 나타내어 단일 글라스울 보드에 비하여 2.7배나 높은 내화성능을 보였다. 또한 일반 글라스울 보드는 흡습에 의하여 수직방향으로 처짐현상을 나타내는 단점이 있었으나, 실리카 에어로젤이 함침된 보드에서는 실리카 에어로젤의 발수특성으로 인하여 높은 내수성능을 나타내는 것을 확인하였다.

• 한국실내디자인학회논문집
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• 제15권1호
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• pp.3-11
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• 2006

After the 60's, The discourse of the Art of Reception, semiotics, and epistemology have been made steady progress. Especially, the Art of Reception which emphasizes the role of reader in the process of understanding the text, had made the significant role of the Border Dismantling in the Architecture. Its concept can be difined as the free interpretation of each individuals on the art works, that abhors the one-directional systems between reader and writer. This study analyzes the meaning of 'Borderness dismantling' as a molting the center of the world of God, center of Ideology, center of ration in the pluralized and center-cracked world. and also means vague border, no limitation, and overcoming, which make people participate together to overcome the estrangement. The process of study inquire into the phenomenon of fragmentization, indeterminacy, continuitiness, hybridization, mutual penetration, Rhizome and complex allegorization(the process of humanization) Looking back of architectural history, in the origin of those phenomenon, there is the etching works of Piranesi. Many contemporary architects had been affected by his works, and re-interpret and make come true of his visions. This study analyze the meanings of his working process and consequences on contemporary architecture.

• Geomechanics and Engineering
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• 제33권5호
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• pp.453-462
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• 2023

Intermediate Geomaterials (IGMs) are natural formation materials that exhibit the engineering behavior (strength and compressibility) between soils and rocks. The engineering behavior of such material is highly unpredictable as the IGMs are stiffer than soils and weaker/softer than rocks. Further, the characterization of such material needs exposure to both soil and rock mechanics. In most conventional designs of geotechnical structures, the engineering properties of the IGMs are either aligned with soils or rocks, and this assumption may end up either in an over-conservative design or under-conservative design. Hence, many researchers have attempted to evaluate its actual engineering properties through laboratory tests. However, the test results are partially reliable due to the poor core recovery of IGMs and the possible sample disturbance. Subsequently, in-situ tests have been used in recent years to evaluate the engineering properties of IGMs. However, the respective in-situ test finds its limitations while exploring IGMs with different geological formations at deeper depths with the constraints of sampling. Standard Penetration Test (SPT) is the strength-based index test that is often used to explore IGMs. Moreover, it was also observed that the coefficient of variation of the design parameters (which represents the uncertainties in the design parameters) of IGMs is relatively high, and also the studies on the probabilistic characterization of IGMs are limited compared with soils and rocks. With this perspective, the present article reviews the laboratory and in-situ tests used to characterize the IGMs and explores the shear strength variation based on their geological origin.

• 대한건축학회논문집:구조계
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• 제36권2호
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• pp.155-163
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• 2020

Indoor airborne particles are consisted of outdoor- and indoor-generated particles, which can be characterized by their compositions, generation features and toxicity. The identification of source contribution of indoor and outdoor origin to indoor particles is important to understand PM_2.5 transport in a building as well as its impact on occupant health. The objective of this study is to investigate seasonal source contribution to indoor PM_2.5 concentration depending on airtightness of apartment units. To evaluate the source contribution, particle transport including penetration, generation, exfiltration in an apartment housing unit was simulated by using CONTAM with particle and airflow simulation parameters obtained from field measurements. The result showed that the outdoor source contribution to indoor air was relatively dominant in the leaky housing unit during spring (77.2%) and winter (73.9%), and the indoor source was dominant in the airtight housing unit during summer (60.3%) and fall (60.7%). These results indicate the seasonal health risk of indoor PM_2.5 can be varied according to airtightness of apartment units.

• 대한교통학회지
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• 제26권4호
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• pp.251-264
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• 2008

정확하고 신뢰성 있는 실시간 교통자료의 수집은 다양한 교통운영관리 전략의 구현 및 교통정보제공을 위한 필수요소이다. 본 연구에서는 보다 seamless한 고급 교통정보가공을 위해 차량 간 무선통신기술(Vehicle-To-Vehicle Communication; V2V)을 활용한 새로운 교통정보수집체계를 제안하였다. GPS를 이용하여 개별차량의 주행궤적을 추출하고 V2V를 이용한 교통정보수집 방안을 제시하였다. 본 연구에서 제안한 교통정보수집체계의 기술적 요구사항분석을 위해 몬테카를로 시뮬레이션 기반의 평가체계를 개발하였다. 미시적 교통시뮬레이터 AIMSUN으로부터 개별차량의 주행궤적을 추출하고, 이를 이용한 구간통행시간 산출기법을 몬테카를로 시뮬레이션 기반 평가체계에 결합하여 기술적 요구사항을 도출하였다. 구간통행시간 정확도에 영향을 미치는 요인으로서 V2V 및 개별차량 주행궤적 추출이 가능한 equipped vehicle의 market penetration rate, V2V 통신반경, 통행시간 산출주기를 분석하였다. 또한, 제안된 시스템의 기술적 타당성 확인을 위해 prototypical implementation을 수행하였다. 본 연구의 결과물은 보다 seamless하고 정확한 교통정보가공을 위한 차세대 수집시스템 개발 및 구현을 위한 유용한 기초자료로 활용될 것으로 기대된다.

• Pediatric Infection and Vaccine
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• 제29권2호
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• pp.70-76
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• 2022

코로나바이러스감염증-19 (COVID-19)의 임상 양상은 무증상부터 급성 호흡곤란 증후군에 이르기까지 다양하다. 점액 다당류증(mucopolysaccharidosis) 2형은글라이코스아미노글라이칸(glycosaminoglycan)의 일종인 헤파란 황산염(heparan sulfate)과 더마탄 황산염(dermatan sulfate)의 분해를 촉매하는 효소 결핍에 의해 상기 물질이 리소좀(lysosome)에 축적되는 질환으로 전신 침범, 특히 호흡기침범을 특징으로 한다. 따라서 박테리아나 바이러스에 의한 호흡기 감염은 예후에 치명적일 수 있다. 현재 점액 다당류증 환자에서 제 2형 중증급성호흡기증후군 코로나 바이러스(SARS-CoV-2) 감염 후의 임상 양상에 대한 보고는 매우 드물고, 이에 점액 다당류증 2형으로 효소대체요법을 받고 있던 환자에서 상기 바이러스 감염 후의 임상 양상에 대해 보고하고 관련 문헌에 대해 고찰하고자 한다. 16세 남아로 가족간 전파로 코로나바이러스감염증이 발생하였다. 콧물, 기침, 가래 등 호흡기 증상이 관찰되었다. 발열이나 산소요구도 증가는 없었으며 심박수, 호흡수, 산소 포화도는 정상 범위였고 혈액검사결과에서 백혈구 감소증이 관찰되었다. 흉부 방사선 사진에서 폐렴 소견은 보이지 않았다. 보존적 치료와 격리만으로 증상이 호전되었다. 경미한 임상 양상의 원인으로 전구 물질의 축적으로 인해 바이러스에게 불리한 숙주의 세포 환경, 바이러스와의 상호작용에 관여하는 단백질을 암호화하는 유전자 발현의 특정방향으로의 변화가 제시되고 있다. 또한 점액 다당류증 환자에서 증가된 혈청 헤파란 황산염이 SARS-CoV-2 스파이크 단백질과 숙주 세포의 상호작용에 필수적인 세포 표면의 헤파란 황산염과 경쟁하여 SARS-CoV-2의 세포 내 침투로부터 보호한다는 가설도 있다. 향후 더 많은 사례를 통해 점액 다당류증 등의 리소좀 축적질환에서 코로나바이러스감염증의 발현 양상에 대한 연구가 필요하다.

• 복식문화연구
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• 제3권2호
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• pp.241-260
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• 1995

The Maori's traditional clothing materials, basic forms of dress, and the pattern and technique of tatoo were examined in the present study in order to deepen the appreciation of the cultural heritage of the Maori. The research method employed was the analysis of written materials. And a fild-trip was also made for the study. The study was limitted to the traditional culture of body adornment of the Maori including the clothing which is preserved and practicing by them at the present day, and the origin and the process of the historical development of those are not included in the scope of the present study. Followings are the results of the study: (1) By far the most widely used fiber for Maori clothing is abtained from what is commonly called New Zealand Flax. The fiber of kiekie(Freycinetia baueriana) and cabbage trees(Cordyline spp.) may also be used. The strong, long-lasting fiber of toi(cordyline indivisa) is used for a prestige warrior's cloak. Flat strips of ti kauka(Cordyline australi) are also used as thatch on rain cloaks. (2) Regardless of technique used, Maori weaving is always worked horizontally from left to right. Traditionally the work was suspended between two upright turuturu or weaving sticks. As the work progressed a second pair of uprights was used to keep the work off the ground. These uprights were moved forward as required. Because the weaver sat on the ground, the working edge was kept at a height that was comfortable to reach. No weaving tools are used, the wefts(aho) being manipulated by the fingers. The two main Maori weaving techniques are whatu aho patahi(single-pair twining) and whatu aho rua(double-pair twining). (3) The Maori wore two basic garments - a waist met and a cloak. The cloth of commoners were of plain manufacture, while those of people of rank were superior, sometimes being decorated with feather or dyed tags and decorated borders. Children ran more-or-less naked until puberty, being dressed only for special events. Some working dress consisted of nothing more than belts with leaves thrust under them. Chiefs and commoners usually went barefoot, using rough sandals on journeys over rough country (4) The adornment of men and women of rank was an important matter of tribal concern as it was in chiefly persons that prestige of the group was centred, The durable items of Maori persons adornment were either worn or carried. Ornaments of various kinds were draped about the neck or suspended from pierced earlobes. Combs decorated the head. Personal decorations not only enhanced the appearance of men and women, but many had protective magical function. The most evident personal ornament was the hei-tiki made of jade or other material. Maori weapons were treasured by their owners. They served on bottle and were also personal regalia. A man of rank was not fully dressed without a weapon in hand. Also weapons were essential to effective oratory. (5) No man or woman of rank went without some tattoo adornment except in extremely rare instances when a person was too sacred to have any blood shed. The untattooed were marked as beeing commoners of no social standing. This indelible mark of rank was begun, with appropriate rite and ritual, at puberty. And tattoo marked the person as being of a marriageable age. Maori tattoo was unlike most traditional tattoo in that its main line were 'engraved' on the face with deep cuts made by miniature bone chisels. The fill-in areas were not tattooed with cuts but with the multiple pricks of small bone 'combs' that only lightly penetrated the skin surface. The instrument of tattoo consisted of small pots of pumice or wood into which was placed a wetted black pigment made from burnt kauri gum, burnt vegetable caterpillars or other sooty materials. A bird bone chisel or comb set at right angles on a short wooden handle was dipped into the gigment, that a rod or stick was used to tap head of this miniature adze, causing penetration of the skin surface. Black pigment lodged under the skin took on a bluish tinge. A full made facial tattoo consisted of major spirals with smaller spirals on each side of the nose and sweeping curved lines radiating out from between the brows over the forehead and from the nose to the chin. The major patterns were cut deep, while the secondary koru patterns were lightly pricked into the skin.