• 지능정보연구
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• 제28권2호
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• pp.127-146
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• 2022

최근 워드 임베딩이 딥러닝 기반 자연어 처리를 다루는 다양한 업무에서 우수한 성능을 나타내면서, 단어, 문장, 그리고 문서 임베딩의 고도화 및 활용에 대한 연구가 활발하게 이루어지고 있다. 예를 들어 교차 언어 전이는 서로 다른 언어 간의 의미적 교환을 가능하게 하는 분야로, 임베딩 모델의 발전과 동시에 성장하고 있다. 또한 핵심 기술인 벡터 정렬(Vector Alignment)은 임베딩 기반 다양한 분석에 적용될 수 있다는 기대에 힘입어 학계의 관심이 더욱 높아지고 있다. 특히 벡터 정렬은 최근 수요가 높아지고 있는 분야간 매핑, 즉 대용량의 범용 문서로 학습된 사전학습 언어모델의 공간에 R&D, 의료, 법률 등 전문 분야의 어휘를 매핑하거나 이들 전문 분야간의 어휘를 매핑하기 위한 실마리를 제공할 수 있을 것으로 기대된다. 하지만 학계에서 주로 연구되어 온 선형 기반 벡터 정렬은 기본적으로 통계적 선형성을 가정하기 때문에, 본질적으로 상이한 형태의 벡터 공간을 기하학적으로 유사한 것으로 간주하는 가정으로 인해 정렬 과정에서 필연적인 왜곡을 야기한다는 한계를 갖는다. 본 연구에서는 이러한 한계를 극복하기 위해 데이터의 비선형성을 효과적으로 학습하는 딥러닝 기반 벡터 정렬 방법론을 제안한다. 제안 방법론은 서로 다른 공간에서 벡터로 표현된 전문어 임베딩을 범용어 임베딩 공간에 정렬하는 스킵연결 오토인코더와 회귀 모델의 순차별 학습으로 구성되며, 학습된 두 모델의 추론을 통해 전문 어휘를 범용어 공간에 정렬할 수 있다. 제안 방법론의 성능을 검증하기 위해 2011년부터 2020년까지 수행된 국가 R&D 과제 중 '보건의료' 분야의 문서 총 77,578건에 대한 실험을 수행한 결과, 제안 방법론이 기존의 선형 벡터 정렬에 비해 코사인 유사도 측면에서 우수한 성능을 나타냄을 확인하였다.

• 조형예술학연구
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• 제3권
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• pp.145-177
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• 2001

The artist's interest has been captivated by ecological phenomena in Nature. Her keen captivation has then been focused into plastic art depicting the image of primitive life. The wide sweep of her work encompasses the totality of nature which consists of the human's subconscious power and imagination which she then portrays by organic images. These organic images are in contrast to scientific, mathematical and logical inference and consciousness. This research examines the character of the organic images in modern art by her analysis of some representative works by others. The image is an essential concept in the art which appeared in very different ways and in different perspectives. The image in the artwork appears to be the realistic expression until the early part of the 20th Century. Well into the 20th Century, it began being expressed in various ways such as combined images by imagination which is combined or rejected in the story of artwork. It also began being expressed by transferred images by changed original conditions. It is the main purpose of this research is to study of various expressions of organic images in the artwork of the Post-Modernism era. The character and meaning of organic image painting helps people to approach the human instinct more easily to find out the natural essence. It is also an objective of the organic image to tenderise our human sensibilities, thus helping us to regain vitality and recover our poor humanity in the barren wilderness of modern society. 'Life communion with nature' is a meeting point and common ground for Oriental Philosophy and organic image painting. Through this research, organic image painting is characterised in the four following ways : 1st) Organic image painting seeks regularity and perfection of outer shapes, in contrast to disordered and deformed nature, resulting in organic and biotic formalistic mode of plastic art. 2nd) Organic image painting seeks the formative. 3rd) Organic image painting pursues the priceless dignity of life by researching the formatted arrangement and figure, which contains primitive power of life. 4th) Organic image painting makes crystal clear the power of human and nature, which is a historic and biological phenomenon. This, in turn, exposes the humanistic view of the world from modern society best characterised in lost self-understanding, isolation and materialism. The representative organic image painting artists are Elizabeth Murray, Kusama Yayoi, and Niki do Saint Phalle. Elizabeth Murray used shaped canvas and a round construction of relief works. Kusama Yayoi used Automatistic expressionism originating from the realms of unconsciousness and which is represented by the mass and shape of a water drop. Niki do Saint Phalle shows the transcendence of universal life and anti-life to respect the dignity of life and the eco-friendliness relationship of human and nature in the post-modernism in art history. This is accomplished by surrealistic, symbolic, fantastic and humoristic expression. These three artists' works express the spirit of the organic image in contemporary art. It contains the stream of nature and life to seek not only the state of materialism in the reality, but also the harmonized world of nature and human which has almost lost the important meaning in modern times. Finally, this organic image is the plastic language of the majestic life. It is the romantic idea that the intimacy of nature and the universe and Surrealism, which emphasizes the unconsciousness , is the source of truth and spirit. Also it is influenced by primitive art and abstract art. According to this research, the subject 'Research About Organic Images' is not only an important element in the plastic arts from primitive society to the present, but is also fundamental to an true understanding of Post-Modernism.