• 한국패션뷰티학회지
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• 제3권1호
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• pp.50-60
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• 2005

This research analyzes whether affected some South Korea woman's hair style comparing change of West woman's head form after the mid-1940s. This research purpose is analyze effect that examine South Korea woman and West woman's hair style and compare change special quality and get in our country hair style until 1980 after the mid-1940s. This dissertation is literature research that analyze change process of West woman's hair style and South Korea woman's hair style. Investigation method utilized dress and its ornaments connection books and treatise, beauty art connection books and treatise such as the South Korea and western dress and its ornaments. The following is the chronological analysis of the influence the western hairstyle has had on the Korean women. The hairstyles in Korea have been profoundly influenced by the western culture, especially the western makeup styles and hairstyles. Therefore, exploration of the western hair and makeup-styling conveys a great significance in conducting researches on the Korean hairstyles. Conclusion of this research is hair style of our country received much effects from make-up culture specially Occidentalism, hair style culture by each age, European beauty art culture research can assume that scientific analysis of west woman's clothes and make-up is important in our country hair style research. In the future, it is believed that the cycle of changes in hair-styling will get remarkable shortened with the advance in the computer technology, which enables the world to have a much faster access to other cultures over the Internet.

• 한국의류학회지
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• 제22권1호
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• pp.3-17
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• 1998

The aim of this thesis is to clarify the application of Derrida's 'Deconstruction' theory on the contemporary costume. Derrida's theory of 'Deconstruction' took into the 'decentring' concept which deconstructed the subjects i.e., Occidentalism, Elitecentrism, logocentrism, mancentrism etc.; it deconstructed the dichotomy that had been expressed in the traditional occidental metaphysics, by raising the isolated ones such as the Orient, sub-culture, ir- rationality, madness, woman etc. Summarizing the conclusion of this thesis as follows, 1. The impact of 'Deconstruction' from the inside is to be seen in the principles of intertextuality of the costume, therefore it has shown the bisexual costume by interacting gender, and the costume by mixing time, place and occasion. 2. $\ulcorner$Dis$\lrcorner$ deft phenomena which shows the concept of escape from the center were presented as decentring, dislocation, discomposition, disorder. 3. Undecidability principle resulted in the undecidable presentation in the wearing styles such as wearing, unwearing, layering. Contemporary costume by the 'Deconstruction' from the inside regards costume as a dynamic text, which has attempted the interaction with the other genres. It deconstructed the teleology of the costume function, and it accepts all the various aesthetic principles.

• 윤리연구
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• 제78호
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• pp.61-88
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• 2010

이 연구에서는 제7차 교육과정의 도덕 교과서에 나타난 전통 윤리의 문제점을 제시하였다. 제7차 교육과정에서 고등학교 심화선택과목으로 『전통 윤리』 라는 교과서가 있는 것에서 알 수 있듯이 전통 윤리는 도덕과 교육과정에서 매우 큰 비중을 차지하고 있다. 그러나 도덕 교과에 서술된 전통 윤리의 내용에 대해서는 적지 않은 문제가 있다는 지적들이 있어 왔다. 지적된 문제들로는 백과사전적인 나열과 내용 중복, 내용 오류, 동양 윤리와 한국 윤리의 유기적 연결 부족, 유교로 편중된 내용, 현재의 내용으로는 도덕 교과가 목적하는 바를 성취하기 어렵다는 점 등이 있었다. 이 연구에서는 보다 근본적인 문제들을 제기하였다. 이 논문에서는 도덕 교과서에 나타난 전통 윤리의 문제를 네 가지로 제시하였다. 첫째 교과서가 정의하고 있는 전통 윤리의 개념 문제, 둘째 전통에 대한 반성의 결여, 셋째 전통 윤리를 만병 통치약으로 보는 반면 서양 윤리 내지 사상을 병으로 보는 인식, 넷째 전통 윤리를 서술하는 가운데에서 무수히 발견되는 오리엔탈리즘 또는 옥시덴탈리즘적 시각의 문제이다.