• 사상체질의학회지
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• 제25권2호
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• pp.115-123
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• 2013

Objectives The purpose of this case study is to report that a Soeumin patient diagnosed as adult atopic dermatitis was treated with Sipyimigwanjung-tang and then his symptoms improved. Methods We diagnosed the patient as Soeumin Greater Yin Pattern based on his nature & emotion, physical characteristics, symptoms. So we treated him with Sipyimigwanjung-tang and used Visual Analogue Scale(VAS), SCORAD(Scoring of Atopic Dermatitis) index and pictures of the affected part for the assessment. Results & Conclusions After treatment, his SCORAD index results significantly decreased from 76.3 to 41.8, VAS of itching decreased from 10 to 4 and the patient's subjective symptom and general condition considerably improved. This case study describe the effectiveness of Sipyimigwanjung-tang on Soeumin adult atopic dermatitis symptoms.

• 사상체질의학회지
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• 제27권1호
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• pp.171-177
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• 2015

고기를 먹고 체한 이후 재발한 소양인 건선 환자가 하지의 건선만 호소하고, 야간 소양감,오후의 재발하는 편두통, 어두운 설질과 어반 등의 증상을 호소하여, 장누수증후군과 소양인 식체비만과의 연관성을 고려하여 독활지황탕을 투여하여 증상이 호전된 치험례로, 향후 건선환자의 사상의학적 치료에 보탬이 되고자 보고하는 바이다.

• 한국실내디자인학회논문집
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• 제16권4호
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• pp.31-38
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• 2007

This study is interested in how philological interpretation of a space text were patterned so as to give the text structural cohesion. A similar philological motivation incorporates some of the notions of generative grammar. Interpretation is the process of recovering the cultural meanings expressed in discourse by analysing the linguistic structures in the light of their interactional and wider social contexts. Viewed in this light, the process of this study is illustrated as follows: At first, this research contains basic concepts of signification of text and context, and theories of spacial text and context of typological structure in terms of Ricoeur's structural Hermeneutics. Secondly, it concretize a logic that traditional space context is inserted in organized attribute like emotion, spirit, nature as character of contemporary space text through typological structure. Finally, from aspect of designation theory among interpretive semantics, it shows that korean contemporary space design is incorporated with typological structure of korean traditional palace spacial context homologically through the case study of I-Hotel space design. Through this process, this study suggest that positivistic interpretation methodology by designation of text is logical thinking of Korean traditional space design.

• 비교문화연구
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• 제27권
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• pp.123-143
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• 2012

China's Yueyanglou(岳陽樓) cultural landscape and cultural landscape of Korea, respectively Yueyanglou(岳陽樓) investigated and the following results were extracted. First, multi-cultural personalities to ever Yueyanglou(岳陽樓) China's outstanding natural beauty around the emotion of his drawing on the literature and a new cultural landscape was formed. Their main feeling of the beauty of nature through his ash under adverse conditions up again in politics, which expresses the desire to advance. To this end, his outlook on life and also an attitude overhaul yeotboinda. This information formed the cultural landscape of Korea Yueyanglou(岳陽樓) not deviate from that has been investigated. Second, Korea is entirely China's 'sun' Lou Yueyanglou(岳陽樓) was a significant effect of cultural landscape. The beautiful landscapes of the Joseon Dynasty literati in the Joseon reported only in words and pictures they admired China's leading natural and cultural landscape and paste the name of the famous' sun Lou watch it was transformed into a cultural landscape. For this reason, the current remaining two 'sun' Lou, but probably the Joseon Dynasty, called the 'sun tower base and is estimated to be more common than now. In addition, in Hadong Yueyanglou(岳陽樓) near the sun 'Lou, China has also attached near the nomination could be an important clue.

• 한국가족관계학회지
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• 제21권3호
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• pp.95-122
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• 2016

Objectives: The purpose of this study was to find out the moderating effect of gender between parenting attitude and anger expression of adolescent. Particularly, to ensure that the anger of emotion is common nature, this study was conducted on the middle class adolescent of stable economic status. Method: The subjects of this study were 357 students, first grade from 3 high schools in Seoul. Data was analyzed by descriptive statistics, t-test, correlation, and hierarchial regression, using the SPSS 18.0 program. Results: The main results were as follows: First, in parenting attitude the perception of monitoring and affection was less important for boys than girls, but more important in over expectation and neglect. Second, in anger expression the level of anger-control appeared higher than anger-in and anger-out, no significant gender difference in subfactors. Third, the effect of gender moderated the relationships between parenting attitude and anger expression of adolescent. Conclusions: The results indicated the need to recognize gender difference in controlling anger of adolescent and to improve dysfunctional parenting attitude in middle class. Furthermore, the implications were discussed in enhancing parent-adolescent communication, developing emotional education programs, and preventing juvenile delinquency.

• 조형예술학연구
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• 제10권
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• pp.183-218
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• 2006

Colors change in time corresponding with the value system and aesthetic consciousness of the time. The roles that colors play in painting can be divided into the formative role based on the contrast and harmony of color planes and the aesthetic role expressed by colors to represent the objects. The aesthetic consciousness of the orient starts with the Civility(禮) and Pleasure(樂), which is closely related with restrained or tempered human feelings. In the art world of the orient including poem, painting, and music, what are seen and felt from the objects are not represented in all. Added by the sentiment laid background, the beauty of the orient emphasizes the beauty of restraint and temperance, which has long been the essential aesthetic emotion of the orient. From the very inception of oriental painting, colors had become a symbolic system in which the five colors associated with the philosophy of Yin and Yang and Five Forces were symbolically connected with the four sacred animals of Red Peacock, Black Turtle, Blue Dragon, and White Tiger. In this color system the use of colors was not free from ideological matters, and was further constrained by the limited color production and distribution. Therefore, development in color expression seemed to have been very much limited because of the unavailability and unreadiness of various colors. Studies into the flow in oriental painting show that color expression in oriental painting have changed from symbolic color expression to poetic expression, and then to emotional color expression as the mode of painting changes in time. As oriental painting transformed from the art of religious or ceremonial purpose to one of appreciation, the mast visible change in color expression is the one of realism(simulation). Rooted on the naturalistic color expression of the orient where the fundamental properties of objects were considered mast critical, this realistic color expression depicts the genuine color properties that the objects posses, with many examples in the Flower & Bird Painting prior to the North Sung dynasty. This realistic expression of colors changed as poetic sentiments were fused with painting in later years of the North Sung dynasty, in which a conversion to light ink and light coloring in the use of ink and colors was witnessed, and subjective emotion was intervened and represented. This mode of color expression had established as free and creative coloring with vivid expression of individuality. The fusion of coloring and lyricism was borrowed from the trend in painting after the North Sung dynasty which was mentioned earlier, and from the trend in which painting was fused with poetic sentiments to express the emotion of artists, accompanied with such features as light coloring and compositional change. Here, the lyricism refers to the artist's subjective perspective of the world and expression of it in refined words with certain rhythm, the essence of which is the integration of the artist's ego and the world. The poetic ego projects the emotion and sentiment toward the external objects or assimilates them in order to express the emotion and sentiment of one's own ego in depth and most efficiently. This is closely related with the rationale behind the long-standing tradition of continuous representation of same objects in oriental painting from ancient times to contemporary days. According to the thoughts of the orient, nature was not just an object of expression, but recognized as a personified body, to which the artist projects his or her emotions. The result is the rebirth of meaning in painting, completely different from what the same objects previously represented. This process helps achieve the integration and unity between the objects and the ego. Therefore, this paper discussed the lyrical expression of colors in the works of the author, drawing upon the poetic expression method reflected in the traditional Flower and Bird Painting, one of the painting modes mainly depending on color expression. Based on the related discussion and analysis, it was possible to identify the deep thoughts and the distinctive expression methods of the orient and to address the significance to prioritize the issue of transmission and development of these precious traditions, which will constitute the main identity of the author's future work.

• 동서간호학연구지
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• 제2권1호
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• pp.83-95
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• 1997

Cooking food is very important in Chinese medicine when we regard the food to be the principal origin of the nutrition of human body and the condition required to maitain the activities of the life of human body. Chinese medicine has accumulated the diverse and rich experience of cooking food through long clinical experience as well as made an important contribution to the healthy and long life through the unique theory of cooking food. Chineses medicine has deep view on the relations between food cooking and healthy and long life as well as presented the principle of cooking food created unique ways of food cooking such as food treatment. As the above, from the ancient times, Chinese medicine established Chinese medical science of nutrition under the consciousness of the theory that food and medicine have the same origin and practiced the methods of promoting the health through rightly selecting the foods. Therefore it has been thought that human beings can enjoy healthy life by rich supply of the nutrition. Comfortable ways of sleeping requie the emotion and peace with temperation in pleasure and anger, and also we should be temporate in eating, acting, sleeping posture and be flee from the wind, and we should not put on a quilt when sleep, and we should sleep alone and be careful about sexual life. The concrete measures for sexual intercourse are that: 1) we should marry at the right age not to be married at early age. 2) we should obey nature and not live unmarried life. 3) we should be temperate in having sexual intercoure and in excessive sexual desire. Regarding the residence and clothes: the residence environment should be calm and beautiful and the room for the residence should be well designed to be clean and sanitary and we should wear suitable clothes. All living creatures are living according to the rhythm of the living body and the change of the great nature. The Reason why the living things show the periodical rhythm is not that it is the truth of the great nature, but that the living life itself shall be ceased to be existed in case of running counter to such rhythm. There are 2 specially important things: one is about food in biological view and the other is the residence in social side. By starting from the theory that food and medicine have the same origin and root, we should rightly select the foods to promote the health at the maximum, and it is very important for human to be well obeying the environment and temperate in the life of residence and mind (Choi, Sam Byun, Shon, Sook Young, 1997). As the above, the cook in Chinese medicine suggests us the suitable ways of achieving the goal of nursing. Therefore the continuous study of this field is necessary based on this my study though it is unsatisfactory at this time but it would be the basic materals in establishing the nursing science of Chinese medicine.

• 철학연구
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• 제129권
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• pp.141-166
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• 2014

맹자 성선설은 인간 존재의 심리 특질을 나타내는 '성'과 도덕 가치나 도덕 행위를 나타내는 '선'을 하나로 결합하고 있다. 때문에 성선의 의미를 분명히 하기 위해서는 인간 심성에 대한 심리학적 분석과 도덕규범에 대한 윤리학적 분석이 동시에 요청되는 바, 바로 여기에서 성선에 대한 도덕 심리학적 접근의 필요성이 정당화된다. 그러나 도덕 심리학의 이론들은, 하나같이 도덕성을 인간 심성의 다른 요소에 부속되거나 다른 요소에 의해 부차적으로 갖추어진 것으로 본다. 반면 맹자는 선험적 도덕성과 선험적 도덕규범을 하나로 결합하여 성선을 주장하면서, 도덕성이나 도덕규범의 근거나 단서를 사단지심으로 예증하고, 도덕 행위의 실천 근거를 양능 양지로 제시하고 있다. 따라서 맹자 성선설을 도덕 심리학적 관점에서 고찰하기 위해서는 새로운 도덕 심리학을 필요로 한다. 그리고 그것은 첫째로 성선설이 인간을 덕성 주체로 보고 도덕성이나 도덕규범이 인간 심성에 본유한 것으로 보면서 그 근거나 단서를 도덕 감정에서 찾는다는 점에서 도덕성과 도덕규범을 중심 문제로 다룰 수 있어야 한다. 그리고 둘째로 양능 양지는 도덕 행위의 실천이라는 점에서 보면, 어쩌면 도덕 지능이라고 할 수 있는 것으로, 그 기원이 혈연적 도덕 정감에 있는 만큼, 도덕 지능으로서의 감성 지능을 규명할 수 있어야 한다.

• 한국전통조경학회지
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• 제31권1호
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• pp.48-58
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• 2013

'하회십육경(河回十六景)'과 '하외낙강상하일대도'의 해석과 분석을 통해 하회16경(시)의 형식과 구조 변화 상징성을 밝힌 본 연구의 결과는 아래와 같다. 하회16경은 소상팔경 유사형의 집경(集景)으로, 표제어 결속의 일관성은 발견되지 않지만, 내적으로는 산과 강의 수직 수평적 대비효과 및 자연과 인간의 삶이라는 대비적 풍경 이미지가 강하며, 강, 다리, 계류, 그리고 눈과 비는 모두 '물(水)'이라는 원초적 생명요소를 통한 의미결속이 이루어지고 있다. 하회16경에는 다채로운 변동요인과 감각 의존성을 바탕으로, 강변 고유의 풍토성을 담은 경물과 현상이 겸암 옥연정사를 조망처로 반경 200m에서 3km의 조망권역에 펼쳐져 있다. 겸암 옥연정사의 조망각은 대칭적으로 마주하여 상호 관입하고 있는 반면, 원지 옥연정사에서는 부용대의 영향으로 시야각이 상호 교차하지 못한 채 독립적인 조망권을 형성하고 있음을 볼 때, 하회16경은 겸암 옥연 2개 정사(精舍)뿐만 아니라 원지 빈연정사의 조망점 보완을 통해 완결된 경관임이 확인되었다. 한편, "하외낙강상하일대도" 에서는 하회16경의 조망처인 겸암 옥연 빈연 원지정사가 뚜렷이 명시되고 있을 뿐 아니라, 화산(花山) 입암(立巖) 마암(馬巖) 송림(松林) 수봉(秀峯) 잔도(棧道) 홍교(虹橋) 반기(盤磯) 적벽(赤壁) 횡주(橫舟) 수림(水林) 평사(平沙) 등 하회16경 중 12개 경이 한정된 조망구도 및 화폭 크기에도 불구하고 상세히 묘사되고 있음을 볼 때 하외도는 '하회16경'을 의식해 표현된 실경산수화적 와유물(臥遊物)일 가능성이 높다. 또한 마을을 에워싸듯 열식된 띠숲은 방사림으로 추정되며, 수목의 표현법을 비교할 때 남쪽 띠숲은 현 만송정 송림과는 다른 활엽수림으로 추론된다. 하회16경에는 자연과 인간의 삶을 연결시키고, 나아가 인간의 삶이 자연에 우선한다는 성리철학적 경향이 읽혀지는데, 이는 하회16경시의 저작자 류원지의 아호 '졸재(拙齋)'에서 보듯이 소박한 일상을 바탕으로 올곧은 선비가 추구하고자 한 도학적 세계에 대한 졸박미(拙撲美)를 기본 정서로 하고 있다. 하회16경시에 드러난 경관상은 이 지역 유자(儒者)들이 부용대와 하회마을 정사(精舍)를 중심으로 한 관념적 사고를 경물과 현상에 의탁해 표현한 도학적 세계관이 반영된 하회마을의 대표적 풍경이다.

• 한국전통조경학회지
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• 제32권3호
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• pp.58-68
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• 2014

크리스티안 케이 로렌츠 히르시펠트(Christian Cay Lorenz Hirschfeld)(1742-1792)는 18세기 독일의 미학자이자 정원이론가로 당대에 '풍경식 정원예술의 아버지'라고 불리었다. 그는 '정원예술론'이란 5권의 저작에서 정원이론을 집대성하였고 이는 현재까지도 가장 포괄적인 정원이론서로 여겨진다. 정원역사에서 식물소재, 공간구성요소와 정원유형 등을 다루고 있는 이 이론서는 당대에 유럽에 널리 알려졌고, 이로 인해 영국 풍경식정원을 널리 보급시키는데 크게 이바지하게 된다. 그러나 히르시펠트의 정원론에 관한 연구는 미비한 실정이다. 이 논문은 히르시펠트 정원론의 주요 내용을 살펴보고 현대적 관점에서의 주요 쟁점을 해석하는데 그 목적이 있다. 히르시펠트 정원이론은 18세기 독일 계몽주의와 낭만주의가 교차하는 지점에 태동되었고, 자연이 지닌 정신적 가치를 중시하는 독일문화의 산물이기도 했다. 당대 독서문화가 활성화되고 기행문학이 유행하게 된 사회 현상이 정원이론서가 소비될 수 있었던 배경이 되기도 했다. 오늘날 관점에서 히르시펠트 정원론이 기여한 바와 이를 재해석할 수 있는 쟁점은 다음과 같다. 첫째, 정원예술의 위상을 높이는데 크게 기여했다는 점이다. 둘째, 히르시펠트는 정원예술은 자연의 모방이라는 전제 아래 자연의 원형 경관과 고안된 정원과의 관계를 규명하였으며, 정원은 자연의 아름다움을 최대한 표현하고 끌어낼 때 진정한 예술적 가치를 지닐 수 있다고 주창하였다. 셋째, 히르시펠트는 특정 정원의 인상과 관념이 연합하여 화학적 작용을 일으킨다는 점을 강조하였다. 특정 감정을 불러일으키는 공간을 그는 유쾌하고 쾌활한 축제와 같은 정원, 온화하고 멜랑코리한 정원, 낭만적인 정원, 장엄한 정원 등으로 구분하였다. 넷째, 그는 정원에서의 움직임이 감정을 불러일으키는 중요한 국면임을 강조하였다. 움직임이 중시되는 풍경식정원에서 풍경화식 재현방식이 적절한 방식으로 활용되었다. 다섯째로는 정원은 단지 물리적 공간이 아닌 정신이 구현된 장소임을 환기시켰고, 나아가 삶의 은유로서 윤리적 정원을 실천해야 한다고 주창하였다. 히르시펠트의 정원론은 18세기에 저술된 이론적 저작으로 현재적 시점에서의 구체적인 실천적 함의가 부족하다는 비판적 시각이 있다. 하지만 그는 공공 정원에 대한 논의를 통하여 19세기 도시공원운동의 단초를 제공하였다. 정원예술의 위상제고, 지역성의 강조, 실천이념으로 중재 개념이 그의 이론에서 우리가 주목해야 할 지점이다. 무엇보다도 정원문화가 새롭게 부각되는 오늘날 인문학적 조경론의 가능성을 제시했다는 점에서 의의를 찾을 수 있다.